| Tremolo Clarinet Editorial de Musica Boileau
By Jordi Cervello. For Clarinet in B-flat. Woodwind. Duration 7:00. Published by...(+)
By Jordi Cervello. For Clarinet in B-flat. Woodwind. Duration 7:00. Published by Editorial de Musica Boileau
$12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tremolo and Octave Harmonica Method Harmonica [Sheet music + Audio access] - Beginner Mel Bay
Composed by Phil Duncan. For diatonic harmonica. Perfect binding. Methods. Beg...(+)
Composed by Phil Duncan. For
diatonic harmonica. Perfect
binding. Methods. Beginning.
Book and Online Audio. 44
pages. Published by Mel Bay
Publications, Inc
$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Caleidoscopio Guitar Lemoine, Henry
Guitar - Level 4 SKU: LM.26589 Composed by Edgar R. Ferrer. Delia Estrada...(+)
Guitar - Level 4 SKU: LM.26589 Composed by Edgar R. Ferrer. Delia Estrada. Classical. Score. Editions Henry Lemoine #26589. Published by Editions Henry Lemoine (LM.26589). ISBN 9790230965897. Etude No. 6 (Mordants) - Etude No. 7 (Barres et liaisons) - Etude No. 8 (Tremolos) - Etude No. 9 (Positions transversales) - Etude No. 10 (Enchainements d'accords). $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Intermediate Mandolin (Book and Cd) Mandolin [Sheet music + CD] - Intermediate Alfred Publishing
Published by Alfred Publishing. (22668) ISBN 0739034723. Great for mandolinists...(+)
Published by Alfred Publishing. (22668)
ISBN 0739034723. Great for mandolinists who have learned the basics and are ready to take the next step. Important techniques are introduced like hammer-ons and pull-offs, different styles of tremolo, slides, cross-picking and rolls. Also included are in-depth discussions of how to learn tunes, introductions to new time signatures, and a more in-depth look at important musical styles.
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Study Of Tremolo For The Classic Guitar
Guitar Classical guitar Alfred Publishing
Written by Vladimir Bobri. Instructional book for guitar. With standard notation...(+)
Written by Vladimir Bobri. Instructional book for guitar. With standard notation, introductory text and instructional text. 17 pages. Published by Alfred Publishing.
(6)$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Etudes (3) Guitar Lemoine, Henry
Guitar - Level 3 SKU: LM.25393 Composed by Yan Vagh Weinmann. Classical. ...(+)
Guitar - Level 3 SKU: LM.25393 Composed by Yan Vagh Weinmann. Classical. Score. 16 pages. Editions Henry Lemoine #25393. Published by Editions Henry Lemoine (LM.25393). ISBN 9790230953931. No. 1 pour les accords - No. 2 pour le tremolo - No. 3 rythmique. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Intrepid - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF.YAS236 Composed by Jay Coles. Yas. Set of Score and Parts. Duration 3 minutes, 44 seconds. Carl Fischer Music #YAS236. Published by Carl Fischer Music (CF.YAS236). ISBN 9781491164884. UPC: 680160923793. Key: E minor. Intrepid is full of chaotic energy. It’s a fast-paced, aggressive, and all-around powerful work for young string players that makes them sound mature beyond their abilities. This piece is perfect for teaching accents, staccatos, as well as a marcato style of bowing. The melody passes from section to section as the piece progresses.The chaotic energy begins in m. 1. Don’t be afraid to allow the cellos and basses to come out strong, punching the G on beat 3 for maximum intensity. This opening section should drive hard, leading to the main theme in m. 12, beginning in the cello and bass sections. Pay close attention to the accents. Articulating those correctly is important for building up to the climactic moment that happens at the end.The brief, slow middle section is a great legato section to teach young musicians musicality and musicianship. Starting at m. 68, the main melodic material returns and juxtaposes and floats through various sections of the orchestra until the piece reaches a dramatic conclusion. The ending uses heavy tremolo, but all tremolos are optional throughout. Have fun performing Intrepid! $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Intrepid - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF.YAS236F Composed by Jay Coles. Yas. Full score. Duration 3 minutes, 44 seconds. Carl Fischer Music #YAS236F. Published by Carl Fischer Music (CF.YAS236F). ISBN 9781491165287. UPC: 680160924196. Key: E minor. Intrepid is full of chaotic energy. It’s a fast-paced, aggressive, and all-around powerful work for young string players that makes them sound mature beyond their abilities. This piece is perfect for teaching accents, staccatos, as