SKU: TM.02115SC
Key of F. Clarinets = transposed bassett horns. Act II No. 10. See #02632 for O Isis und Osirus (Chorus of Priests).
SKU: TM.02115SET
SKU: CL.011-3202-01
Bill Bailey not only won’t come home, he’s gone off on an around-the-world trip and he’s taking your band with him. This novel Larry Neeck arrangement of the old favorite Bill Bailey Won’t You Please Come Home and presents it as it could sound in the Far East, Carribbean, France, Italy, Middle East, Mexico and the USA! A terrific addition to any concert and a real audience pleaser!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: TM.03423SET
Begins at Bella siccome. See #14339 for version including the whole introduction.
SKU: TM.03485SC
Sung by Amneris and Radamer. Act IV Scene 1 complete (sc pg 344-382). See #03814 L'abborita rivale a me sfuggia for opening solo only.
SKU: TM.03423SC
SKU: HP.C6180
UPC: 763628161804.
Original anthem This Hal Hopson classic is appropriate for services where love is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is based on the traditional English melody, O WALY WALY. The String Quartet setting can be for strings only or used as an accompaniment for the choral settings or the vocal solo, but not for the TTBB version which is in the Key of C. String Parts come in the two keys, A & G, and include parts for Violin 1 & 2, Viola and Cello.
SKU: HP.9091
UPC: 763628190910.
SKU: CA.2720605
ISBN 9790007330392. Latin.
The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn of praise from St Lukeâs gospel, we hear the solo soprano as the voice of Mary. The work draws on the wealth of Afro-Caribbean rhythms. The first movement gives a hymn-like expression to the message of the text with the tremendous energy of the Cuban salsa. There are many examples of the relationship between word and music throughout the work. An example of this is the passage Deposuit potentes (âHe hath put down the mighty from their seat and hath exalted the humble and meekâ). In this passage, a 9-part canon vividly portrays the words et exaltavit and deposuit through chromatic passagework in contrary motion extending over an octave.With this work composer Bobbi Fischer has created a musical bridge between Europe and South America as well as stylistic links to his Missa latina (Carus 28.007). The rhythm group (piano, bass, drums, and percussion) is identical; new instrumental colors from the Latin world are added with two obbligato violins and one reedplayer (alto saxophone/flute) â in the place of the bandoneon and violin used in the Missa latina. The Magnificat is also available on CD (Carus 83.483). Score available separately - see item CA.2720600.
SKU: JF.MFBBGH1013
UPC: 747187101303.
At only 38 measures, this simple setting based on the piano arrangement by Fred Bock is a good fit for a brief devotional moment in worship.
SKU: WJ.PBW2401
9 x 12 inches.
This new ballad by Joshua Hobbs is a perfect piece to stretch your musicianship. Written as a dedication to the composer's wife, this work will speak to audiences and musicians alike. As with most of Joshua's works - Always sounds much more mature and challenging than it is, which makes it a perfect showcase work for your musicians.
SKU: JF.MFBBG0996
UPC: 714245101124.
Originally a piano solo on the tune St. Louis by the late Fred Bock, this arrangement captures the intent of the original. Alternate and fresh harmonies translates into several bell changes, but worth the challenge. Only 44 measures in length and just right for a contemplative moment in worship.
SKU: JF.MFBBG0964
UPC: 714245101100.
Arranger William Mathis has set this medley for bells and 7 chimes in the 3 octave range. Both CRADLE SONG and AWAY IN A MANGER tunes are used.
SKU: JF.MFBBG0957
UPC: 747187095701.
Fred Bock passed from this earth in 1998, but he will live on in many ways, not the least being his wonderful song arrangements. Here the poignant spiritual is set for handbells and optional 3-5 octaves of chimes.
SKU: JF.MFBBGH1005
UPC: 747187100504.
From the Fred Bock Seasons of Praise series comes Kevin McChesney's arrangement of the praise-and-worship favorite. Multiple versions for 3 to 5 octave handbell choir or 2 to 4 ringer small ensemble.
SKU: CA.2720600
ISBN 9790007189020. Language: Latin.
The Magnificat was commissioned in 2017 by the Landesakademie fur die musizierende Jugend in Baden-Wurttemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn of praise from St Luke's gospel, we hear the solo soprano as the voice of Mary. The work draws on the wealth of Afro-Caribbean rhythms. The first movement gives a hymn-like expression to the message of the text with the tremendous energy of the Cuban salsa. There are many examples of the relationship between word and music throughout the work. An example of this is the passage Deposuit potentes (He hath put down the mighty from their seat and hath exalted the humble and meek). In this passage, a 9-part canon vividly portrays the words et exaltavit and deposuit through chromatic passagework in contrary motion extending over an octave. With this work composer Bobbi Fischer has created a musical bridge between Europe and South America as well as stylistic links to his Missa latina (Carus 28.007). The rhythm group (piano, bass, drums, and percussion) is identical; new instrumental colors from the Latin world are added with two obbligato violins and one reedplayer (alto saxophone/flute) - in the place of the bandoneon and violin used in the Missa latina. The Magnificat is also available on CD (Carus 83.483).
SKU: WJ.PBW2401FS
SKU: BT.DHP-1064151-010
9x12 inches. English-German-French-Dutch.
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging (Maria door een doornwoud trad) is een traditioneel Duits kerstlied. De oudst bekende versie is opgetekend in het Andernacher Gesangbuch uit 1608. Halverwege de negentiende eeuw was heteen regionaal bedevaartslied in Thüringen en aan het begin van de twintigste eeuw werd het in de huidige versie opgenomen in het liedboek Zupfgeigenhansl van de Duitse jeugdbeweging. Maria durch ein’ Dornwald ging heeftal vele arrangeurs ge nspireerd tot het schrijven van koorbewerkingen. Michael Bilkes verwerkte de bekende melodie in een sfeervol arrangement voor harmonieorkest.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
SKU: BT.DHP-1064151-140
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
