SKU: LO.99-4146L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Ascension, Eastertide, Pentecost. SA/TB part-dominant rehearsal CD. Lorenz Publishing Company #99/4146L. Published by Lorenz Publishing Company (LO.99-4146L).

UPC: 000308156874.

SKU: LO.30-3785L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Ascension, Eastertide, Pentecost. Full score. Lorenz Publishing Company #30/3785L. Published by Lorenz Publishing Company (LO.30-3785L).

UPC: 000308156515.

SKU: WD.080689793226

Composed by Mark Mcclure. Choral, cantatas. Listening CD. Word Music #080689793226. Published by Word Music (WD.080689793226).

UPC: 080689793226.

SKU: LO.30-3788L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Ascension, Eastertide, Pentecost. Score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3788L. Published by Lorenz Publishing Company (LO.30-3788L).

UPC: 000308157000.

SKU: WD.080689519369

Composed by Mark Mcclure. Choral, cantatas. CD preview pak. Word Music #080689519369. Published by Word Music (WD.080689519369).

UPC: 080689519369.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Basso (cello/double bass) (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-26

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-26. Published by Breitkopf and Haertel (BR.OB-32117-26).

ISBN 9790004350867. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #PB 32117. Published by Breitkopf and Haertel (BR.PB-32117).

ISBN 9790004215845. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.EB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 25'. Breitkopf and Haertel #EB 32117. Published by Breitkopf and Haertel (BR.EB-32117).

ISBN 9790004187258. 7.5 x 10.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo. Music Sales America. Classical. Softcover. 400 pages. Music Sales #AM967549. Published by Music Sales

SATB choir with vocal solos

SKU: HP.8125

Composed by Allen Pote. Lent/Easter, Cantata. Lent & Easter Musicals. Lent, General Worship, Sacred. Instrumental parts. Hope Publishing Company #8125. Published by Hope Publishing Company (HP.8125).

UPC: 763628181253. Tom S. Long.

Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.

SATB choir with vocal solos

SKU: HP.8122

Composed by Allen Pote. Lent/Easter, Cantata. Lent & Easter Musicals. Lent, General Worship, Sacred. Accompaniment CD. Hope Publishing Company #8122. Published by Hope Publishing Company (HP.8122).

UPC: 763628181222. Tom S. Long.

Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.