well as a marcato style of bowing. The melody passes from section to section as the piece progresses.The chaotic energy begins in measure 1. Don’t be afraid to allow the cellos and basses to come out strong, punching the “G†on beat 3 for maximum intensity. This opening section should drive hard leading to the main theme in measure 12, beginning in the cello and bass sections. Pay close attention to the accents. Articulating those correctly is important for building up to the climactic moment that happens at the end.The brief, slow middle section is a great legato section to teach young musicians musicality and musicianship. Starting at measure 68, the main melodic material returns and juxtaposes and floats through various sections of the orchestra until the piece reaches a dramatic conclusion. The ending uses heavy tremolo, but all tremolos are optional throughout. Have fun performing Intrepid! $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Right-Hand Studies for Five Fingers Guitar [Sheet music] - Intermediate Mel Bay
by Charles Postlewate. For Guitar (Classic). technique. Classic. Level: Intermed...(+)
by Charles Postlewate. For Guitar (Classic). technique. Classic. Level: Intermediate. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tarrega -- Recuerdos de la Alhambra Guitar Classical guitar Alfred Publishing
(An Alfred Classical Guitar Masterworks Edition). Composed by Francisco Tá...(+)
(An Alfred Classical Guitar
Masterworks Edition).
Composed by Francisco
Tárrega. For Guitar. Book;
Classical Guitar Folio;
Masterworks. Classical
Guitar Masterworks.
Masterwork Arrangement;
Romantic. 24 pages.
Published by Alfred Music
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Per Piero (2006) Ut Orpheus
Guitar SKU: UT.CH-122 Per Maurizio (2009) for Guitar. Composed by ...(+)
Guitar SKU: UT.CH-122 Per Maurizio (2009) for Guitar. Composed by Gilberto Cappelli. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 122. Published by Ut Orpheus (UT.CH-122). ISBN 9790215318410. 9 x 12 inches. 'Per Piero' and 'Per Maurizio' are among the most recent pieces written for solo guitar by Gilberto Cappelli. The first piece, written in 2006, represents a surprise present for my fiftieth birthday: it was written after a request of a pupil of mine, Alessandra Lucchi, who performed it as a premiere during my birthday party. The second piece (2009) expresses the composer’s participation for the pain caused by the sudden death of Maurizio Biasini, scientist and guitarist who completed his musical studies at Cesena Conservatory where Gilberto Cappelli was in the Board of Examiners. The piece was premiered at a concert in memory of Maurizio held in the Bonci Theatre in Cesena. The use of a particular tremolo effect is a typical characteristic of all the guitar works of this composer; a tremolo which is very different from the traditional one. The performer is asked to produce – as much as possible – a long and continuous sound, as if it were a voice or the long sound of string or wind instruments. The tremolo will have to be very dense and homogeneous. In the case of a tremolo on two or three strings it is necessary to start playing two or three sounds simultaneously only once and then continuing alternating them – but always tending to achieve a homogeneity of sound. (Piero Bonaguri). $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Graf-martinez Flamenco2 Dt/pal Guitar [Sheet music + DVD] - Intermediate/advanced Schott
Guitar (GIT DVD(PA) - intermediate to advanced SKU: HL.49032562 Gitarr...(+)
Guitar (GIT DVD(PA) - intermediate to advanced SKU: HL.49032562 Gitarrenschule fur Unterricht und Selbststudium. Composed by Keyboard. This edition: Paperback/Soft Cover. Sheet music with DVD. Edition Schott. Edition with DVD. 136 pages. Schott Music #ED 8254-01. Published by Schott Music (HL.49032562). ISBN 9783795757656. German. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - Flamenco puro - it also conveys the authentic sound and the pulsating compas of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes For more information please have a look at www.graf-martinez.com/flamenco-guitar-dvd.html [1]Links:------[1] http://www.graf-martinez.info/flamenco-guitar-dvd.html. $77.00 - See more - Buy online | | |
| Mandolin For Beginners (book / Cd) Mandolin [Sheet music + CD] - Beginner Alfred Publishing
Written by Jim Dalton. Instructional book and accompaniment CD for mandolin. Ser...(+)
Written by Jim Dalton. Instructional book and accompaniment CD for mandolin. Series: National Guitar Workshop Method - Approved Curriculum. 48 pages. Published by Alfred Publishing.
