(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. For Flute, Oboe. 48 pages. Published by Carl Fischer

By Anton Reicha (1770-1836). Winds. For flute, oboe, clarinet in C, horn in D, F and G and bassoon (wind quintet). This edition: Facsimile Editions. Reicha was the father of the woodwind quintet.. Classical. Parts. Published by Rosewood Publications (RW

By Anton Reicha (1770-1836). Winds. For flute, oboe, clarinet in A, horn in D and bassoon (wind quintet). This edition: Facsimile Editions. Reicha was the father of the woodwind quintet.. Classical. Parts. Published by Rosewood Publications

By Anton Reicha (1770-1836). For woodwind quintet (flute, oboe, clarinet, horn and bassoon). This edition: Facsimile Editions. Winds. Reicha was the father of the woodwind quintet.. Classical. Parts. Published by Rosewood Publications

By Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Mel Orriss. For wind trio: flute, oboe, clarinet in Bb. Pick and Mix series. Grade 9. Score and parts. Duration 1'30. Published by Wonderful Winds

By Henri Brod. For flute, oboe, clarinet, horn and bassoon (wind quintet). Winds. Worthy companion pieces to Reicha quintets. Classical. Set of parts

Oboe

SKU: BT.9781408105283

Composed by Helen McKean. Abracadabra. Method. Book with CD. Collins Music Publishing #9781408105283. Published by Collins Music Publishing (BT.9781408105283).

ISBN 9781408105283. English.

The perfect book for pupil and teacher.

• Tunes you know and want to play.
• Technique carefully graded.
• Clear fingering diagrams.
• Concise theory explanations.
• New duets.
• Fresh new look.

Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard.

By Johann Sobeck. Winds. For solo clarinet, flute, oboe, horn, and bassoon (wind quintet) or clarinet and piano. This edition: Facsimile Editions. Showpiece for the clarinet.. Romantic. Piano score and parts. Published by Rosewood Publications (RW.RFE-67). Piano score and parts. Romantic.

(For Wind Quintet). Composed by George Tsontakis. Woodwind quintet. For Flute, Oboe, Clarinet, Horn, Bassoon. Premiered July 1983 at the Aspen Music Festival. Contemporary. Score and part(s). Standard notation. 95 pages. Duration 20 minutes. Theodore Presser Company #144-40213. Published by Theodore Presser Company

By Johann Sobeck. For flute, oboe, clarinet, horn and bassoon (wind quintet). Facsimile Editions - Winds. Interesting companion piece to Reicha and Danzi, at an extremely reasonable price. Romantic

By Gabriel Faure (1845-1924). Arranged by Anna Cooper. For wind trio: flute, oboe, bassoon. Pick and Mix series. Grade 5 to 8. Score and parts. Duration 4'33. Published by Wonderful Winds

Oboe, bassoon and piano - difficult

SKU: HL.49016219

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219).

ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches.

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer.

Composed by Traditional African American Spiritual. Arranged by Howard J. Buss. This well-known African American spiritual (the foot bone's connected to the leg bone, the leg bone's connected to the...), arranged by Howard Buss, makes a memorable concert feature as well as a rousing musical offering in church. African American Spiritual. Score and parts. Duration 2'30". Brixton Publications #B1018. Published by Brixton Publications