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| Alms
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April. Composed by Eric Ewazen. Octavo. Performance Score. Theodore Presser Company #312-41879. Published by Theodore Presser Company (PR.312418790). ISBN 9781491138144. UPC: 680160640218. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The third movement, ALMS is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is primarily minor, yet with moments of playfulness, the recollection of happy times takes over. This seesaw between emotions is heard throughout the movement, and with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. .
Program Notes by Eric EwazenSECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $4.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Song of a Second April
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April. Composed by Eric Ewazen. Octavo. Performance Score. Theodore Presser Company #312-41877. Published by Theodore Presser Company (PR.312418770). ISBN 9781491138120. UPC: 680160640195. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The first movement, SONG OF A SECOND APRIL is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, creating a feeling of powerful, relentless emotions. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a surprise Picardy Third in the final chord – suggesting a bit of hope!.
SECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $3.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Rondo in the Nick of Time
String Orchestra [Score and Parts] - Easy
Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by Larry Clark. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS22. Published by Carl Fischer Music (CF.CAS22). ISBN 9780825858208. UPC: 798408058203. 8.5 X 11 inches. Key: G major. The fast paced rondo has a Dorian flavored melody with hints of quartel (based on an interval of a fourth) harmony to give it a contemporary sound The players are presented with solo opportunities as well as harmonic turns and twists that will keep them.
Rondo in the Nick of Time was originally the third movement for a woodwind quintet piece that I wrote in 1990. I have always been fond of this little piece and felt that it would adapt well to larger ensembles. I have also scored this piece for band as part of a suite called Upon a New Horizon.The main theme is based on the Dorian Mode. The use of quartal harmony makes up most of the harmonic material. Each statement of the theme is followed by an episode that increases in length each time. There is a sudden change of style and tempo in the middle of the piece, where fragments of the theme are developed. The title is a play-on-words, since the work contains hemiola effects that alter the feel of the time.As with all of my pieces for strings, the bowings are given only as a reference. Feel free to alter them to fit the needs of your students. I have indicated a rather fast tempo for the piece. I really like the piece to fly, but it will work and sound fine at a slower tempo as well. Just endeavor to keep their energy moving forward.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students enjoy it and find it useful in your program.-Larry ClarkLakeland, FL. 2005. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Concerto for Trombone with Piano reduction
Trombone and Piano [Score and Parts] - Advanced
Cherry Classics
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Cl...(+)
Trombone and Piano - Advanced SKU: CY.CC3136 Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136). ISBN 9790530111055. 8.5 x 11 in inches. This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Mariposa
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April. Composed by Eric Ewazen. Fold. Performance Score. Theodore Presser Company #312-41878. Published by Theodore Presser Company (PR.312418780). ISBN 9781491138137. UPC: 680160640201. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The second movement, MARIPOSA celebrates nature, wandering through a field of white and blue butterflies appearing wondrously, with rich chords and arpeggios. Yet also stepping back, the fleeting nature of life is the reality, with gentle, somber chords interspersed with the magical flight of the Mariposa.
Program Notes by Eric EwazenSECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Two Sonatas for Violin and Basso continuo
2 Violins and Basso
Barenreiter
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For violin/basso...(+)
By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For violin/basso continuo. This edition: Stapled, Urtext edition. Stapled. From Essercizii musici. Performance score, Set of parts. Language: German/English. TWV 41:F4, TWV 41:A6. 19/11/9 pages. Published by Baerenreiter Verlag
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Zephyrus - Easy
Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS138 Composed by Todd Parrish. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. 16+16+10+10+10+12 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CAS138. Published by Carl Fischer Music (CF.CAS138). ISBN 9781491160534. UPC: 680160919123. Named for the West Wind, this Grade 3 original work makes use of quarter and eighth note triplets to depict a sense of swirling motion. A forward- moving theme is passed between sections in the orchestra accompanied by a steady, march-like staccato pulse. The opening B minor theme rises and falls, giving way to a faster, rhythmic section in D major. Ascending and descending scale passages are exchanged between voices with a light, springy spiccato. The music swells with crescendos and decrescendos portraying the sweeping ebb and flow of the wind. The primary minor theme returns with a dramatic unison statement in the violins, shifting modally as it builds to a momentous finale. An excellent piece for working on extended finger patterns, bowing styles, and dynamic changes.
Named for the West Wind, this Grade 3 original work makes use of quarter and eighth note triplets to depict a sense of swirling motion. A forward- moving theme is passed between sections in the orchestra accompanied by a steady, march-like staccato pulse. The opening B minor theme rises andfalls, giving way to a faster, rhythmic section in D major. Ascending and descending scale passages are exchanged between voices with a light, springy spiccato. The music swells with crescendos and decrescendos portraying the sweeping ebb and flow of the wind. The primary minor theme returns with a dramatic unison statement in the violins, shifting modally as it builds to a momentous finale. An excellent piece for working on extended finger patterns, bowing styles, and dynamic changes. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy
Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Air And Caprice
String Orchestra [Score and Parts] - Beginner
Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS2 Composed by Larry C...(+)
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS2 Composed by Larry Clark. SWS - FS. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 8+8+5+5+2+5+8 pages. Carl Fischer Music #FAS2. Published by Carl Fischer Music (CF.FAS2). ISBN 9780825840753. UPC: 798408040758. 8.5 X 11 inches. Key: E minor. Expressive playing, some simple counterpoint, and a touch of pizzicato characterize this contemporary sounding but accessible piece in two contrasting sections, slow and lively. Duration: 3'15.
