By Camila Cabello. Arranged by Terry White. Easy Jazz Ensemble Series. Jazz, Latin. Softcover. Published by Hal Leonard

Score Only Concert Band (Score) - Grade 2

SKU: HL.4005570

By Camila Cabello. Arranged by Matt Conaway. Discovery Plus Concert Band. Concert, Pop. Softcover. Published by Hal Leonard (HL.4005570).

UPC: 888680754020. 9.0x12.0x0.027 inches.

Camila Cabello dominated the pop charts with her distinctive pop hit. Featuring a steamy Latin groove and catchy melodic lines, this arrangement will sound great with limited rehearsal time.

Featuring: Treasure / Eye of the Tiger / Havana / And All That Jazz. Arranged by Michael Story. Concert Band; Part(s); Score. Pop Beginning Band. Form: Suite. Pop. 276 pages. Published by Alfred Music

By Camila Cabello. Arranged by Larry Moore. Pop Specials for Strings. Pop. Softcover. Published by Hal Leonard

By Camila Cabello and Young Thug. Piano Vocal. Softcover. 12 pages. Published by Hal Leonard

Easy Piano Piano/Keyboard

SKU: HL.282483

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Rock. Softcover. 424 pages. Published by Hal Leonard (HL.282483).

ISBN 9781540034403. UPC: 888680789275. 9.0x12.0x0.967 inches.

Almost 70 contemporary hits released since 2010 in easy piano arrangements with lyrics: All About That Bass • Bad Romance • Brave • Call Me Maybe • Cups (When I'm Gone) • Feel It Still • Get Lucky • Happy • Havana • Hey, Soul Sister • I Will Wait • Just Give Me a Reason • Let It Go • Mean • Moves like Jagger • Need You Now • Radioactive • Rolling in the Deep • Shake It Off • Stay with Me • Thinking Out Loud • Uptown Funk • We Are Young • and more.

Featuring: Treasure / Eye of the Tiger / Havana / And All That Jazz. Composed by Various. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Pop Beginning Band. Form: Suite. Pop. Score. 28 pages. Alfred Music #00-46615S. Published by Alfred Music (AP.46615S).

Violoncello (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-23

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-23. Published by Breitkopf and Haertel (BR.OB-15136-23).

ISBN 9790004341322. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Double bass (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-27

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-27. Published by Breitkopf and Haertel (BR.OB-15136-27).

ISBN 9790004341339. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15137-07

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Study Score. 36 pages. Breitkopf and Haertel #PB 15137-07. Published by Breitkopf and Haertel (BR.PB-15137-07).

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 1 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-15

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-15. Published by Breitkopf and Haertel (BR.OB-15136-15).

ISBN 9790004341292. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.