SKU: HL.49013320

ISBN 9790001105835. German.

SKU: FG.55011-555-2

Playing from the Core is a new method for practicing the French horn. With an in-depth understanding of the traditions and history of French horn technique, Tommi Hyytinen brings new perspectives to instrumental practice by examining the interaction of mind and body and incorporating these insights into his method. The body is perhaps a musician's primary instrument, and it is important to become intimately acquainted with this instrument. A thorough understanding of the body makes many musical and technical challenges easier to overcome. Hyytinen also provides comprehensive advice on preparing for a performance and on overcoming stage fright. For instance, understanding the physiology of stress and performance-related nerves helps us better to understand nervousness as a natural state. By employing a range of physical and mental exercises, we learn to control nervous reactions and turn them into something that, rather than hindering, can in fact help and improve our performances. In addition to presenting a wealth of factual information and physical exercises, the book contains many informative illustrations, playing exercises, and an etude exploring different aspects of French horn technique. Through the presentation of information, exercises and examples, Playing from the Core brings students to a realisation that everyone can improve on the technical and musical challenges they face. Tommi Hyytinen is an experienced professional musician and teacher, and he instructs musicians in the holistic use of the body. The exercises presented in the book form part of his own daily practice routine and teaching material. Tommi thus manages to explain and show us the benefit of both body and mental exercises in preparation for musical performance. He shares all his wisdom so generously that I have no doubt that all performing artists, especially brass and wind players as well as singers will profit enormously from reading it. (Radovan Vlatkovic) https://tommihyytinen.fi/language/en/front-page/.

SKU: BT.1518-07-015-MS

9x12 inches. English-German-French-Dutch.

This well-known reggae song was a great hit for the Jamaican group Bob Marley and The Wailers in the live version of 1975. It was written by Bob Marley himself, but he had it attributed to a man called Vincent Ford, a friend of his - who could keep running his soup kitchen in Trenchtown with the royalties. No Woman, No Cry is still a classic within pop music. This arrangement for a variable four-part line-up was written by Peter Kleine Schaars, who has produced many more successful arrangements of popular hits.

Dit bekende reggaenummer was in de liveversie van 1975 een grote hit voor de Jamaicaanse groep Bob Marley and The Wailers. Het werd door Bob Marley zelf geschreven, maar hij liet het officieel toeschrijven aan ene Vincent Ford, eenvriend van hem - die met de royalty’s zijn gaarkeuken in Trenchtown draaiende kon houden. No Woman, No Cry is nog altijd een klassieker binnen de popmuziek. Dit arrangement voor een variabele vierstemmige bezetting is vande hand van Peter Kleine Schaars, die al meer succesvolle bewerkingen van populaire hits op zijn naam heeft staan.

Dieser berühmte Reggae-Song war ein Riesenhit der jamaikanischen Gruppe Bob Marley and The Wailers im Jahr 1975. Geschrieben wurde es von Bob Marley selbst, der es jedoch einem Freund namens Vincent Ford zuschrieb - dieser konnte mit den Tantiemen seine Suppenküche in Trenchtown finanzieren. No Woman, No Cry ist noch immer ein Klassiker der Popmusik. Diese Bearbeitung für eine fünfstimmig variable Besetzung stammt aus der Feder von Peter Kleine Schaars, der schon zahlreiche erfolgreiche Pophit-Arrangements produziert hat.

Le légendaire chanteur et compositeur jama can Bob Marley (1945-1981) - de son vrai nom Robert Nesta Marley - reste toujours d’actualité, plus d’un quart de siècle après sa mort. Il est toujours considéré comme un héros par des millions de fans dans le monde entier, et plus particulièrement en Jama que, son pays natal. Pour ses compatriotes, il est bien plus qu’un héros ou une légende comme en témoignent les funérailles nationales qui lui ont été accordées après son décès. Bob Marley a reçu les honneurs de la nation, et cela juste titre. Il était et restera le « roi du reggae », celui qui a fait découvrir au grand public la musique des Cara bes. En 1975, Bob Marley & theWailers connaissent un immense succès avec la version « live » de la chanson No Woman, No Cry. Si Bob Marley en est le véritable auteur, il la crédita son ami Vincent Ford qui put ainsi continuer de servir la soupe populaire dans les quartiers défavorisés de Trenchtown gr ce aux royalties touchées. No Woman, No Cry est devenu un standard de la musique pop. Cet arrangement quatre voix pour ensemble instrumentatioon variable est signé Peter Kleine Schaars.

