SKU: CA.4060791
Key: C major. Latin.
One of his later works, Haydnâs Missa in tempore belli, composed in 1796, is also referred to as the âPaukenmesseâ (Kettledrum Mass) through the use of timpani in the Agnus Dei. For the Vienna premiere, Haydn added flutes, clarinets and horns to the score, so that in terms of sound the soloists and the chorus have to hold their own against a truly large orchestral apparatus. In this case, practicing with the Carus Choir Coach is of course recommended for a good vocal presence.The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:Original recordingCoach: each part is accompanied by the piano, with the original recording sounding in the backgroundCoach in slow mode: the tempo of the coach slows down to 70% of the original version â through this reduction passages can be learned more effectively.Performers: Ann Hoyt (soprano), Kirsten Sollek (alto), Daniel Neer (tenore), Richard Lippold (basso) â Trinity Church Choir, Rebel Baroque Orchestra â J. Owen Burdick. Score available separately - see item CA.4060700.
SKU: HL.49032190
ISBN 9790001118040.
SKU: CF.CPS216F
ISBN 9781491153109. UPC: 680160910601.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.
SKU: SU.80300218
This sweet--but never drippy--setting of a familiar English folk moves into gentle swing rhythm ostinato patterns, supporting soprano and alto solos. SSAA a cappella; English. Easy-Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: CY.CC3036
ISBN 9790530110119. 8.5 x 11 in inches.
Ralph Sauer's landmark new work, Practice With Bach, will challenge your technique and musicality with demanding new etudes. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume One contains Twenty-four etudes in all keys, based upon preludes from The Well-Tempered Clavier.
SKU: HP.1892OB
UPC: 763628318925. Luke 2:1-12, Matthew 2:1-12.
Beloved French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.
SKU: CA.3910513
ISBN 9790007055240. Language: German/English.
The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.
SKU: BT.HU-1111-702
Dutch.
SKU: CA.3910514
ISBN 9790007055257. Language: German/English.
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