The definition of Air is a tune or melody, but often it is used to describe a piece that is lyrical in nature, as in the first section of this piece. The next section of the piece is called Caprice, which is the French word for capriccio. The term capriccio has been used as the title for a variety of different types of works throughout music history. It is used here in its literal definition which describes the fanciful, capricious nature of the second section of the piece.As part of the development of the piece, the minor material from the Air is used as bridge material in the Caprice section. The Air and Caprice should be very contrasting in style. Play the Air very sustained and chorale-like and the Caprice, light with forward motion. The tempo of the Caprice should not be too fast; however, the tempo can be adjusted down to accommodate the ability level of your ensemble. Bowings have not been over-marked, and no slurs are used; feel free to alter it if necessary.It has been my pleasure to have had the opportunity to write this piece. I hope that you and your students find it useful for your program. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | 
| Tax Time
Snare drums - Advanced
Tapspace Publications
(for solo marching snare). By Jeff Queen. For marching snare drum solo. Advanced...(+)
(for solo marching snare). By Jeff Queen. For marching snare drum solo. Advanced. Folio. 8 pages. Duration 3'00 . Published by Tapspace Publications
$16.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Jeunesse
Orchestra [Score] - Easy
Highland/Etling
Orchestra - Grade 3 SKU: AP.38476S Composed by Shirl Jae Atwell. Performa...(+)
Orchestra - Grade 3 SKU: AP.38476S Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Highland/Etling #00-38476S. Published by Highland/Etling (AP.38476S). UPC: 038081431604. English. Jeunesse is a French word used to describe the time of one's youth, which is reflected in this music that is carefree, yet bittersweet. This lovely piece has a lilting quality that demands attention be paid to the legato markings, the equality between the voices, and the rhythmic pulse that moves the piece forward. Make sure not to lose the poignancy by playing the piece too fast or too slow. Let the music have control. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| String Quartet
String Quartet: 2 violins, viola, cello [Score]
Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11440902S Composed by Behzad Ranjbar...(+)
Chamber Music String Quartet SKU: PR.11440902S Composed by Behzad Ranjbaran. Full score. With Standard notation. Composed 1990. 44 pages. Duration 22 minutes. Theodore Presser Company #114-40902S. Published by Theodore Presser Company (PR.11440902S). UPC: 680160013708. The quartet begins with a 5-note motif, played in unison that permeates melodically and harmonically throughout the movement. The energetic and hard-driven character of the second musical idea propels the music forward with fast moving notes and greater urgency. It often alternates with the more lyrical rendition of the 5-note motif, yielding contrasting sections. After a brief coda, the 5-note motif concludes the movement much the same way it had begun but with greater intensity. The second movement explores the world of fantasy. To some extent the beginning and the ending of the movement function as the opening and closing doors that separate the reality from the dream and subconscious. It is one continuous movement in an arch form that gradually accelerates to an expansive emotional climax and returning steadily to the surface led by an ethereal solo cello. The transcendent ending is similar to the beginning, though half step higher. The third movement begins boldly with the 5-note motif transformed into a dance character in a compound meter. The asymmetrical meter of the Persian folk music influences much of the rhythmic character of the movement. The return of many materials from earlier movements interwoven into the fabric of this movement reinforces the cyclical and organic character of the quarter. Particularly, a mysterious passage, reminiscence of the second movement leading to a brief full-blown ballad is a favorite moment of Ranjbaran's in the quartet. A blazingly virtuosic viola leads the quartet to an uplifting conclusion. $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Arise in Beauty anthem
Choral SATB
SATB, Organ
Subito Music
SATB Chorus & Organ SKU: SU.91480570 For SATB Chorus & Organ. Comp...(+)
SATB Chorus & Organ SKU: SU.91480570 For SATB Chorus & Organ. Composed by Dan Locklair. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral Octavo. Composed 2010. Duration 7'. Subito Music Corporation #91480570. Published by Subito Music Corporation (SU.91480570). Text: Angier Brock. SATB Chorus, Organ Duration: 7' Text: Angier Brock Composed: 2010 Published by: Subito Music Publishing YouTube: Ms. Brock’s moving poem is lyrical throughout. Even in its beautiful originality, the poem invokes The Book of Common Prayer and biblical scripture (the latter through references to dust and breath from Genesis 2 to the final line of the poem invoking the opening of Psalm 62). Ms. Brock’s poetry is also filled with wonderful twists on traditional texts (such as in the creative and reverse naming of the Trinity in speaking of Inventing Wind, Generous Christ, and Luminous God). Musically, the main melodic material of the piece is immediately heard on a solo organ color accompanied by organ strings over a recurring pedal pulse on the pitch C. The chorus soon enters with the first stanza of the text. As this stanza unfolds, the harmony starts to gradually change as the pulsing pedal rhythm begins to move upward by step. An organ interlude, reflective of the opening introduction, soon emerges (though now over a C-sharp recurring pedal pulse), and leads to a similar choral setting as found in stanza one. As the poem’s second stanza moves forward, it eventually folds into the more harmonically rich stanza three. A fast, dance-like section evolves at Inventing Wind, what a lively dance your energy creates! eventually bringing the work to its climax point. The spirit of dance soon subsides and leads to a quiet and gentle close on the words …for you alone my soul in silence waits.
Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O clap your hands
Soli, Mixted choir and accompaniment [Octavo]
Galaxy Music Corporation
Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/T...(+)
Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/Thanksgiving. Octavo. Galaxy Music Corporation #7.0577. Published by Galaxy Music Corporation
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Chasing Orion
Concert band [Score and Parts] - Easy
Alfred Publishing
By Roland Barrett. Concert Band. Concert Band. Belwin Young Band. Form: Overture...(+)
By Roland Barrett. Concert Band. Concert Band. Belwin Young Band. Form: Overture. Grade 2. Conductor Score and Parts. 272 pages. Published by Alfred Music Publishing
$60.00 $57 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Folk Songs North America Sings (Kodaly Collection)
Piano, Voice [Sheet music]
E.C. Kerby
Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8....(+)
Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.
$50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Sea Breeze
Jazz Ensemble [Score and Parts] - Intermediate
Jazz Lines Publications
By Dizzy Gillespie. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Benny...(+)
By Dizzy Gillespie. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Benny Golson. Swing; Jazz. Score and parts. Published by Jazz Lines Publications (JL.JLP-7335).
$45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| A boy is born in Bethlehem (Puer natus)
Choral 2-part
SA [Vocal Score]
Oxford University Press
Composed by Alan Bullard (1947-). Upper Voices. Christmas, Choral Leaflet. Voca...(+)
Composed by Alan Bullard (1947-). Upper Voices. Christmas, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press (OU.9780193356412).
$3.65 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Three Characters
Piano Trio: Violin, Viola, Piano
Faber Piano Adventures
(The Collaborative Artist). Composed by Randall Faber. For Piano Trio. Faber Pia...(+)
(The Collaborative Artist). Composed by Randall Faber. For Piano Trio. Faber Piano Adventures�®. Late Intermediate. Softcover. Faber Piano Adventures #FF7009. Published by Faber Piano Adventures
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Jeunesse
Orchestra - Easy
Highland/Etling
Orchestra - Grade 3 SKU: AP.38476 Composed by Shirl Jae Atwell. Performan...(+)
Orchestra - Grade 3 SKU: AP.38476 Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 62 pages. Highland/Etling #00-38476. Published by Highland/Etling (AP.38476). UPC: 038081431598. English. Jeunesse is a French word used to describe the time of one's youth, which is reflected in this music that is carefree, yet bittersweet. This lovely piece has a lilting quality that demands attention be paid to the legato markings, the equality between the voices, and the rhythmic pulse that moves the piece forward. Make sure not to lose the poignancy by playing the piece too fast or too slow. Let the music have control. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Escape from Dead Raider's Hollow
Concert band - Easy
Alfred Publishing
Concert Band - Grade 3 SKU: AP.44988 Composed by Jeremy Bell. Concert Ban...(+)
Concert Band - Grade 3 SKU: AP.44988 Composed by Jeremy Bell. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Halloween. Score and Part(s). 264 pages. Duration 2:30. Alfred Music #00-44988. Published by Alfred Music (AP.44988). UPC: 038081517810. English. Escape from Dead Raider's Hollow is a fast-paced adventure. Opening quietly, the introduction gradually builds in volume and energy up to a tempo change where the piece takes off and doesn't relent until the end. Combining rhythms of 3 over a pulse of 2 creates a hemiola effect that drives the piece forward, creating a feeling of anxiety and being chased. This is a bombastic, action-packed piece with loud percussive hits, huge brass, and soaring woodwinds that ends with a bang. (2:30). $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Rogue Rider
Orchestra [Score] - Easy
Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45873S Composed by Doug Spata. Performance ...(+)
Orchestra - Grade 2.5 SKU: AP.45873S Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score. 20 pages. Duration 3:35. Highland/Etling #00-45873S. Published by Highland/Etling (AP.45873S). UPC: 038081523767. English. Written with early advanced orchestras in mind, here is a dramatic selection in fast 3/4 time with some daring rhythms and sweeping, romantic melodies. Teachers can use Rogue Rider by Doug Spata to reinforce basic shifting, precision bowing and style changes, and introduce higher-level musicianship skills. It's not only a good teaching piece but will also be a hit at concerts and a piece that students will look forward to playing. (3:35). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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