Concert Band (2 flutes, piccolo, 2 oboes, 3 clarinets*, 2 bass clarinets, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 6 trumpets, 3 trombones, 2 euphoniums, 2 tubas; timpani, 6 percussion, string bass (*at least 2 per part))

SKU: SU.90810030

For Concert Band. Composed by Nancy Galbraith. Woodwinds, Woodwind Ensemble. Study Score. Composed 1998. Duration 9'. Subito Music Corporation #90810030. Published by Subito Music Corporation (SU.90810030).

Instrumentation: 2fl, picc, 2ob, 3cl*, 2bs-cl, 2bn; 2a-sax, t-sax, b-sax; 4hn, 6tpt, 3tbn, 2euph, 2tba; timp, 6perc, string-bass (*at least 2 per part) Duration: 9' Full Score & Parts: available for sale (#90810031) Composed: 1998 Published by: Subito Music Publishing ... a high-energy score .... The music drives hard from its opening to a lullaby-like woodwind passage about two-thirds of the way through. The dreaminess is dispatched by the arrival of a snare drum that slowly ratchets the excitement level back to that of the work's opening. --Fanfare Magazine.

By George Gershwin. For tuba quartet (2 euphoniums, 2 tubas & drums). Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 4055)

(2.2.2.2/2.2.3.0,timp,perc,euphonuim,str)

SKU: TM.12461SET

Composed by Sir Arthur Seymour Sullivan. Arranged by Binding. Set Type: D. Set of parts. Lucks Music Library #A6890. Published by Lucks Music Library (TM.12461SET).

Overture, Pri Thee Pretty Maiden, A Silver Churn, Love is a Plaintive Song, Chorus of Maidens, Chorus In a Doleful Train, When I First Put this Uniform on Sextet and Chorus, Trio, Silver'd is the Raven Hair, Pas Redouble, Soldiers of Our Queen.

Concert band (Full Score, Flute 1/2, Oboe 1/2 (opt), Eb Clarinet, Bb Clarinet 1/2/3, Alto Clarinet, Bb Bass Clarinet (opt), Bassoon (opt), Alto Sax 1/2 (opt), Bb Tenor Sax (opt), Eb Baritone Sax (opt), Trumpet, F Horn 1/2/3/4, Trombone 1/3, 2nd Trombone (opt), Euphoniu) - grade 1.5

SKU: CN.S11222

Composed by E. Leidzen. Arranged by E. Leidzen. Band Music. Score only. Duration 2:30. Published by G & M Brand Music Publishers (CN.S11222).

Could Dvorak have known that he was writing a standard piece for young bands when he created this piece? This rendition is ideal for a variety of occasions - concerts, graduation ceremony, and special events.

Dvorak's arrangement for orchestra of 'The Old Folks at Home' was made in the 1890s for a Summer School held in Spillville, Iowa. Those attending were mostly drawn from a local Czech-speaking community and Dvorak enjoyed sharing time with people who spoke his own language. As instrumentalists the players were limited, many little more than beginners; yet in his arrangement Dvorak created a musically authentic and attractive setting of Stephen Foster's popular melody that is truly a masterpiece in economy of demand. Many years later, in 1942, Edwin Franko Goldman invited Erik Leidzen to transcribe Dvorak's arrangement for concert band.

Organ

SKU: BT.ALHE30013

Cycle De Noel-Epiphania Domini-Orgue. Composed by Charles Tournemire. Orgue Mistique. Book Only. 96 pages. Heugel & Cie #ALHE30013. Published by Heugel & Cie (BT.ALHE30013).

French.

1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Fantaisie

Composed by Phyillis Tate. With Standard notation. Emerson Edition #E150. Published by Emerson Edition (PR.524041200).

