SKU: AP.49213S
ISBN 9781470648558. UPC: 038081569352. English.
This version of As Twilight Falls by Robert Sheldon is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. The sense of peace and tranquility of twilight on a summer's evening inspires this lovely, lyrical offering. An excellent teaching opportunity for phrasing and expression, As Twilight Falls provides a moment of contrast at any young band's concert performance and is now available in Alfred's 5-part FLEX format. Correlates to Book 1, Level 5 of Sound Innovations for Concert Band. Percussion Accompaniment Track Download. (2:10).
SKU: LO.30-3723MD
UPC: 000308154245.
Orchestral Score and CD with Printable Parts for 10/5343MD Jay Rouse brings us an impactful arrangement of the classic 1980s ministry song from Babbie Mason and Donna Douglas. The gentle, ballad-like feel of the freely sung solo in the beginning quickly leads to an increase in energy once the choir enters—an energy that is experienced all the way to the awe-inspiring ending. An encouraging selection for believers!
SKU: LO.30-3087L
UPC: 000308136951.
This powerful and emotional setting of a timeless hymn moves us from the crucifixion to the triumphant return of Christ. The equally dramatic orchestration by Michael Lawrence adds an inspiring dimension to any performance of this glorious work. (2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax/Btn TC), Tuba, Timp, 2 Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction).
SKU: LO.30-3658L
UPC: 000308152456.
Orchestral Score and Parts for 10/5256L This Gaither classic receives fresh inspiration with a dramatic setting by Mary McDonald. The winning combination of Bill and Gloria Gaither provides a powerful song of hope and promise that encourages all believers in the journey of life. The choir spans the emotional and dynamic spectrum in a resounding affirmation of faith!
SKU: JK.20034
John 15:10-12.
Score and parts to accompany the full-choir arrangement of I Feel My Savior's Love, recorded by the Mormon Tabernacle Choir (#00402).Orchestration includes: Full Score Flute Oboe Clarinet in B Flat Harp Piano Percussion I (Light Triangle, Finger Cymbals) Percussion II (B.D., Sus. Cymbal) Violin I (4) Violin II (4) Viola (4) Violoncello (3) Doublebass (2)Composer: K. Newell Dayley Arranger: Sam Cardon Lyricist: Ralph G. Rogers, K. Newell Dayley and Laurie Huffman Difficulty: Medium Performance time: 3:40Reference: John 15:10-12.
SKU: LO.30-3240L
UPC: 000308142419.
This collaborative cantata looks at the Christmas story through the eyes of first-hand witnesses, who share their unique perspectives on the miraculous birth of Jesus. Zechariah, Mary, Joseph, a shepherd, a wise man, and the aged saint Simeon all share their stories through dramatic monologues. A blend of original and familiar carols provides a dramatic sonic backdrop for these inspiring stories. Ed Hogan’s stunning orchestration makes this piece a versatile work that can be presented equally well with piano only or with full orchestral accompaniment, and the optional inclusion of congregational singing of familiar carols ensures a meaningful worship experience for the entirety of the congregation. Orchestration by Ed Hogan for 2 Fl, Ob (sub S Sax or Cl), 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax or Cl), Tpt 1, Tpt 2–3 (sub 2 A Sax), 2 Tbn (sub 2 T Sax), Tuba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla (sub Cl), Cello, Bass, Digital Strings.
SKU: LO.30-3466L
UPC: 000308147025.
Through dramatic and inspiring music and lyrics, this anthem calls the church to be on a mission to spread the good news of Christ—news the world needs to hear. We are also reminded that as we respond to the needs around us, we cling to the cross of Christ that leads us on!
SKU: LO.30-3648L
UPC: 000308152142.
Score and parts plus CD with printable parts for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: BA.BVK01601
ISBN 9783761816011. 48.8 x 32 cm inches. Text Language: English, German, French.
