Orchestra

SKU: TM.00597TPS

Composed by Jean Sibelius. Transposed Score. Lucks Music Library #A2044. Published by Lucks Music Library (TM.00597TPS).

Solo/pf.

Orchestra (pf,str)

SKU: TM.09758SET

Composed by Jean-Baptiste Lully. Arranged by Brown. Set Type: B. Set of parts. Lucks Music Library #A5706. Published by Lucks Music Library (TM.09758SET).

Gavotte, Air, Sarabande, Hornpipe, Menuet Cibel; piano in score.

Orchestra

SKU: TM.06642TPS

Composed by Jean Sibelius. Transposed Score. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642TPS).

Orchestra (2.2.2.2/4.2.3.0,timp,str,violin solo)

SKU: TM.00597SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2044. Published by Lucks Music Library (TM.00597SET).

Solo/pf. Trans: Tpt 1-2, Tbn 1-2. Clarinets and Horns already in modern keys. Solo edited by Francescatti.

Orchestra (2D2.2.2.2/4.3.3.1,timp,perc,hp,str)

SKU: TM.06642SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642SC).

Transposed: cl 1+2, hn 1-4, tpt 1-3. Clothbound score.

Orchestra (2.2.2.2/4.3.3.1,timp,str)

SKU: TM.07682SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2048. Published by Lucks Music Library (TM.07682SET).

Transposed: Cl 1+2, Tpt 1-3, Hn orig in F, Tbn orig in Bass Clef. Typeset. Clothbound score.

Orchestra (2D2.2.2.2/4.3.3.1,timp,perc,hp,str)

SKU: TM.06642SET

Composed by Jean Sibelius. Set Type: D. Set of parts. Lucks Music Library #A2047. Published by Lucks Music Library (TM.06642SET).

Transposed: cl 1+2, hn 1-4, tpt 1-3. Clothbound score.

Orchestra (2.2.2.2/4.2.3.0,timp,perc,str)

SKU: TM.08642SC

Composed by Jean Sibelius. Score. Lucks Music Library #A6353. Published by Lucks Music Library (TM.08642SC).

P/C in set.

Orchestra (2.2.2.2/4.3.3.1,timp,str)

SKU: TM.07682SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2048. Published by Lucks Music Library (TM.07682SC).

Transposed: Cl 1+2, Tpt 1-3, Hn orig in F, Tbn orig in Bass Clef. Typeset. Clothbound score.

Orchestra (2.2.2.2/4.2.3.0,timp,str)

SKU: TM.05247SC

Composed by Jean Sibelius. Score. Lucks Music Library #A2049. Published by Lucks Music Library (TM.05247SC).

Chorus I = S; Chorus II = TB. See #R16497 for Ricordi score and vocal score.

Orchestra

SKU: BR.SON-626

Luonnotar Faksimile. Composed by Jean Sibelius. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 88 pages. Breitkopf and Haertel #SON 626. Published by Breitkopf and Haertel (BR.SON-626).

ISBN 9790004803288. 10 x 12.5 inches.

A main work by Sibelius as facsimile edition The large orchestral song Luonnotar is considered as one of the boldest works of Jean Sibelius. This alone would be reason enough to print the autograph sources (full score and piano reduction) as a color facsimile for the Sibelius Anniversary Year 2015. In addition, the autograph score also has a special significance for the transmission: it ensured the survival of the entire work after World War II; the source material for the printer compiled by Breitkopf & Hartel had been destroyed in an air-raid bombing in 1943. The meticulously elucidated volume is the first complete facsimile edition of an orchestral work by Jean Sibelius - a milestone in Sibelius editorial history that meaningfully supplements the complete edition Jean Sibelius Werke as a truly special volume.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Technical Studies and Solo Literature for String Orchestra and Individuall Study. By Antonin Dvorak; Cecile Chaminade; D. S. Bortiniansky; Doris Gazda; Eduard Poldini; Edvard Grieg; Francois-Joseph Gossec; G.C. Gluck; Georges Bizet; Guiseppe F Verdi; Henry Ghys; Jean Philippe Rameau; Ludwig Van Beethoven; Pierre Gavinies. Classical. Teacher's Book. 174 pages. Published by Carl Fischer.