| Hal Leonard Bass Tab Method Bass guitar [Sheet music + Audio access] Hal Leonard
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1 and 2
with Online Audio. Guitar Tab
Method. Instruction, Method.
Softcover Audio Online. 64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs you
want to play! Learn the notes
of the bass with riffs like
"Day Tripper" and "Stand by
Me," reading rhythms and tab
with classics by the Who and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low Rider,"
beginning slap technique with
songs like "Higher Ground"
and "Fly Away," and much
more. The method's unique,
well-paced, and logical
teaching sequence will get
students playing more easily
than ever before, and music
from popular artists like the
Beatles, Nirvana, and Green
Day will keep them playing
and having fun. This special
combo edition includes books
one and two of the series
plus online audio access.ard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto No. 3 'Gift of Dreams' Piano solo Fennica Gehrman
2 Pianos, 4 Hands (2-Pianos) SKU: HL.48024257 Reduction for Two Pianos...(+)
2 Pianos, 4 Hands (2-Pianos) SKU: HL.48024257 Reduction for Two Pianos. Composed by Einojuhani Rautavaara. BH Piano. Classical. Softcover. 52 pages. Fennica Gehrman #M550113329. Published by Fennica Gehrman (HL.48024257). Piano reduction for Rautavaara's Piano Concerto No. 3 Gift of Dreams now available for the first time. The concerto is composed for Vladimir Ashkenazy. The opening of the concerto is lyrical and meditative. The second movement, Adagio, drifts into a piano monologue that picks up speed. As the orchestra enters, the dialogue becomes aggressive. The finale begings with an energetic introduction, continues with blazing fanfares and textures. Rautavaara's Piano Concerto No. 3 is a masterpiece of modern concerto literature. It is written is such manner that toe soloist can lead the orchestra from the grand piano. Rautavaaran 3. pianokonserton, Gift of Dreams, pianoreduktio on nyt julkaistu ensimmaista kertaa. Konsertto on savelletty Vladimir Ashkenazylle, ja sen voi esittaa solistin johdolla. Gift of Dreams on takuuvarmaa ja taitavaa Rautavaara; unenkaltaiset elementit, fanfaarit, pulppuileva solistiosuus, jamakka orkesteri seka rautavaara-harmoniat ovat kaikki lasna tassa vuonna 1998 savelletyssa konsertossa. $110.00 - See more - Buy online | | |
| 20 fingrar vid pianot 1 Piano, 4 hands Gehrmans Musikforlag
Piano duet SKU: GH.GE-10518 Composed by Inger Elevant / Inja-Bodil Sylvan...(+)
Piano duet SKU: GH.GE-10518 Composed by Inger Elevant / Inja-Bodil Sylvan. Educational. Gehrmans Musikforlag #GE 10518. Published by Gehrmans Musikforlag (GH.GE-10518). ISBN 9790070105187. Att spela fyrhandigt ar roligt! Den har boken innehaller 15 kanda melodier, saval svenska som utlandska, i arrangemang for fyra hander. Svarighetsgraden varierar nagot, men det mesta ar overkomligt for den som har spelat i ett eller ett par ar. $23.78 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 101 Rock Hits For Buskers Vol.2 P/v/g Tab Music Sales | | |
| My First Concert: 44 Easy Guitar Pieces From 5 Centuries, Edition With Cd Guitar [Sheet music + CD] - Beginner Schott
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordikowski. This edition: Saddle stitching. Sheet music with CD. Guitar. Die Auswahl der uberwiegend originalen Werke ist nach Epochen gegliedert und bietet so auch ein kleines Panorama der Geschichte der Gitarren- und Lautenmusik von John Dowland uber Gaspar Sanz bis zu Leo Brouwer. Edition with CD. 32 pages. Schott Music #ED 20601. Published by Schott Music
$23.99 $19.192 (20% off) See more - Buy online | | |
| Variations on 'Jesu dulcis memoria' Organ CanticaNOVA Publications
Composed by Dennis R. Johnson. Easy-to-learn variations on a familiar chant melo...(+)
Composed by Dennis R. Johnson. Easy-to-learn variations on a familiar chant melody. General. Published by CanticaNOVA Publications (C5.6068).
