| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Choral SATB [Score] - Intermediate Carus Verlag
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, ...(+)
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3 SKU: CA.3911900 Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Full score. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/00. Published by Carus Verlag (CA.3911900). ISBN 9790007055547. Key: B flat major. Language: German/English. In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Choral SATB - Intermediate Carus Verlag
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, ...(+)
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3 SKU: CA.3911911 Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/11. Published by Carus Verlag (CA.3911911). ISBN 9790007055561. Key: B flat major. Language: German/English. In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Choral SATB - Intermediate Carus Verlag
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, ...(+)
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3 SKU: CA.3911914 Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, basso continuo. TVWV 1:58. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.119/14. Published by Carus Verlag (CA.3911914). ISBN 9790007055592. Key: B flat major. Language: German/English. In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Choral SATB [Score and Parts] - Intermediate Carus Verlag
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, ...(+)
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3 SKU: CA.3911919 Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/19. Published by Carus Verlag (CA.3911919). ISBN 9790007139292. Key: B flat major. Language: German/English. In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and parts available separately - see item CA.3911900. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) Choral SATB - Intermediate Carus Verlag
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, ...(+)
Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3 SKU: CA.3911913 Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/13. Published by Carus Verlag (CA.3911913). ISBN 9790007055585. Key: B flat major. Language: German/English. In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The First Nowell Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1115068-215 Arra...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1115068-215 Arranged by Lorenzo Bocci. Flexible 4 Series. Festive and Solemn Music. Score Only. Composed 2011. 12 pages. De Haske Publications #DHP 1115068-215. Published by De Haske Publications (BT.DHP-1115068-215). 9x12 inches. English-German-French-Dutch. The First Nowell is a traditional Christmas song that can be traced back to the 18th century. The word â??nowellâ? is in fact derived the French word for Christmas, â??noelâ?. The First Nowell is sung in Englishspeaking countries around the world, although the actual text may vary by region and local customs. The simple and beautiful melody has made this carol a Christmas favourite. Lorenzo Bocci turns the melody into an elegant flexible four-part arrangement.
The First Nowell is een traditioneel kerstlied dat vermoedelijk uit het Cornwall (Engeland) van de achttiende eeuw stamt. Het woord â??Nowellâ?? in de titel verwijst naar het Franse woord voor kerst: noël. In heel het Engelstalige gebiedwordt dit lied gezongen, weliswaar met verschillenden teksten. Dankzij de eenvoudige maar ontroerende melodie is het lied over de gehele wereld bekend. Lorenzo Bocci maakte er een arrangement voor vijfstemmige variabele bezettingvan. Lieflijk en hartverwarmendâ?¦
The First Nowell ist ein traditionelles Weihnachtslied, das vermutlich aus dem Cornwall des 18. Jahrhunderts stammt. Das Wort Nowellâ?? im Titel geht auf das französische Noëlâ?? fu?r Weihnachten zuru?ck. Das Lied wird zu unterschiedlichen Textversionen im gesamten englischen Sprachraum gesungen und ist dank seiner schlichten, ergreifenden Melodie auf der ganzen Welt bekannt. Diese schöne Melodie machte Lorenzo Bocci mit seinem Arrangement fu?r eine vierstimmig variable Bläserbesetzung spielbar.
Le mot Nowellâ?? dans le titre de cette chanson traditionnelle de Noël datant du XVIIIe siècle et dont lâ??origine se situe dans les Cornouailles en Angleterre, fait référence au mot français Noël. Lorenzo Bocci a façonné un élégant arrangement pour ensemble instrumentation variable quatre voix de cette mélodie, accessible et ravissante, faisant de ce chant un choral de prédilection dans le monde entier.