SKU: BT.DHP-1104871-215

9x12 inches. English-German-French-Dutch.

Viterbo shares its name with a province located in the Latium region of Italy. Its landscape, a mixture of fl atland, rolling hills and lakes, contains many artefacts of the Roman Empire as well as the preceding Etruscancivilization. This area provided inspiration for Viterbo, written for the 50th anniversary of the orchestra in the town of Monterosi, Viterbo.

Viterbo is genoemd naar de gelijknamige provincie en hoofdstad van de regio Latium in Midden-Italië. In dit heuvellandschap zijn vele restanten van de Romeinse en Etruskische cultuur te vinden. Deze mooie, historische streek booddan ook rijkelijk inspiratie voor de mars die Jacob de Haan schreef ter ere van het vijftigjarig jubileum van het blaasorkest van Monterosi in Viterbo.

Der Marsch Viterbo leiht seinen Namen von der gleichnamigen Provinz und deren Hauptstadt in der mittelitalienischen Region Latium. In der vorwiegend hügeligen Landschaft sind viele Überreste der römischen und zuvor etruskischen Zivilisation zu finden. Diese schöne, geschichtsträchtige Landschaft bot reichlich Inspiration für diesen Marsch,der zu Ehren des 50-jährigen Jubiläums des Blasorchesters des Dorfes Monterosi in Viterbo geschrieben wurde.

La province italienne de Viterbe est située dans le Latium. Les Étrusques et les Romains y ont laissé de riches témoignages. Cette marche évoque avec spontanéité l’histoire extraordinaire de cette région de forêts, decollines douces, de monts et de plaines étendues.

La splendida citt laziale e la sua provincia, ricche di testimonianze etrusche e romane, hanno ispirato Jacob de Haan nel comporre questa marcia dedicata alla Banda Musicale Santa Cecilia Monterosi per il 50° anniversario di fondazione e al suo direttore Aldo Tamantini.

SKU: FG.55011-754-9

ISBN 9790550117549.

Yrjö Kilpinen (1892-1959) is most known for his hundreds of lieds and song cycles. His instrumental compositions have been less know, ie. the six piano sonatas and suite for gamba and piano. Large-scale Sonata for violin and piano is dated in 1935 with opus number 87. The work was never finished, and National Library in Helsinki holds several sketches and versions in its Kilpinen collection.

In 2015 violinist Frida Backman commissioned a completion of the Sonata from composer Walter Wolff. Wolff worked on the sketches and versions until 2018, when the work was completed and the Sonata premiered.

The present publication is the first publication of the Sonata. It sheds light to Kilpinen as an instrumental composer.

The movements are: Allegro - Andante - Andante Moderato - Allegro

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Yrjö Kilpinen (1892-1959) tunnetaan lähinnä lied-sävellyksistään, joita aktiivisina sävellysvuosina syntyikin satoja. Vähemmälle huomiolle ovat jääneet hänen instrumentaalisävellyksensä, mm. kuusi pianosonaattia, sellosonaatti, sarja gamballe ja pianolle sekä muutamat pikkukappaleet.

Vuodelle 1935 päivätty neliosainen, laajamuotoinen sonaatti viululle ja pianolle (op. 87) jäi keskeneräiseksi. Suomen Kansalliskirjaston Kilpinen-kokoelmassa oli useita luonnoksia ja eri versioita. Sonaatin osista neljäs oli keskeneräisin.

Viulutaiteilija Frida Backman tilasi konserttiaan varten sonaatin täydennöksen säveltäjä Walter Wolffilta. Hän sai työnsä päätöksen 2018, jonka jälkeen sonaatti kantaesitettiin.

Fennica Gehrmanin julkaisu on sonaatin ensipainos, ja siten laajentaa kuvaamme Yrjö Kilpisestä instrumenttiteosten säveltäjänä.

Teoksen osat: Allegro - Andante - Andante Moderato - Allegro.