SKU: M7.SMP-989
English.
As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (originally recorded with bandoneon solo) and another solo for tenor saxophone. Various parts are included for different soloists to use. This marvelous arrangement opens with warm sounds in clarinets, muted trombones and flugelhorns behind the beautiful melody stated by the primary soloist. The setting is a medium tango, with a short, exciting swing section near the end of the chart. Once the piece moves into a strong, rock-fusion feel, there is no turning back. You and your band will love this chart. This requires clarinet doubles on the top 3 saxophone parts and bass clarinet on the baritone part. There is also a mallet part (marimba, vibes and xylophone). 5-4-4-5.
SKU: M7.SMP-1199
This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013). Flute and bass clarinet doubles are required, and the drummer is featured throughout with brushes. This piece has the feel of a theme and variations, and contains very rich harmonies and voicings. 5-4-4-4.
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-402
Bill Holman titled this one after the signs which used to be in the old-time dance halls around the country. Written in the '50's for Maynard's Birdland Dream Band, this chart is a laid back, swinging tune, with a roaring ensemble section near the end. Blowing space for trombone and tenor.5-4-4-3.
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