SKU: AP.1-ADV7471

ISBN 9783892218371. UPC: 805095074710. English.

Dating back to 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7470

ISBN 9783892218364. UPC: 805095074703. English.

Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7431

UPC: 805095074314. English.

Originally conceived as a piano duet in 1908 and later arranged for orchestra in 1911, this popular set was inspired by the 17th-century fairy tales penned by Charles Perrault and Marie Catherine Aulnoy. Some of the compositions are preceded by excerpts from the corresponding fairy tales.

SKU: AP.1-ADV7614

UPC: 805095076141. English.

What is probably Albéniz' most famous piece, Tango Andaluz, has been transcribed for many different instrument combinations. In this unique arrangement, from the repertoire of the Berlin Saxophone Quartet, all four saxophones get a chance to shine.

SKU: AP.1-ADV7434

ISBN 9783892215882. UPC: 805095074345. English.

This collection of short compositions contains a variety of classical masterpieces. These arrangements will be useful as style and sonority etudes, encores, and short concert works. Titles: J.-B. Lully: Air des Hautbois (folies d'espagne) * R. Schumann: Waldszenen op. 82: Eintritt * F. W. Gluck: Andante aus don Juan * F. W. Gluck: Allegretto aus Don Juan * F. Schubert: Choral aus Der Tod und das Mädchen * F. Chopin: op. 28/4 * F. Chopin: op. 28/6 * F. Chopin: op. 28/7 * D. Scarlatti: Sonata L418 * G. Puccini: Scherzo * F. Schubert: Moment Musical No. 3 * L. v. Beethoven: Sonata op. 27/2 (Mondschein).

SKU: AP.1-ADV7607

UPC: 805095076073. English.

The Latin-influenced piece consists of the theme (ABC), interlude, soprano and tenor saxophone solos, interlude, theme, a coda featuring the soprano, and culminates with the final cadenza. The soloists may either improvise or play the notated transcriptions. Solo sections may be opened up for additional choruses.

Heiner Wiberny wrote this melodious and rhythmically spirited compositon for his son Julian. The Latin-Influenced piece was inspired by his collaboration as multiinstrumentalist with the WDR Big Band in Cologne during productions with Paquito D'Rivera, Bob Mintzer and Andy Narell. The piece consists of the theme (ABC), interlude, soprano and tenor saxophone solos, interlude, theme, a coda featuring the soprano, and culminates with the final cadenza. The soloists my either improvise or play the notated transcriptions of the composer. Solo sections may be opened up for additional choruses. A substitute alto part is printed on the back of the soprano.

SKU: AP.1-ADV7674

ISBN 9783892217350. UPC: 805095076745. English.

This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy, and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone.

SKU: AP.1-ADV7612

UPC: 805095076127. English.

SKU: AP.1-ADV7446

UPC: 805095074468. English.

In the form of a classic 12-bar blues, this boogaloo is written in concert B-flat and has plenty of room for improvisation.