Cello Duet - intermediate

SKU: HL.49008156

Performance Score. Composed by Gerhard Mantel. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 44 pages. Schott Music #ED8781. Published by Schott Music (HL.49008156).

ISBN 9790001122184. UPC: 884088073091. 9.0x12.0x0.175 inches.

These duet studies are intended as a companion volume and as additional exercises to the method 'Cello mit Spass und Hugo', but they are equally well suited as complementary material to any other course of study. Each piece tackles a clearly defined technical or tonal task, yet they are meant to be fun and useful additional to the chamber music repertoire in their own right. Initially the upper part is intended for the pupil, the lower one for the teacher. But as both parts are comparatively equal, they could also be attempted by two pupils. For group tuition it is suggested to introduce a couple of rhythmical accompanying parts.

Basso Continuo; Cello (Score & Parts) - easy to intermediate

SKU: HL.49044745

For Cello and Basso Continuo. Composed by Stephen Paxton. Edited by Rainer Mohrs. This edition: Saddle stitching. Sheet music. String Solo. Classical, Contemporary. Softcover. Op. 3/3. 20 pages. Schott Music #CB280. Published by Schott Music (HL.49044745).

ISBN 9790001202992. UPC: 841886024939. 9.25x12.0x0.077 inches.

Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early Classical works his Sonatas op. 3, written for amateur cellists and students, fill a significant gap in tuition repertoire. This three-movement Sonata op. 3/3 is very well suited to the cello and distinguished by its elegant and appealing melodies. The sonata can be played using the first four finger positions. As a cellist Paxton was very familiar with the technical capabilities of his instrument and knew how to make it sing with simple and effective figures. The first movement consists of two sections and has an expressive middle section in C minor. The slow movement uses an Irish folk song ('Gramachree'), with two dance movements (Minuet 1 and 2) at the end.This new edition reproduces all the details of the first printed version, with just a few dynamic markings added in square brackets. The bass part has been written out in the style of an early Classical keyboard accompaniment so as to underline the galant rococo style of the piece.

SATB choir

SKU: ST.W217

Composed by Ronald Corp. SATB (Unaccompanied). . Myn Lyking; The Virgin's Cradle Hymn; Quem Pastores Laudavere. Choral. Octavo. Stainer & Bell Ltd. #W217. Published by Stainer & Bell Ltd. (ST.W217).

ISBN 9790220221941.

An expert choral director as well as a highly regarded composer, Ronald Corp has written unaccompanied SATB settings of three famous medieval carol texts, Myn Lyking, The Virgin's Cradle Hymn (Dormi Jesu) and Quem Pastores Laudavere. The idiom is modern yet accessible, with an ear for stylish harmony that includes both modal progressions and colourful added chords, embroidered in some rich yet untaxing divisi writing. The carols may be performed as separate items or as a group, the first two being cradle songs for the Nativity, the third also suited to the celebration of Epiphany on 6 Janaury. Ronald Corp is Founder and Artistic Director of the New London Orchestra and New London Children's Choir, and Musical Director of the London Chorus and Highgate Choral Society.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS148F

Composed by Peter Warlock. Arranged by Caryn Wiegand Neidhold. Full score. 12 pages. Duration 3 minutes. Carl Fischer Music #CAS148F. Published by Carl Fischer Music (CF.CAS148F).

ISBN 9781491163146. UPC: 680160921898. Key: D minor.

The enigmatic composer Peter Warlock is best known for his exciting Capriol Suite, which has become a favorite for adjudicated orchestra events. Two of the most famous movements, Basse-Danse and Mattachins (Sword Dance), are presented here in a set adapted for intermediate orchestra, allowing younger students to experience the high-energy melodies and unique harmonies of these popular dances. These thoughtfully-arranged pieces work well at a variety of tempi, from moderate to presto, according to the ensemble’s ability. An exciting concert opener or closer!

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

SKU: HL.48185433

Leduc. Classical. Softcover. 29 pages. Alphonse Leduc #AL28998. Published by Alphonse Leduc (HL.48185433).

UPC: 888680914646. 9.0x12.0x0.133 inches.

Favourite pieces for Alto Saxophone and Piano ? Vol. 3 is the third volume of an anthology of famous pieces, transcribed and adapted by Marcel Mule. Part of the collection ?Classics for Saxophone?, this volume features ten classical pieces of medium difficulty: - Suite d'orchestre en Ut - Bourree - BWV 1066, by J. S. Bach - Achille et Deidamie - Gavotte des bergers, by Campra - Isse - Pastorale et Passepied, by Destouches - Gavottes, Sicilienne et Guigue, by Handel - Adagio, by Leclair - Air tendre et courante, by Lully - Les moutons - Gavotte, by Martini - Romance sans parole (N20) , by Mendelssohn - Tambourin, by Mondonville - Le Temple de la Gloire - Gavotte, by Rameau. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen exercises or etudes', 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books), among others..

Concert Band (Score & Parts) - Grade 4

SKU: HL.48024054

Composed by Gustav Holst. Arranged by Jon Mitchell. Windependence Master Level. Classical, Concert. Softcover. Boosey & Hawkes #M051663637. Published by Boosey & Hawkes (HL.48024054).

UPC: 888680678678. 9x12 inches.

A century ago, James Causley Windram, then band director of the 5th Northumberland Fusiliers (and later the Coldstream Guards) asked Gustav Holst if he would transcribe some of the composer's Hymns from the Rig Veda for military band. Always a band advocate, Holst readily agreed. In this thoroughly characteristic suite, two of Windram's settings (Hymn of the Travellers and Battle Hymn) have been edited for modern instrumentation, while a third (Hymn to Manas) has been arranged by Jon Ceander Mitchell from Holst's original choral setting.

Viola (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-19

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 8 pages. Duration 18'. Breitkopf and Haertel #OB 15114-19. Published by Breitkopf and Haertel (BR.OB-15114-19).

ISBN 9790004339800. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Double Bass, Violin, Orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.PB-15156-07

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Study Score. 40 pages. Duration 18'. Breitkopf and Haertel #PB 15156-07. Published by Breitkopf and Haertel (BR.PB-15156-07).

ISBN 9790004215616. 6.5 x 9 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Harpsichord/piano (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-12

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Arranged by Matthias Grunert. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 16 pages. Duration 18'. Breitkopf and Haertel #OB 15114-12. Published by Breitkopf and Haertel (BR.OB-15114-12).

ISBN 9790004339770. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Woodwinds (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-30

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Set of parts. 22 pages. Duration 18'. Breitkopf and Haertel #OB 15114-30. Published by Breitkopf and Haertel (BR.OB-15114-30).

ISBN 9790004339824. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).