La parola â??nowellâ? di questo canto tradizionale natalizio datato del XVIII secolo e originario della Cornovaglia, fa riferimento alla parola francese â??Noelâ? (appunto Natale). Lorenzo Bocci ne ha realizzato un elegante arrangiamento per ensemble a strumentazione variabile (quattro voci). $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113309 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. 1x 31.133/21 oboe d'amore 1, 1x 31.133/22 oboe d'amore 2, 1x 31.133/31 cornett. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. Duration 20 minutes. Carus Verlag #CV 31.133/09. Published by Carus Verlag (CA.3113309). ISBN 9790007207977. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113319 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1724. BWV 133. 152 pages. Duration 20 minutes. Carus Verlag #CV 31.133/19. Published by Carus Verlag (CA.3113319). ISBN 9790007141127. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300. $94.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso ...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, cornetto, 2 violins, viola, basso continuo SKU: CA.3113300 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Full score. Composed 1724. BWV 133. 36 pages. Duration 20 minutes. Carus Verlag #CV 31.133/00. Published by Carus Verlag (CA.3113300). ISBN 9790007097486. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphonic Suite from 1805 - A Town's Tale Marching band [Score] - Intermediate Hal Leonard
Fanfare Band Set (Score) - Grade 4 SKU: HL.4007981 For Fanfare Band, G...(+)
Fanfare Band Set (Score) - Grade 4 SKU: HL.4007981 For Fanfare Band, Grade 4 9:46 Score. Composed by Otto M. Schwarz. Concert, Movies. Softcover. Duration 586 seconds. Hal Leonard #SDP07121101. Published by Hal Leonard (HL.4007981). In 2013, the short film “1805: A Town's Tale†was released, produced by Refos Film, with music by Otto M. Schwarz. A fateful autumn day in the year 1805: the morning mists hang heavy over the sprawling field near Dürnstein. The captain's tent and some smaller tents are seemingly lifeless in their deep slumber. In dawn's half-light, the fires now only steam and barely glow. A figure sneaks past the main tent. This is Phillipe, a soldier of Napoleon's troops, leaving the camp early to warn Mina, his lover, and the other inhabitants of the town of Krems of the planned raid ... he Symphonic Suite is a compilation of various main themes from the soundtrack. In addition to this version, there is also a larger edition in which the orchestra can play live to the film with a click track. $34.00 - See more - Buy online | | |
| Symphonic Suite from 1805 – A Town's Tale Marching band [Score and Parts] - Intermediate Hal Leonard
Score and Parts Fanfare Band Set (Score & Parts) SKU: HL.4007982 For F...(+)
Score and Parts Fanfare Band Set (Score & Parts) SKU: HL.4007982 For Fanfare Band, Grade 4 9:46 Score and Parts. Composed by Otto M. Schwarz. Concert, Movies. Softcover. Duration 586 seconds. Hal Leonard #SDP07121102. Published by Hal Leonard (HL.4007982). In 2013, the short film “1805: A Town's Tale†was released, produced by Refos Film, with music by Otto M. Schwarz. A fateful autumn day in the year 1805: the morning mists hang heavy over the sprawling field near Dürnstein. The captain's tent and some smaller tents are seemingly lifeless in their deep slumber. In dawn's half-light, the fires now only steam and barely glow. A figure sneaks past the main tent. This is Phillipe, a soldier of Napoleon's troops, leaving the camp early to warn Mina, his lover, and the other inhabitants of the town of Krems of the planned raid ... he Symphonic Suite is a compilation of various main themes from the soundtrack. In addition to this version, there is also a larger edition in which the orchestra can play live to the film with a click track. $140.00 - See more - Buy online | | |
| My joy is all in thee (Ich freue mich in dir) Choral Unison Carus Verlag
Choir SKU: CA.3113305 Cantata for the 3rd day of Christmas. Compos...(+)
Choir SKU: CA.3113305 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Christmas. Choral Score. Composed 1724. BWV 133. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.133/05. Published by Carus Verlag (CA.3113305). ISBN 9790007161934. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score available separately - see item CA.3113300. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Der 84. Psalm Choral TTBB [Score] Carus Verlag
SSAATTBB vocal soli, SSAATTBB choir SKU: CA.2334200 Composed by Otto Nico...(+)
SSAATTBB vocal soli, SSAATTBB choir SKU: CA.2334200 Composed by Otto Nicolai. Edited by Klaus Rettinghaus. German title: Der 84. Psalm Wie Lieblich Sind Deine. Sacred vocal music, Psalms, German. Full score. Carus Verlag #CV 23.342/00. Published by Carus Verlag (CA.2334200). ISBN 9790007129453. Language: German. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My joy is all in thee (Ich freue mich in dir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, ctto, 2 violins, viola, basso continuo SKU: CA.3113349 Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Christmas. Single Part, Organ. Composed 1724. BWV 133. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.133/49. Published by Carus Verlag (CA.3113349). ISBN 9790007207984. Language: German. The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pieces- Deux Improvisations Sur Des Airs Irlandais Cello, Piano Leduc, Alphonse
(Cello Part And Piano Score) SKU: HL.48186482 Composed by Reynaldo Hahn. ...(+)
(Cello Part And Piano Score) SKU: HL.48186482 Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482). Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien. $16.20 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
1 ... 91 121 151 |