SKU: PA.H04898
ISBN 9790260109803. 31 x 23.5 cm inches.
SKU: PA.H05527
ISBN 9790006573011. 30.7 x 23.4 cm inches.
SKU: PA.H07911
ISBN 9790260104457. 31 x 23.5 cm inches.
Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.Fiser's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).
SKU: PA.H07445
ISBN 9790006573097. 31 x 23.7 cm inches.
SKU: PA.H01818
ISBN 9790006572588. 31 x 23.5 cm inches.
In A major and D flat major.
SKU: PA.H02045
ISBN 9790260106796. 30.8 x 23.3 cm inches.
SKU: PA.H04612
ISBN 9790260109551. 31 x 23.5 cm inches.
SKU: PA.H07502
ISBN 9790006570669.
SKU: PA.H01385
ISBN 9790006572311. 31 x 23.5 cm inches.
SKU: PA.H01386
ISBN 9790006572885. 30.5 x 23.5 cm inches.
SKU: PA.H08058
ISBN 9790260109568. 29.7 x 21 cm inches. Preface: Liederhaus, Nikola.
SKU: PA.H07926
ISBN 9790260103092. 31 x 23.5 cm inches.
SKU: PA.H02031
ISBN 9790260100657. 31 x 23.5 cm inches.
This cycle of ten piano miniatures by Jan Hanus is intended for the youngest pianists; an age group for which it is usually very difficult to find adequate recital pieces that would respect not only the mentality of a small child but also its technical level. The titles of the individual pieces (March of the Industrious Ants, Sparrows' Party, Bug is swinging, Musician Cricket and others) already give a good picture of the inventive, humorous and, to certain extent, programme compositions in which one can easily feel the atmosphere incorporated in their titles. Individual compositions are supplemented with lovely illustrations by Daniela Zichova which surely makes the experience of playing the pieces even more enjoyable.
SKU: PA.H07957
ISBN 9790260104464. 31 x 23.5 cm inches.
Piano Sonata No. 3 was written in 1960 during the composer's studies at HAMU (Music Faculty of the Academy of Performing Arts in Prague) under Emil Hlobil. The first half of the 1960s was the period during which Fiser's musical language underwent fundamental change as he rapidly cultivated his own, distinctive style, established in Fifteen Prints after Durer's Apocalypse. This sonata thus also includes several essential traits which shift his compositional development further. The work has two movements, however, its internal structure abandons traditional form. The piece is divided into several short, mutually contrasting sections, whereby the distinctions between the adjacent parts are emphasised by the thematic and chordal treatment. These contrasts are also supported by the chosen dynamics, tempo and other expressional means. The harmony is largely based on traditional chords or their condensed form while, in certain passages, we will nevertheless come across semitone clusters or fourth chords. The melody is still chiefly diatonic; at times Fiser uses chromatic sequences. These new elements in Sonata No. 3 indicate an attempt to simplify his writing and ensure greatest transparency and impact. This endeavour became a basic characteristic of Fiser's compositions from the mid-1960s onwards. The sonata originally bore the postscript Fantasia, which was subsequently taken out by the composer. It was first performed by Ales Bilek in 1961. The new setting for this piece is based on the single edition to date (Panton, 1967); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music).
SKU: PA.H03305
ISBN 9790006571963. 31 x 24 cm inches.
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