SKU: BT.DHP-1196124-404
ISBN 9789043157346. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: SU.27020100
Four movements: I. Courtyard, Boston Public Library; II. The Ghosts of Blanchard, Maine; III. Walden Pond; IV. Rock River, Newfane, VermontDuration: ca. 18' Flute, Piano Composed: 2005 Published by: Distributed Composer.
SKU: HL.49008200
ISBN 9783795754341. UPC: 884088945404. 9.0x12.0x0.21 inches.
Fun with Jazz Flute is a series for newcomers to the flute, no matter what age. It offers the possibility of going beyond traditional teaching material and getting to know the characteristics of pop and jazz music. The pieces were composed to be played with a pianist. In addition to the complete versions, you will therefore find the playbacks (the piano accompaniment) on the included CD as well. Sleep Well Waltz * Hickup * Les Boulevards de Paris * Autumn in Donegal * Slalom Waltz * Lonely Streets * Merry-go-round * I Miss You * Rocking Chair Blues * Orient Blues * Empty Bottle * A Sunday in the Park * Trip to Nowhere * Jazz Minuet * Walkin' with Julian * Swingin' Conversation * Journey to Faraway Galaxies * Mr Pickpocket * Paella * Betty's Gospel * Gymnastics * Stairclimbing * Birds in Springtime * Blues No. 672668 * Magic Rocks in Ireland * Pina Colada.
SKU: GI.G-005898
UPC: 641151172828.
Fresh arrangements for the Christmas season for beginner and intermediate pianists and flutists. Includes arrangements for “Sing We Now of Christmasâ€, “What Child Is Thisâ€, “Angels from the Realms of Glory/Angels We Have Heard on Highâ€, and more. Performed by Patrick Godon, piano and Anna Belle O’Shea, flute.   .
SKU: BT.DHP-1145588-401
ISBN 9789043136785. International.
The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues, vibrant yellows, glowing oranges and burning reds, lights up the evening before cooling to calm blues, dark, cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.De hitte van overdag ebt weg terwijl de zon in het westen langzaam achter de horizon verdwijnt. Een schitterend schouwspel van warme schakeringen - levendig geel, gloedvol oranje en vurig rood - verlicht nog even de avond, waarna koele kleuren volgenmet serene tinten blauw, donkere nuances van paars en ten slotte het zwart van de nacht. Fraaie zonsondergangen als deze vormden voor Jan de Haan de inspiratie tot het schrijven van dit sfeervolle werk voor blaasinstrument en piano.Die Hitze des Tages verebbt, während die Sonne langsam am westlichen Horizont versinkt. Ein schillernder Reigen warmer Farben aus pulsierendem Gelb, glühendem Orange und brennendem Rot erhellt den Abendhimmel, bevor ruhige Blautöne, kühle Lilaschattierungen und schließlich die Schwärze der Nacht Abkühlung bringen. Solcheunvergesslichen Sonnenuntergänge inspirieren Jan de Haan zur Komposition dieses Stückes für diverse Blasinstrumente und Klavierbegleitungen. La chaleur de la journée s’atténue peu peu alors que le soleil plonge lentement derrière l’horizon. Un éblouissant spectacle met en scène des jaunes vibrants, des oranges lumineux et des rouges br lants qui illuminent le début de soirée alors quedéj , apparaissent les premières nuances bleutées et pourpres, synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsqu’il a composé cette pièce pour instrument vent diverses et piano.Il calore del giorno si stempera mentre il sole scompare lentamente all`orizzonte. Una brillante combinazione di calde tonalit di giallo vibrante, arancio luccicante e rosso incandescente riscalda la sera. Colori che lasciano il passo a un blu cherilassa, a rinfrescanti tonalit del viola, e infine al nero della notte. Questi sono i tramonti indimenticabili che hanno ispirato Jan de Haan nel scirvere questo brano per diversi strumenti a fiati e pianoforte.
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