SKU: YM.GPW01096352
ISBN 9784636963526.
English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support from producing sound to musical expression. It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music. You Ri Ben Chui Zou Le Zhi Dao Zhe Wei Yuan Hui Bian Zhu De Ren Qi Le Dui Xun Lian Zhi Nan De Ying Yu Ban Ben . Ben Jiao Cheng Ji You Yan Zou Fang Fa ,You You Yin Le Biao Da ,Nang Gua Liao Cong Ge Ti Lian Xi Dao Le Dui He Zou De Zheng Ti Guo Cheng ,Dui Le Dui Zhi Dao Zhe De Jiao Xue Fei Chang You Yong . Di Yi Bu Fen : Ji Chu Zhi Shi , Dan Du Ji Chu Xun Lian ; Di Er Bu Fen : Zai Le Dui Zhong Yan Zou , Li Jie Yin Le . Di San Bu Fen : Biao Yan Yin Le . Oboe part of JBC Band Method. JBCGuan Le Dui Zhi Dao Jiao Cheng Shuang Huang Guan .
SKU: BT.DHP-1084339-015
9x12 inches. English-German-French-Dutch.
Veel dirigenten hebben de uitstekende gewoonte elke repetitie te beginnen met een klankstudie. Het is echter net zo belangrijk om regelmatig de ritmische vaardigheden van de muzikanten te bevorderen. Hiervoor is Rhythmic Warp-upsideaal.Met Rhythmic Warm-ups hebt u voor elk orkest op elk niveau een groot aantal efficiënte oefeningen. U kunt de 10 moderne vijfstemmige harmonisaties (A t/m J) combineren met de 36 ritmische patronen - zo hebt u360 oefeningen tot uw beschikking. Uitbreiding is mogelijk door de verschillende stemmen (1-5) verschillende ritmische patronen te laten spelen. Sommige oefeningen worden bijna kleine songs op zich. Verder is het uiteraard mogelijkde harmonisaties te combineren met specifieke ritmische patronen (die u bijvoorbeeld selecteert uit het repertoire waar u aan werkt). Door het gebruik van patronen met straight eighths en in swing (rechte achtsten en swing-achtsten)kunt u het orkest trainen in alle ritmische facetten van de lichte muziek. Door de notatie van hetzelfde ritmische swingpatroon in zowel de 4/4- als 12/8-maatsoort bieden deze Rhythmic Warm-ups u de mogelijkheid om zelfshet meest klassiek georiënteerde orkest binnen enkele repetities enig swinggevoel bij te brengen en meer thuis te laten raken in Latijns-Amerikaanse ritmes. Met Rhythmic Warm-ups krijgt u uw orkest ritmisch in conditie!Ook leverbaar voor brassbandViele Dirigenten haben es sich zur löblichen Routine gemacht, jede Probe mit einer Tonübung zu beginnen. Genauso wichtig ist auch die Förderung der rhythmischen Fähigkeiten der Musiker. Rhyhmic Warm-ups ist hier eine gute Ergänzung der wöchentlichen Ãœberoutine.Rhyhmic Warm-ups bietet effziente Ãœbungen für jedes Blasorchester, unabhängig vom Spielniveau. Kombiniert mit 36 rhythmischen Mustern, ergeben die zehn modernen fünfstimmigen Harmoniefolgen ein Repertoire von 360 Ãœbungen, die teilweise wie kleine Lieder klingen. Auch andere Rhythmusmuster können Sie mit den Harmoniefolgen kombinieren, z. B. aus dem Repertoire, das Sie geradeeinstudieren.Mithilfe von Rhythmusmustern, die mit straight eights und in swing bezeichnet sind, werden alle rhythmischen Facetten populärer Musik abgedeckt. Durch die Notierung der gleichen Swing-Muster sowohl im 4/4- als auch im 12/8-Takt eröffnen die Rhyhmic Warm-ups die Möglichkeit, sogar einem absolut klassisch ausgerichteten Blasorchester innerhalb von ein paar Proben etwas Swing-Feel zu vermitteln. Auch lateinamerikanische Rhythmen können geübt werden.Mit Rhyhmic Warm-ups kriegen Sie ihr Blasorchester rhythmisch fit! De nombreux chefs on ajouté une excellente routine leurs séances de répétition en effectuant un travail préliminaire sur le son. Certains utilisent un choral, d’autres choisissent une pièce solennelle du répertoire profane. Après avoir effectué ce travail préliminaire, la répétition suit son schéma habituel : l’étude des Å“uvres au programme.Si vous souhaitez développer la structuration rythmique de votre formation, chaque semaine, insérer une étude de rythme après la phase de travail du son.Rhythmic Warm-ups (“Échauffement rythmiqueâ€) contient une série d’exercices efficaces pour toutes les formations, quel que soit le niveau. En combinant les 10 pièces cinqvoix (A J) avec les 36 motifs rythmiques, vous disposez de 360 exercices de rythme. Pour élargir votre champ d’action, il vous