SKU: HL.14013665
SKU: CN.S11091
SKU: HL.50512887
SKU: CN.R10091
SKU: HL.50513604
SKU: HL.49007263
ISBN 9790001078047. German.
Im 2. Band werden mit Kapiteln uber Zungentechnik, Verzierung, Artikulation und Chromatik die in Band 1 erworbenen Grundlagen erweitert. Spezielle Bindeubungen verhelfen zur Steigerung der Ausdauer und Hohe. Wie jazzige Stucke zu blasen sind, wird in einem besonderen Kapitel behandelt. Die Schule ist sowohl fur den Einzel- als auch fur den Gruppenunterricht geeignet.
SKU: HL.50488608
UPC: 073999886085. 8.25x11.75x0.215 inches.
Contents: Theme from Concerto, Op. 10, No. 4 (Vivaldi) * Theme from Divertimento No. 5 (Bononcini) * Theme from Essercizi Musici (Telemann) * Theme from Flute Sonata in B Flat (Marcello) * Theme from Flute Sonata in G (Locatelli) * Theme from Flute Sonata in G (Marcello) * Theme from Flute Sonata in F (Handel) * Theme from Flute Sonata in G (Platti) * Theme from Recorder Sonata in F (Telemann) * Theme from Sonata, Op. 4, No. 9 (Loeillet) * Themes from Concerto, Op. 10, No. 5 (Vivaldi) * Themes from Divertimento No. 2 in D (Bononcini) * Themes from Flute Sonata in G (Handel) * Themes from Flute Sonata in C (Bach) * Themes from Flute Suite in B Minor (Bach) * Themes from Sonata, Op. 1, No. 2 (Loeillet) * Themes from Sonata, Op. 27 (Boismortier).
SKU: BA.BA04050
ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.
“Almiraâ€, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia. The vocal score to “Almira†by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato†from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Editionâ€. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ€.Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition†volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar†(no. 71).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49007150
ISBN 9790001076524. UPC: 884088024017. 9.0x12.0x0.215 inches.
Contents: Allemande (Schein) * Pastorale (Corelli) * Gavotte (Couperin) * Bouree (Bach) * Arie (Telemann) * Air (Bach) * Allegro (Handel) * Sarabande und Passacaglia (Handel) * Sinfonia in B-Dur (J.C. Bach) * Barkarole (Offenbach) * Melodie (Rubinstein) * Intermezzo (Bizet) * Das alto Schloss (Mussorgsky) * Solvejg's Lied (Grieg) * La Wally (Catalani) * Intermezzo Sinfonico (Mascagni) * Londonderry Air (Irish Traditional) * Romanze (Both).
SKU: HL.44011110
UPC: 884088654764. 9x12 inches.
In The Art of Baroque flutists can get acquainted with the music from the Baroque period and also learn about composers, the era and the technique of playing baroque music. The basso continuo part means that the pieces can be performed with live accompaniment or with the play-along CD. Includes pieces by J. S. Bach, G. F. Handel, G. Ph. Telemann. G. Platti, P. Locatelli, M. Blavet and J. Stanley. In The Art of Baroque kunnen gevorderde fluitisten zich verder verdiepen in de muziek uit de barokperiode. De geselecteerde werken worden aangevuld met speeltips en informatie over het tijdperk en de componisten. Vertegenwoordigdzijn Johann Sebastian Bach, Georg Friedrich Handel, Georg Philipp Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet en John Stanley. Dankzij het basso continuo kunnen de stukken ook met begeleiding worden gespeeldIn The Art of Baroque (die Kunst des Barocks) konnen Flotisten die Musik der Barockzeit und mehr kennen lernen: Die ausgewahlten Werke werden von kurzen Texten u?ber die Komponisten, die Epoche und Spielanweisungen sinnvoll erganzt. Dank des Basso continuo konnen die Stu?cke auch mit Begleitung gespielt werden. Vertreten sind die Komponisten J. S.Bach, G. F. Handel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet und John Stanley.Ce recueil permettra a tout flutiste d'un niveau avance, d'aborder l'art de la musique baroque. Les oeuvres selectionnees sont agrementees de textes courts sur les compositeur et leur epoque et des annotations d'interpretations viennent completer cet excellent ouvrage. La version d'accompagnement a la basse continue de chaque piece est enregistree sur le CD. Retrouvez sans attendre Bach, Haendel, Telemann, Platti, Locatelli, Stanley et Blavet. Ne L'arte del barocco viene data ai flautisti la possibilita di esplorare e conoscere questo periodo storico. I brani sono infatti corredati di brevi testi con informazioni sui compositori e sull'epoca del barocco, come anche istruzioni su come eseguire i brani. Grazie al basso continuo i brani possono essere suonati anche con l'accompagnamento. Nella pubblicazione sono proposte opere di J.S. Bach, G.F. Haendel, G. Ph. Telemann, Giovanni Platti, Pietro Locatelli, Michel Blavet e John Stanley.
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