The two string quartets by Camille Saint-Saens appear here in one volume for the first time. The String Quartet No. 1 in E Minor op. 112 (1899) numbers among the composer's most successful pieces and is emblematic of the genre in the French repertoire. Here Saint-Saens displays his fully developed mastery and presents the wealth of his inspiration and musical prowess. Only three years before his death, he surprisingly composed the String Quartet No. 2 in G major op. 153 (1918) which, with its classicistic stance, represents a homage to the masters of the late eighteenth century Viennese School.In addition to the first critical edition of the two string quartets, this second volume of theOeuvres instrumentales completesde Camille Saint-Saens includes the first version of the final movementInterlude et Finalfrom the second string quartet, the fragmentary beginning of an early work for string quartet as well as the previously unknown and unpublished Adagio from Symphony No. 2 in A Minor op. 55 for string quintet. An extensive Introduction (Fr/Eng/Ger) illuminates the genesis, historical performance and reception histories of all these pieces; the Critical Report (Fr) provides information about all the sources and their variants.
SKU: LO.30-3663MD
UPC: 000308152937.
Orchestral Score and Parts for 10/5291MD While written for the Kentucky All-State Youth Choir, this energetic anthem based on Psalm 100 is suitable for choirs of all ages and skill levels. It’s supported by a strong piano accompaniment and includes an optional full orchestration by Ed Hogan. An inspiring choice for worship services or concerts.
SKU: HL.49045871
ISBN 9783795711634. UPC: 888680791568. 6.0x9.0x0.556 inches.
With a detailed preface by Giselher Schubert Mahler 2 - written between 1888 and 1894 and known as 'Resurrection Symphony.' Mahler found inspiration for the final, 'Resurrection' movement at the funeral of Hans von Bülow. Content: Preface Vorwort I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck II. Andante moderato. Sehr gemächlich. Nie eilen III. In ruhig fliessender Bewegung IV. Urlicht. Sehr feierlich, aber schlicht (Choralmässig) V. Im Tempo des Scherzos. Wild herausfahrend.
SKU: AP.49213
ISBN 9781470648541. UPC: 038081569345. English.
SKU: LO.30-3647L
UPC: 000308152135.
CD with printable parts for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: JK.20045
Luke 2.
Orchestration score and parts for - Christmas: A Carol Cantata (#00033), performed in place of the piano accompaniment.Composer: Lewis H. Redner / William Dix / Adolphe Adam / V. Schumann/Felix Mendelssohn / Franz Gruber / J. Baptiste Calkin (for cantata) Arranger: Janice Kapp Perry (for cantata) Orchestration arranger: Jerry Jackman Difficulty: Medium-difficultReference: Luke 2.
SKU: LO.30-3646L
UPC: 000308152128.
Set of parts for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: LO.30-3083L
UPC: 000308136838.
This inspiring anthem begins quietly, builds to a reminder of our mission to the world, and concludes with a joyful affirmation that one day all believers will join together to praise God for eternity. A perfect blend of meaningful lyrics and a strong melody make The Jesus Prayer an anthem that your whole congregation will enjoy. (Ob, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Timp, Perc, 2 Vln, Vla, Cello, Bass).
SKU: LO.30-3537L
UPC: 000308148930.
The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!
SKU: BA.BA06861
ISBN 9790260104211. 34.3 x 27 cm inches.
LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus LeoÅ¡ Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers MiloÅ¡ Å tedron and LeoÅ¡ Faltus closely follows the original manuscript.A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Å pálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: LO.30-3645L
UPC: 000308152111.
Full score for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: BR.OB-5641-60
ISBN 9790004348833. 10.5 x 14 inches.
The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.
SKU: LO.30-3465L
UPC: 000308147018.
SKU: HL.14021435
ISBN 9788759878606. English.
Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.
SKU: JK.20032
Orchestration corresponding with The Gift of the Magi cantata (#01547). Instrumental sections include parts for flute, oboe, clarinet, horn, harp (or piano), and full strings.Arranger: Oliver X. White Lyricist: O Henry, adapted by Oliver X. White Difficulty: Medium Performance time: 23:00Reference: Luke 2.
SKU: LO.30-3082L
UPC: 000308136821.
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