Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11440558S

Composed by Shulamit Ran. Score. With Standard notation. 45 pages. Duration 17 minutes. Theodore Presser Company #114-40558S. Published by Theodore Presser Company (PR.11440558S).

UPC: 680160008971.

Concerto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Grade 3

SKU: CL.012-3275-00

Concert March. Composed by Huckeby. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR329). March. Score and set of parts. Composed 2003. Duration 3 minutes, 35 seconds. Opus III Wind Orchestra Publications #012-3275-00. Published by Opus III Wind Orchestra Publications (CL.012-3275-00).

Ed Huckeby has created a fresh, new sound in this outstanding contribution to the concert march repertoire. Incorporating creative melodic and rhythmic ideas, this march opens the door to new opportunities for teaching the traditional march style in a contemporary setting. Excellent obbligato and contrapuntal writing provides each section of the band with an opportunity to shine. Your audiences will love it! Outstanding choice for concert or contest performance.

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780111

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. SV 206. 24 pages. Duration 90 minutes. Carus Verlag #CV 27.801/11. Published by Carus Verlag (CA.2780111).

ISBN 9790007202699. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780113

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 3. SV 206. 16 pages. Duration 90 minutes. Carus Verlag #CV 27.801/13. Published by Carus Verlag (CA.2780113).

ISBN 9790007202712. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454611

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1793. MH 546. 28 pages. Duration 40 minutes. Carus Verlag #CV 54.546/11. Published by Carus Verlag (CA.5454611).

ISBN 9790007226206. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780115

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. SV 206. 16 pages. Duration 90 minutes. Carus Verlag #CV 27.801/15. Published by Carus Verlag (CA.2780115).

ISBN 9790007202736. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780116

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 3. SV 206. 28 pages. Duration 90 minutes. Carus Verlag #CV 27.801/16. Published by Carus Verlag (CA.2780116).

ISBN 9790007202743. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SATB vocal soli, SATB choir, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5454613

Chiemsee-Messe. Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Stae Ursulae. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1793. MH 546. 16 pages. Duration 40 minutes. Carus Verlag #CV 54.546/13. Published by Carus Verlag (CA.5454613).

ISBN 9790007226220. Language: Latin.

Among Haydn's over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most Mozartian of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn's most successful and inspired works. This work, which in addition to the usual Salzburg church trio includes two trumpets and timpani, belongs to the category of Missa solemnis. The popular nickname Chiemsee-Messe is bound up with the history of the origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. Score and part available separately - see item CA.5454600.

SATB choir, cantor, congregation, organ, chamber ensemble - Beginning to Intermediate

SKU: MN.80-834

Composed by Richard Proulx. Cathedral Series. Catholic Year A Holy Thursday; Catholic Year C Most Holy Body & Blood of Christ; Catholic Year C Maundy/Holy Thursday; Year C Pentecost20;. Secular, 17328, Triduum/Three Days, World Communion Sunday, 20th Century, Communion, Unity. Choral score. MorningStar Music Publishers #80-834. Published by MorningStar Music Publishers (MN.80-834).

UPC: 688670808430.

Communion song. Text is versification of familiar scriptural passages appropriate to eucharistic liturgy. Though technically easy, this work displays rich harmonic vocabulary. Choral Score includes reproducable congregational hymn insert.

Full Score is fuller setting for choir plus additional accompaniments. Cantor/Congregation Score is setting in basic form with simple accompaniment.

---

Instrumental Parts include:
Oboe
Trumpets I and II
TrombonesI and II.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780109

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. 1x 27.801/21 flute 1, 1x 27.801/22 flute 2, 2x 27.801/23 fifara, 1x 27.801/31 cornett 1, 1x 27.801/32 cornett 2, 1x 27.801/33 cornett 3, 1x 27.801/34 trombone 1, 1x 27.801/35 trombone 2, 1x 27.801/36 bass trombone. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. SV 206. Duration 90 minutes. Carus Verlag #CV 27.801/09. Published by Carus Verlag (CA.2780109).

ISBN 9790007202682. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and parts available separately - see item CA.2780100.

SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ

SKU: CA.5453012

Composed by Michael Haydn. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa In Hon. Sti Gotthardi Mh 530. Sacred vocal music, Masses, Latin. Single Part, Violin 2. MH 530. 24 pages. Duration 40 minutes. Carus Verlag #CV 54.530/12. Published by Carus Verlag (CA.5453012).

ISBN 9790007226169. Language: Latin.

The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score and part available separately - see item CA.5453000.