SKU: BT.AMP-106-020
Everyone will instantly recognize this great patriotic hymn that is often thought of as the second English national anthem. This fanfare band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert. Sir Hubert Parry (1848-1918) zette William Blake’s Preface to Milton op muziek voor een bijeenkomst van de ‘Fight for the Right’-beweging in de Queen’s Hall te Londen in 1916. Het werk werd bekender onder de naam Jerusalemtoen Partry het in 1918 dirigeerde tijdens een concert dat het laatste stadium van de campagne voor vrouwenkiesrecht markeerde. Sir Edward Elgar voegde zijn orkestrale begeleiding toe voor het Leeds Festival van 1922. Sindsdienis dit werk een geliefde Engelse hymne, die volgens traditie als afsluiting wordt gezongen bij de jaarlijkse Last Night of the Proms in de Royal Albert Hall te Londen.Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.
SKU: BT.AMP-106-130
Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert. Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires. Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances.
SKU: BT.AMP-106-030
SKU: BT.MUSAM993850
ISBN 9781847725813.
A beautifully presented, full-colour illustrated collection of songs and poems, to soothe, calm and relax. Calming songs arranged for easy Piano and voice. Relaxing poems including A Cradle Song byWilliamBlake, Lullaby for Titania from A Midsummer Night's Dream by William Shakespeare and many more. Includes a sing-along CD.
SKU: HL.14033692
1. The Native Land of Light (for mixed chorus, SATB) 2. Come lift me up (for mixed chorus, SATB -) -) the second movement may be performed by a children's chorus or by the female voices (SSA) from a mixed chorus Programme Note From my very first aquaintance with these Andersen poems, I was deeply moved by the simple, almost naive, yet evocative imagery, with which Andersen realized his visions, images like: The Melody of the Heart, The Poem of Beauty, A Spiritual Hindustan, Fly, Death, over the Sea of Time, fly to Eternal Summer. Along with this childishness Hans Christian Andersen's poetry encompasses enormous - almost Willim Blake-ish - cosmic visions, in theinterpolations between e.g. reaching the Heaven as opposed to you'll find it in a Rosebud, or the juxtaposition of Everyday Life and Eternal Poetry - which become one. Thus the music came to life in my immediate encounter with these words, which almost sang themselves into my Musical Furnace - if you will. Per Norgard.
SKU: MB.30779M
ISBN 9781513462691. 8.75 x 11.75 inches.
This book presents three of the greatest ragtime blues guitar players from the 1920s-1940s. They all possessed what Rev. Gary Davis called that sportinâ?? right hand. Each could sing the blues or play a dance instrumental. They favored first-position chords but produced incredible textures and rhythms from these easy left-hand fingerings. There are years of exciting fingerpicking challenges in these pages. But what fun it will be once you can play these tunes!
BIG BILL BROONZY Big Bill Blues â?¢ At the Break of Day â?¢ Friendless Blues â?¢ Shuffle Rag â?¢ Worrying You off My Mind Bull Cow Blues â?¢ Five Feet Five
BLIND BLAKE Georgia Bound â?¢ Back Biting Bee Blues â?¢ Cold Hearted Mama Blues â?¢ Ice Man Blues â?¢ Righteous Blues â?¢ Tootie Blues Rope Stretchinâ?? Blues â?¢ Sea Board Stomp â?¢ Walkinâ?? Across the Country â?¢ What a Lowdown Place the Jailhouse Is
BLIND BOY FULLER Baby, I Donâ??t Have to Worry â?¢ Careless Love â?¢ Georgia Ham Mama â?¢ Keep Away From My Woman Somebodyâ??s Been Playing With That Thing â?¢ Why Donâ??t My Baby Write To Me (I Got A Woman Crazy For Me) Sheâ??s Funny That Way â?¢ Jivinâ?? Woman Blues
HOW TO USE THIS BOOK 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!!
SKU: HL.148034
UPC: 888680076276. 6.75x10.5 inches. William Blake/Nick Strimple.
Two Flowers, presents two contrasting, yet related, poems by William Blake, “The Sick Rose,” and “Ah, Sunflower,” in a single piece. Composed in a diatonic style with traditional, though slightly edgy harmonies, it is suitable for high school, college or community choirs. Much of the writing calls for soprano/tenor and alto/bass unison.
SKU: HL.14015300
ISBN 9788759850749. English. Lyrics by William Blake.
For SATB Choir (2 choirs or 12 solo voices). Text by William Blake.
SKU: GI.G-10954
English. Text Source: William Blake, 1757&ndash,1827, alt. Text by William Blake.
SKU: GI.G-10283
English. Text Source: From Songs of Innocence, William Blake, 1757-1827, alt. Text by William Blake.
SKU: AP.48836
UPC: 038081561608. English. William Blake.
Captivating. Adventurous. With just a hint of danger. This feisty minor key setting of William Blake's gripping poem immediately garners attention with a ferocious fanfare. Then a jaunty, detached piano motive (which later becomes a choral counterline), leads to contemporary choral writing firmly rooted in traditional techniques. Angular intervals and syncopated agitation provide energy, vim, and vigor. Guaranteed to be a highlight of rehearsals, concerts, contests, and festivals. Visit to download a free choral rehearsal guide: www.alfred.com/tigerrehearsalguide This title is available in MakeMusic Cloud.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: GI.G-10282
SKU: HL.14021022
ISBN 9780711982888.
This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson (soprano), Linda Maguire (mezzo soprano), Paul Moore (tenor) and Kevin McMillan (baritone), with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job: A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job.
SKU: GI.G-10285
English. Text Source: From Songs of Innocence, William Blake, 1757–1827, alt. Text by William Blake.
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