suffit d’attribuer un motif rythmique différent chacune des cinq voix (1-5). Si la ligne de basse (voix 5) joue un rythme unique, les exercices se transforment en de petites pièces harmonieuses. Il est également possible de combiner les cinq voix avec des rythmes de votre choix (des rythmes extraits d’œuvres au programme, par exemple).En exploitant des motifs rythmiques en croches régulières et des motifs en croches irrégulières (swing), vos musiciens se familiariseront avec toutes les facettes rythmiques de la musique pop. Le fait de disposer d’un même motif rythmique en 4/4 et en 12/8 permet de développer le sens du swing (même chez les musiciens les plus classiques !), en quelques séances seulement. La percussion peut accompagner les motifs rythmiques 1 24 avec des rythmes pop ou latino-américains, condition de jouer ces rythmes en croches régulières. Les motifs rythmiques 25 36 doivent être soutenus par un « groove » swing. Plusieurs exemples de motifs pour la percussion ont été insérés.Il est conseillé de terminer chaque exercice avec un point d’orgue (une ronde).Je vous souhaite, vous et vos musiciens, une pleine réussite et beaucoup de satisfaction dans l’utilisation des Rhythmic
SKU: BT.DHP-1104928-140
En ik vlieg vlieg vlieg als een vlieger...“ - bij deze zin, die de inleiding is voor het bekende refrein, gaat uw publiek helemaal los, want er zijn maar weinig mensen die dit aanstekelijke deuntje niet kennen!De Duitse band Donniklschreef het origineel in 2002 in eerste instantie voor kinderen en mensen met een handicap ter bevordering van de lichaamsgewaarwording en het zelfvertrouwen. Het nummer werd in 2009 plotseling opnieuw opgenomen door andere artiestenin Duitsland en later in Nederland. Vooral tijdens de après-ski in het wintersportseizoen van 2009/2010 werd het nummer bekend als Het vliegerlied (Das Fliegerlied). Kortom, een ideale stemmingmaker voor uw concertof optreden.Und ich flieg, flieg, flieg wie ein Flieger...“ - spätestens an dieser Stelle, die den Refrain einleitet, machen alle mit!Der auch als Fliegerlied“ bekannte Titel So a schöner Tag, von der bayerischen Gruppe Donikkl ursprünglich als Lied zur Ermutigung von Kindern und behinderten Menschen gedacht, ist als Stimmungsmacher ein absoluter Selbstläufer - bei jedem Publikum! « Fly, like a plane » : qui ne rêve pas de voler comme un oiseau ou comme un avion ? Such a Happy Day (So a schöner Tag), du groupe bavarois Donikkl, vous propose cette option en musique. Cette chanson pour enfants a su conquérir le grand public gr ce son entrain irrésistible. Elle compte aujourd’hui parmi les incontournables des fêtes en tout genre outre-Rhin. Ambiance assurée !
SKU: BT.DHP-1104928-010
En ik vlieg vlieg vlieg als een vlieger...â?? - bij deze zin, die de inleiding is voor het bekende refrein, gaat uw publiek helemaal los, want er zijn maar weinig mensen die dit aanstekelijke deuntje niet kennen!De Duitse band Donniklschreef het origineel in 2002 in eerste instantie voor kinderen en mensen met een handicap ter bevordering van de lichaamsgewaarwording en het zelfvertrouwen. Het nummer werd in 2009 plotseling opnieuw opgenomen door andere artiestenin Duitsland en later in Nederland. Vooral tijdens de après-ski in het wintersportseizoen van 2009/2010 werd het nummer bekend als Het vliegerlied (Das Fliegerlied). Kortom, een ideale stemmingmaker voor uw concertof optreden.Und ich flieg, flieg, flieg wie ein Flieger...â?? - spätestens an dieser Stelle, die den Refrain einleitet, machen alle mit!Der auch als Fliegerliedâ?? bekannte Titel So a schöner Tag, von der bayerischen Gruppe Donikkl ursprünglich als Lied zur Ermutigung von Kindern und behinderten Menschen gedacht, ist als Stimmungsmacher ein absoluter Selbstläufer - bei jedem Publikum! « Fly, like a plane » : qui ne rêve pas de voler comme un oiseau ou comme un avion ? Such a Happy Day (So a schöner Tag), du groupe bavarois Donikkl, vous propose cette option en musique. Cette chanson pour enfants a su conquérir le grand public gr ce son entrain irrésistible. Elle compte aujourdâ??hui parmi les incontournables des fêtes en tout genre outre-Rhin. Ambiance assurée !