Concert band (Full Score, Flute 1/2, Oboe 1/2 (opt), Eb Clarinet, Bb Clarinet 1/2/3, Alto Clarinet, Bb Bass Clarinet (opt), Bassoon (opt), Alto Sax 1/2 (opt), Bb Tenor Sax (opt), Eb Baritone Sax (opt), Trumpet, F Horn 1/2/3/4, Trombone 1/3, 2nd Trombone (opt), Euphoniu) - grade 1.5

SKU: CN.R10222

Composed by E. Leidzen. Arranged by E. Leidzen. Band Music. Score and parts. Duration 2:30. Published by G & M Brand Music Publishers (CN.R10222).

Could Dvorak have known that he was writing a standard piece for young bands when he created this piece? This rendition is ideal for a variety of occasions - concerts, graduation ceremony, and special events. 1/2/3

Dvorak's arrangement for orchestra of 'The Old Folks at Home' was made in the 1890s for a Summer School held in Spillville, Iowa. Those attending were mostly drawn from a local Czech-speaking community and Dvorak enjoyed sharing time with people who spoke his own language. As instrumentalists the players were limited, many little more than beginners; yet in his arrangement Dvorak created a musically authentic and attractive setting of Stephen Foster's popular melody that is truly a masterpiece in economy of demand. Many years later, in 1942, Edwin Franko Goldman invited Erik Leidzen to transcribe Dvorak's arrangement for concert band.

Organ

SKU: BT.DMP111124

Composed by Hendrik De Regt. Book Only. Digital Music Print #DMP111124. Published by Digital Music Print (BT.DMP111124).

Piano

SKU: CU.EC11705

Composed by Marco Di Bari. Campi Sonori. Published by Edizioni Curci (CU.EC11705).

ISBN 9790215903654.

Concert band

SKU: RM.GARC04194-BA

Composed by Gerard Garcin. Original music. Orchestra. Full set. Duration 19 minutes, 15 seconds. Editions Robert Martin #GARC04194-BA. Published by Editions Robert Martin (RM.GARC04194-BA).

ISBN 9790231041941.

Brass Band - Grade 4

SKU: BT.DHP-1064075-130

Composed by John Blanken. Brilliant Marches. March. Score Only. Composed 2006. De Haske Publications #DHP 1064075-130. Published by De Haske Publications (BT.DHP-1064075-130).

9x12 inches. English-German-Dutch.

The traditional concert march Liberty, was composed in 2004 for the brass band Euphonia from Wolvega, the Netherlands. Your band will feel truly liberated with this lively composition.

Liberty is gecomponeerd in een traditionele marsvorm. Het eerste deel bevat naast een beweeglijk thema een aansprekende bassolo. Na de bassolo komt het eerste thema weer naar voren en wordt, na een krachtige afsluiting, hettrio ingeleid. Een lange, lyrische melodie in de tenorgroep laat vervolgens het publiek even achteroverleunen en genieten. Ze wordt echter bruusk onderbroken door een wilde fortissimopassage, gekenmerkt door een lange toonladderdie door het hele orkest heen loopt. Deze mondt uit in een welluidend Grandioso met een herhaling van de lyrische melodie, omspeeld in de discant, waarmee Liberty besluit.

In Liberty wird ein lebhaftes Thema im ersten Teil von einem anspruchsvollen Solo für den Bass und die gesamte Brass Band abgelöst. Nach dem Trio mit einer ausgesprochen lyrischen Melodie und heftigen Fortissimo-Passagen beendet ein reizvolles Grandioso dieses Stück, das in traditioneller Marschform geschrieben, aber alles andere als gewöhnlich ist.

Liberty est une marche contrastante de forme traditionnelle. La première partie développe un thème pétillant qui se fond dans un solo de basse solidement charpenté. Le trio, plus lyrique, expose quelques nouvelles idées formant un contraste marqué avec le passage d’ouverture. La musique s’enflamme pour un énoncé en fortissimo qui chemine travers l’ensemble de l’orchestre puis cède sa place un thème Grandioso, dernier épisode de l’œuvre.