SKU: HL.364394
UPC: 840126958874. 9.0x12.0x0.065 inches.
Daily Grace expresses the grace that we have received from God through the sacrifice of Christ on the cross: a true gift. There is an option to incorporate Amazing Grace with a congregation, another voice, or other instrument to effectively connect the soloist's melody with the familiar refrain.
SKU: HL.48009941
UPC: 073999994353. 8.5x11.75x0.317 inches.
Contents: A Pretty Pretty Ducke (Bartlet) * Away With These Self-Loving Lads (Dowland) * Beauty is but a Painted Hell (Campion) * Breake Now My Heart and Die (Campion) * Come Away (Dowland) * Come You Pretty False-Eyed Wanton (Campion) * Downe-a-Downe (Pilkington) * Ev'ry Dame Affects Good Fame (Campion) * Farewell Unkind Farewell (Dowland) * Flora Without Torment Me (Morley) * Her Rosie Cheekes (Campion) * I Heard of Late (Bartlet) * If There be Any One (Bartlet) * Now O Now I Needs Must Part (Dowland) * O Deare That I With Thee Might Live (Campion) * Oft Have I Sighed for Him (Campion) * Shall a Smile or a Guileful Glance? (Corkine) * Shall I Sue Shall I Seek For Grace? (Dowland) * Sorrow Sorrow Stay (Dowland) * Stay Time Awhile thy Flying (Dowland) * Sweet Was the Song (Attey) * The Peaceful Westerne Winde (Corkine) * Thrice Tosse These Oaken Ashes in the Air (Corkine) * Weep No More Sad Fountaines (Dowland) * What if I Never Speede (Dowland) * What Thing Is Love? (Bartlet) * When From My Love I Lookte (Bartlet) * Whither Runeth My Sweetheart (Bartlet) * Who Doth Behold My Mistress' Face (Bartlet).
SKU: BR.EB-8888
ISBN 9790004185117. 0 x 0 inches. German.
The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.Miriam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.
SKU: HL.49032690
ISBN 9790001115162. 9.0x12.0x0.229 inches. English.
Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitative-like second part, the grace and grandeur of Seraphim manifestations are derived from the sound of plucked piano strings. The third part is characterized by the death knell: 'voidward from the adoring waste of souls'.
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