SKU: CL.024-4905-00
The U.S. Navy SEAL team is one of the most famous and decorated military forces on the planet. The symbol of the SEALs is the Trident, a gold pin identifying the wearer as part of a select group who have endured SEAL training and are certified as special operators in the United States military. The Navy Trident by Robert W. Smith pays tribute to this elite military team. Composed in a classic American march style, The Navy Trident conjures images of gallantry on the sea, land and air. An excellent choice for any concert or festival performance.
SKU: BT.DHP-1094733-140
9x12 inches.
The idea behind The Groove Makers is that all musicians, regardless of training or musical taste, can play together if they all keep the same ‘groove.’ This inspired Peter Kleine Schaars to write a piece everyone would enjoy and to give the concert band a trendy ‘groove’ that the audience can really connect with. Die Idee hinter The Groove Makers sind Musiker, die - unabhängig vom Musikstil - alle im selben Groove“ spielen und gemeinsam das Entstehen einer gemeinsamen Erfahrung erleben. Alles arbeitet auf ein gemeinsames Ziel hin: das Blasorchester grooven“ zu lassen, um das Publikum mitzureißen. Diese Version von The Groove Makers ist eine ausgewogene Zusammenstellung von Höhepunkten aus dem originalen neunminütigen Pflichtstück. The Groove Makers è un brano commissionato in occasione del 2° Festival svizzero di musica da intrattenimento (2008). L’idea era di raggruppare tutti i musicisti sotto un “groove†inteso come stile musicale da suonare insieme. The Groove Makers è quindi una creazione che privilegia suonare insieme. Lo sviluppo del brano è ideale per raggiungere l’obiettivo prefisso: un buon “groove†per incantare il pubblico.
SKU: CF.FPS129
ISBN 9781491143124. UPC: 680160900626.
Rights of Our Nation is an original march in an American style by popular composer Joseph Compello. Marches are important to the history of the modern concert band and young musicians can benefit alot from studying this style early in their training. Compello's march has all of the signature elements that have made his music so popular with developing bands.
SKU: CF.FPS89
ISBN 9780825884535. UPC: 798408084530. 9 x 12 inches. Key: C minor.
The Red Planet is an original concert piece in 5/4 time for a band with at least one year’s training. Joseph Compello's intriguing new work depicts the planet Mars in 5/4 time, giving the work an uneven, exciting feel. The opening section is bold and aggressive, and this piece explores a variety of moods throughout its duration. This, along with the lyrical pseudo sci-fi sound, will make The Red Planet a big hit with students. As a bonus, Compello included a fugato section to help introduce students to contrapuntal music.
SKU: BT.DHP-1043724-140
A Happy Winter Holiday ist ein fröhliches Medley aus der Feder von Roland Kernen. Drei internationale Weihnachtsklassiker wurden in einem schwungvollen Arrangement vereint, mit dem Sie in jedem Weihnachtskonzert überzeugen können. Wünschen Sie Ihrem Publikum mit diesem festlichen Stück fröhliche Weihnachten! Avec A Happy Winter Holiday, Roland Kernen signe un medley pétillant qui rassemble trois grands noëls internationaux : Jingle Bell Rock, Winter Wonderland (Au royaume de Bonhomme Hiver) et Feliz Navidad. Cet arrangement plein d’entrain garantit le succès de vos concerts autour de la Nativité. Une manière originale de souhaiter un « Joyeux Noël ! » votre public.
SKU: GI.G-M523
ISBN 9781579992378. English.
This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.
SKU: HL.44013370
SKU: RM.MOZA02363-BA
ISBN 9790231023633.
SKU: SU.94010960
Full Score (11x17) Also available... Set of Parts (cat. #94010961) PLEASE NOTE: Due to commission constraints, parts will not be available for performaces until after February 2023. pic, 2fl, ob, eh, cl(Eb, 3Bb, bcl), 2bn, cbn; sax (SATBar), 3tpt, 4hn, 3tb, euph, tba; hp, pno/cel, timp, 5perc; cb Duration: 21' Composed: 2021 Published by: Subito Music Publishing.
SKU: PR.416413660
ISBN 9781598063578. UPC: 680160601899. 9x12 inches.
Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
SKU: RM.MOZA02363-CO
SKU: CL.024-4905-01
SKU: CL.013-1658-00
A serious concert and training piece for the less experienced groups. Good all around piece.
SKU: CL.013-1658-01
SKU: CL.RWS-2331-01
A beautiful memorial to a beloved teacher and friend, Unconquered Soul sounds musically demanding. However, it is actually very accessible for developing musicians. Flowing seamlessly from the lyrical choral section into an uplifting up-tempo section, it provides an excellent tool for training players to watch the conductor for tempo. The expert voicing will make your young band sound full and lush, even with limited instrumentation. An excellent middle selection for your assessment performance.
SKU: CL.RWS-2331-00
SKU: IS.FRHWE7556EM
ISBN 9790365075560.
Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians.
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