(2)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carl Martin TremO'vibe Hal Leonard
SKU: HL.438829 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0006. Pu...(+)
SKU: HL.438829 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0006. Published by Hal Leonard (HL.438829). UPC: 852940000714. 4.5x7.25x2.657 inches. The Carl Martin TremO'vibe is an analog “two in one†effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls. The tremolo effect works like a change in volume. The vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato. Featuring two switches, The “on†switch allows you to engage or bypass the unit. The “select†switch allows you to switch between Tremolo and Vibrato. The Carl Martin TremO'vibe is an excellent choice for Guitar, Bass, Keyboard, or any other electronic instrument, that requires the highest sonic clarity, maximum dynamic range and noise free performance. The unit has a built in regulated power supply which enables us to design circuitry of the highest quality with maximum headroom. $339.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Una Limosnita por Amor de Dios Marimba C. Alan Publications
Composed by Nathan Daughtrey. Percussion Ensemble. For Marimba (4-mallet) (marim...(+)
Composed by Nathan Daughtrey. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium. Duration 3:00. Published by C. Alan Publications
$12.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Guitar Journals - Chords Guitar [Key & Note References] - Easy Mel Bay
By William Bay. For Guitar (All). Chord book. Guitar Journals. All Styles. Level...(+)
By William Bay. For Guitar (All). Chord book. Guitar Journals. All Styles. Level: Beginning-Intermediate. Book. Size 9.5x11.25. 224 pages. Published by Mel Bay Publications, Inc.
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Picking Studies for Improving Technique Guitar notes and tablatures - Easy Mel Bay
Composed by William Bay. Saddle-stitched. Folk. Book. 36 pages. Mel Bay Publi...(+)
Composed by William Bay.
Saddle-stitched. Folk. Book.
36 pages. Mel Bay
Publications, Inc #WBM42.
Published by Mel Bay
Publications, Inc
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Building Right Hand Technique Guitar notes and tablatures [Sheet music] - Intermediate/advanced Mel Bay
by William Bay. For flatpick and plectrum guitar. All styles, notes and tab. Lev...(+)
by William Bay. For flatpick and plectrum guitar. All styles, notes and tab. Level: Intermediate-Advanced. Book. Technique. Size 8.75x11.75. 132 pages. Published by Mel Bay Pub., Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flamenco Guitar Vol. 2 DVD Guitar Classical guitar Schott
By Henze. (Guitar). Schott. DVD (Digital Video Disk). Size 5.5x7.5 inches. Publi...(+)
By Henze. (Guitar). Schott. DVD (Digital Video Disk). Size 5.5x7.5 inches. Published by Schott.
(1)$42.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Warm-Up for Classical Guitar Guitar Classical guitar [Sheet music] Mel Bay
By Gohar Vardanyan. For classical guitar and lute. Saddle-stitched. Methods. Boo...(+)
By Gohar Vardanyan. For classical guitar and lute. Saddle-stitched. Methods. Book. 20 pages. Published by Mel Bay Publications, Inc
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Journals - Technique Guitar notes and tablatures [Sheet music] - Easy Mel Bay
For Guitar (All). Technique. Guitar Journals. All Styles. Level: Beginning-Inter...(+)
For Guitar (All). Technique. Guitar Journals. All Styles. Level: Beginning-Intermediate. Book. Size 9x11.25. 144 pages. Published by Mel Bay Publications, Inc.
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Audio Mixing Boot Camp Alfred Publishing
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books...(+)
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Boot Camp. 160 pages. Published by Alfred Music
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Die Donau Orchestra Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by LeoÅ¡ Faltus and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861). ISBN 9790260104211. 34.3 x 27 cm inches. LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.
“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.
A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.
To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.
It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.
One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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