String Quartet

SKU: HL.14037520

String Quartet. Composed by Various. Music Sales America. Jazz. Softcover. 88 pages. Chester Music #CH61146. Published by Chester Music (HL.14037520).

ISBN 9780711946866. UPC: 884088579593. 9.25x12.0x0.31 inches.

A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Contents: Chelsea Bridge * Fly Me to the Moon (In Other Words) * Satin Dol * Take the 'A' Train * The Girl from Ipanema.

String Quartet

SKU: SU.90940010

For String Quartet. Composed by Julius Hemphill. Chamber Music, String Trio/Quartet/Quintet. Score. Composed 1988. Duration 15'. Subito Music Corporation #90940010. Published by Subito Music Corporation (SU.90940010).

Score onlyAlso available - Set of Parts (Cat. #90940011)The Kronos String Quartet commissioned this twenty-minute through-composed work. Hemphill has created dynamic and evocative string quartet settings of these three Mingus masterworks. The cello part, in particular, evokes Charles Mingus's voice and virtuosity on the bass. This work extends the imperatives heard in Charles Mingus' music with equal daring and virtuosity. It is heads above many of the arrangements of jazz works for a classical ensemble.2 Violins, Viola, Cello Duration: 15' Composed: 1988 Published by: Subito Music Publishing.

Cello, Viola, 2 Violins SKU: HU.HN1224 Composed by George Gershwin. Edited by Norbert Gertsch. String Quartet, Strings, Ensembles. Lullaby for String Quartet. Set of Parts. G. Henle #HN1224. Published by G. Henle (HU.HN1224). 12.2 x 9.3 x 0.1 inches. In 1919-20 George Gershwin was making a name for himself with Broadway songs and a first show of his own in New York. But he was already attracted to the world of classical music - a world he would enter with a bang in 1924 with his "Rhapsody in blue". He prepared himself for this by taking an intensive course in composition, during which he wrote this brief "Lullaby" for string quartet as an exercise, probably in 1919. He liked its catchy melody so much that he later used it again in his one-act "jazz opera" "Blue Monday Blues". "I find the piece charming and kind", wrote his brother Ira in 1968 when the quartet movement appeared in print for the first time. Thus the world was given a second lullaby by this American composer - one worthy to stand alongside his famous "Summertime" from "Porgy and Bess".

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response.’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.