SKU: CL.032-4284-00
An exceptional ballad feature for alto sax or trumpet/flugelhorn that's perfect for contest or concert. The solo and rhythm section parts are completely written out. Ranges are modest (solo trpt. never leaves the staff) and the lush background parts provide lots of support for the soloist. The key change towards the end adds just the right touch to this beautiful chart.
SKU: KN.00310
UPC: 822795003109.
Showcasing the genius of Sammy Nestico at his creative best, these inventive arrangements give directors countless options for holiday programs -- selections can be played singly or together, tempos include slow, medium and fast, and styles range from lyrical and expressive to bright and snappy. In a word, there's something here for everyone! Rhythm section parts are notated.Contents:Jingle Bells; Away In A Manger; Westminster Carol; Deck The Halls; Silent Night; Up On The House-Top; The Wassail Song; Adeste Fidelis.
SKU: KN.52030
Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can still carry the day. An 8-bar ad lib solo for piano is also included, and rhythm section parts are notated.
SKU: KN.52975
As recorded by the Thad Jones-Mel Lewis Orchestra for their Monday Night album, the opening rhythm section vamp sets the stage for the entrance of the featured soprano (or alto) sax soloist. With the exception of an expandable solo for piano midway through and some great full-band choruses, the soloist carries the day here. The chart closes out strong with a series of improvised solo cadenzas. Duration ca. 5:15.
SKU: CL.032-4124-00
Bring your trumpets out front and let them herald in the holiday season, starting with a fanfare that leads into a fun, swinging version of this well known carol. It's easy to work up, and it's playable with limited instrumentation so it will sound fine with as few as 2 trumpets. After playing through the tune, the bones, bass & bari get a fun riff going. Then the saxes and trumpets trade twos over it. This leads up to a key change and the trumpets lead the way to the end. No solos.
SKU: KN.42885
UPC: 822795428858.
Bring the holidays on with this medley of Christmas classics in a half-time funk style. The funky groove will have everyone tapping their feet or even dancing in the aisle! Great tunes, solid voicings and space for your soloists (written or ad lib) all add up to a medley that will be the hit of your holiday program.
SKU: KN.60552
UPC: 822795605525.
This hard-swinging, Basie style arrangement of the holiday favorite features a hip horns alone section, a fun saxophone/trombone soli and a richly scored, roaring shout chorus. The written or ad lib solo section is open with solo sheets provided in all keys. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. A perfect addition to any holiday performance for developing groups. Duration 4:10.
SKU: KN.60552S
SKU: KN.64006
UPC: 822795640069.
This advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continues to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, however Basie never made the record, instead suggesting that Thad start his own band. This extended 16-bar blues still maintain that swinging Basie mindset in a straight-ahead blues style. Its basic foundations are a relaxed but powerful rhythm section with a driving ride cymbal beat and crisp hi-hat, underpinning saxes and brass that are tight, and always on the back of the beat. Duration 4:40.
SKU: KN.64046
UPC: 822795640465.
This new advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continues to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, however Basie never made the record, instead suggesting that Thad start his own band. Low Down still maintains that swinging Basie mindset and is a 32- measure AABA form. Its basic foundations are a relaxed but powerful rhythm section with a driving ride cymbal beat and crisp hi-hat, underpinning saxes and brass that are tight, and always on the back of the beat. Duration 3:40.
SKU: KN.52920
UPC: 822795529203.
Written by one of the most creative and original writers of big band music in the world today, That is the logical sequel to Neil Slater's composition, This. Neil's masterful orchestration shines through in this medium advanced level swing original recorded by the University of North Texas One O'Clock Lab Band directed by Slater. A must-have for experienced big bands! Instrumentation includes: SA (flute) TTB saxophones, 5 trumpets/flugelhorns, 5 trombones (2 bass trombones), and rhythm section. Duration 6:35.
SKU: KN.52800
Recorded in 1968 by the Thad Jones-Mel Lewis Jazz Orchestra on their Monday Night album, this swingin' blues at a moderate tempo opens with an ad lib piano solo, then shifts immediately to a solo chorus for Harmon-muted trumpet. Tenor sax also serves as a soloist later on, with plenty of great section and ensemble passages providing essential power and balance. Duration 6:15.
SKU: CL.SCM-1096-00
This easy play chart has combines a 16th note rock feel with brass figures and a flowing unison saxophone counter melody. The bridge lightens up to an 1/8th note rock feel then returns in full glory with the whole ensemble. There are no improvised sections except for the aggressive guitar solo over the ensemble at the end. Written solos. Written ranges: Trp. 1 ( G) , Trb. (G) , Alto (Bb).
SKU: CL.028-4250-01
Four great arrangements of popular carols combined in a budget-stretching jazz pack that includes Paul Clark arrangements of: [barnhouse_sample type=listen sku=028-4250-01 label= GOOD KING WENCESLAS] [barnhouse_sample type=listen sku=028-4250-02 label= STILL, STILL, STILL] [barnhouse_sample type=listen sku=028-4250-03 label= JINGLE BELLS] [barnhouse_sample type=listen sku=028-4250-04 label= FUNKY OL' ST. NICK] All of these charts fall at the medium easy level and the set includes two rock charts, a ballad and a swing arrangement to provide you with a well rounded set perfect for any holiday season performance by mid-level bands. All of the arrangements are very audience friendly and you get the whole set for less than half the cost of the same tunes if purchased separately. A great Christmas gift to your students and audiences alike!
SKU: KN.52755
Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 1 of Thad's larger Return Journey Suite. Solo requirements are limited to an optional repeat that may (or may not) be taken for a piano solo. This means that this outing relies on solid section and ensemble work throughout. A full brass pyramid that builds from the bottom up before the final chord is a special highlight. Duration 3:30.
SKU: KN.64044
UPC: 822795640441.
This classic chart is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in February 1966 and continue to be played by the group Monday nights at the Village Vanguard in New York City. Originally commissioned by Count Basie for an entire album of Thad Jones' music, but Basie never made the record, and suggested that Thad start his own band instead. From that advice, Thad formed the Thad Jones-Mel Lewis Orchestra. Based on the chord changes to I Got Rhythm, this uptempo advanced level chart maintains the swinging Basie mindset and is in a 32-measure AABA form. Duration 8:50.
SKU: KN.43255
UPC: 822795432558.
Commissioned by the Jazz Division of the Illinois Music Educator's Association, this Basie-style swing chart is based on the chord changes to the jazz standard Sunday. Rich voicings and solid swing figures combine to create outstanding ensemble work for the entire band. Though chord changes for the solo section are provided for alto, tenor, trumpet and trombone, guitar or piano may also substitute for any of the horn solos. Rhythm section parts are notated with chords cued. Duration 4:50. Available in SmartMusic.
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