SKU: WD.080689752728
UPC: 080689752728.
The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.Includes songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.
SKU: MN.70-200
UPC: 688670702006.
This hymn festival provides a unique experience in hymn singing. The congregation and choir sing ten hymns from various Christian traditions. The accompaniments are arranged for organ or piano, and several of the hymn settings include optional handbells and timpani. The accompanying narration provides commentary on the words and deeds of Jesus and also creates a transition from one hymn to the next. This spiral-bound edition allows for reproduction of handbell and timpani parts, narrator pages, and congregation pages. Organist plays from the hymn festival score (70-200A). All instrumental parts, narrator pages, and congregation pages are included in the full score. Contents: Alleluia! Sing to JesusLord, When You Came to JordanJesus Calls Us O'er the TumultThough I May Speak with Bravest FireThis Little Light of MineThe Lord's My Shepherd, I'll Not WantBe Thou My VisionAll Who Hunger, Gather GladlyChrist Is Risen! Should Hosanna!Go, My Children with My Blessing.
SKU: MN.56-0111
UPC: 688670221323. English. Revelation 21:5-6.
Commissioned by Wilshire Baptist Church in Dallas, Texas, to mark the 30th anniversary of Senior Pastor George A. Mason, The Spring of the Water of Life is Howard Goodall’s jubilant anthem for SATB voices and organ. The music sets the poetry of Gerard Manley Hopkins and George Herbert (God’s Grandeur and The Flower respectively), as well as words from Revelation, culminating in a triumphant finale. A trumpet part is also available separately.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: CA.3912249
ISBN 9790007245092. Key: G major. Language: German/English.
As one of the three canticles from the New Testament, the Magnificat - the Canticle of Mary - has at all times held a prominent position in church music. Telemann's setting of Luther's German translation of the text bears eloquent witness both to the composer's rich imagination and to his ability to mold a variety of musical shapes into a coherent formal Baroque architecture. Four solo movements with colorfully contrasting instrumentation are juxtaposed with four emphatically homogeneous choral movements; all of the latter are in 6/8 meter and in motet setting with instruments doubling colla parte. Particularly the choral movements are characterized by lively text portrayal and a wealth of at times dramatic imagery. A work of exceptional magnetism for both listeners and choir singers! Score and part available separately - see item CA.3912200.
SKU: CA.3500209
ISBN 9790007052188. Key: C major. Language: German/English.
Adaptation by Bach: the first movement is based on a now-lost composition by Telemann, the second on the chorus Nun lob, mein Seel, den Herren (BWV 28). The third movement was probably first appended after Bach's death and was originally part of a Christmas cantata by Telemann. Score and parts available separately - see item CA.3500200.
SKU: LP.765762115521
UPC: 765762115521.
Come and See is an invitation for each of us to experience Jesus as He enters Jerusalem; to witness His betrayal by a friend; to endure with Him the suffering and death of a sinless Savior; and finally to behold His empty tomb. Through the eyes of a blind beggar, we're taken through these events and more by way of a powerful and moving dramatic script, and energetic choral arrangements carefully designed for smaller choirs by two-time Dove Award winning writers, Dennis and Nan Allen. With a run time of 36 minutes, this dramatic musical includes popular worship songs Come and See and Sing to the King and the classic Wayne Watson song Friend of a Wounded Heart. Also included is a beautiful arrangement of the hymn I Saw the Cross and a new tune to the great hymn text Beneath the Cross of Jesus. Musically, this work is highlighted by settings that any choir can comfortably attain. Several opportunities for congregational involvement are included. For the full drama version, a small cast is required, and Nan Allen has written creative and very useful production notes to assist in both staging and costuming. The narrator version requires two narrators and is equally moving. This Easter, come and see what Jesus did for you.
SKU: HL.428623
ISBN 9781705163191. UPC: 196288063940. 6.75x10.5x0.19 inches.
This choral compilation brings together beloved carols and new seasonal lyrics with celebrated music from Bach, Handel, Mozart and others. As a collection, you can use this resource throughout Advent and Christmas, or use the optional narration to present the entire work as a cantata. A full line of support products is available to enable your performance options. Score and Parts (instrumentation varies by song) available as a digital download. For the Accompaniment Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428625: Accompaniment Tracks Songs include: Canon de Noel; Procession of Light; A Classic Advent Flourish; Advent Alleluia; Celebration for Advent; He Shall Feed His Flock; An Etude Carol; Christ Is Born! Let Earth and Heaven Rejoice; Adoramus Te; Christmas Jubilate.
SKU: LP.765762076129
UPC: 765762076129.
Split-channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.
SKU: MN.50-1159
UPC: 688670511592. English.
This anthem from the original service of Lessons and Carols, incorporates a fresh new approach. This piece works equally well with organ alone or with an instrumental ensemble for added strength.
SKU: OU.9780193415997
ISBN 9780193415997. 11 x 9 inches.
For SATB and continuo The irresistibly joyful motet Lobet den Herrn, alle Heiden features concise contrapuntal writing and a sophisticated harmonic language, and John Rutter's edition includes helpful performance suggestions and background information. Full scores and instrumental parts are available on hire from the publisher.
SKU: CF.CM9318
ISBN 9780825891991. UPC: 798408091996. 6.875 x 10.5 inches. Text: William W. How. William How.
For All the Saints is a festival anthem for general use throughout the year as well as for specific use in conjunction with All Saints' Day. (Nov. 1, or the Sunday immediately following). For All the Saints has an accessible accompaniment with appropriate modifications for any of the following instruments or combinations of them: piano, organ, or piano, 4 hands. It consists of a men’s verse, a women’s verse, and a combined verse. The ending can move easily into the Doxology, when appropriate.
SKU: LP.OR-9214
UPC: 765762060340.
Rhythm and chord charts for your rhythm instruments. NOTE - melody lines are not included.
SKU: SU.80101441
I Have Seen the Lord (2006) was commissioned by the Episcopal Diocese of California for the installation of the Rt. Rev. Marc Handley Andrus as the eighth Bishop of California. It is a setting of the encounter at the empty tomb between Mary Magdalene and the risen Jesus, ending with festive Alleluias. Instrumentation: SATB, Alto Saxophone, Organ Duration: 2006 Composed: 4'30 Published by: Zimbel Press.
SKU: PL.1539IP
Joyful arrangement of the famous tune exploiting various choral textures and colorful percussion parts. Easy and accessible for all choirs.
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