$3.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| R (A Portrait for Piano and Orchestra) Breitkopf & Härtel
Piano (pno - 2(picc).2.2.2. - 4.2.2.Btbne.1. - hp - cel - perc(4).timp - str) (+)
Piano (pno - 2(picc).2.2.2. - 4.2.2.Btbne.1. - hp - cel - perc(4).timp - str) SKU: BR.OB-5693-03 Composed by Nicola Campogrande. Solo instruments; stapled. Orchester-Bibliothek (Orchestral Library). Here you will find Nudo for piano solo. Solo concerto; Music post-1945; New music (post-2000). Solo part. Composed 2012. 32 pages. Duration 17'. Breitkopf and Haertel #OB 5693-03. Published by Breitkopf and Haertel (BR.OB-5693-03). ISBN 9790004347232. 10 x 12.5 inches. A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R, were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing.Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre), interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sua fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sua fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo, un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. Information on R on the composer's websiteRecording of the premiere of R in Milano (YouTube). $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Nudo Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra). Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. Here you will find the concerto R (A Portrait for Piano and Orchestra). Solo concerto; Music post-1945; New music (post-2000). Score. Composed 2015. 36 pages. Duration 15'. Breitkopf and Haertel #EB 8990. Published by Breitkopf and Haertel (BR.EB-8990). ISBN 9790004187197. 9 x 12 inches. A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com). $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A scuola con il pianoforte Piano solo Sinfonica Jazz
Piano SKU: BT.SINF244 Metodo per pianoforte con esecizi e brani per i ...(+)
Piano SKU: BT.SINF244 Metodo per pianoforte con esecizi e brani per i primi corsi. Composed by Maria Teresa Levati. Method. Book Only. 152 pages. Sinfonica #SINF244. Published by Sinfonica (BT.SINF244). ISBN 9788884001474. Italian. Metodo per pianoforte con esercizi e brani per i primi corsi Nuova edizione de A scuola con il pianoforte. Al suo interno si trovano elementi di teoria musicale, esercizi di tecnica e studi selezionati dal repertorio pianistico dal barocco al novecento. Un metodo completo per i primi corsi adatto a tutte le realt educative. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Eastman Wind Ensemble Concert band Subito Music
SKU: SU.92090242 Composed by Roberto Sierra Live. Concert Band/Wind Ensem...(+)
SKU: SU.92090242 Composed by Roberto Sierra Live. Concert Band/Wind Ensemble. CD (Audio). Subito Music Corporation #92090242. Published by Subito Music Corporation (SU.92090242). The Eastman Wind Ensemble is America's leading wind ensemble. Frederick Fennell first formulated the general concept of the wind ensemble at Eastman nearly 65 years ago. Under his leadership the group became known as the pioneering force in the wind ensemble movement in the United States and abroad. A. Clyde Roller served as conductor between 1962 and 1964, continuing the tradition established by Fennell. Donald Hunsberger became conductor in 1965 and led the ensemble for 37 years to international prominence. The ensemble's current director, Mark Davis Scatterday, was introduced as the fourth conductor of this prestigious group during the EWE's 50th anniversary celebration on February 8, 2002. Since its founding, the EWE has been the leader in elevating the wind repertory through recordings. Fennell's Mercury Recordings albums of the 1950s and early '60s are notable for their pioneering use of binaural, stereo, and 35mm recording techniques. These Living Presence recordings focused on standard band literature by the most respected classical composers -- heard for the first time in the newly balanced one-per-part instrumentation. They also centered on major repertory not found on traditional band programs, such as Mozart's Serenade in B-flat (the Gran Partita), Messiaen's Et exspecto resurrectionem mortuorum, and Stravinsky's Symphonies of Wind Instruments. Under Hunsberger, the EWE continued its progressive stance in recording techniques with participation in quadraphonic and digital recording. Since its founding, the ensemble has premiered more than 200 new works. The EWE and Mark Scatterday have continued this rich recording tradition with several CDs starting in 2005 with Danzante (featuring trumpet virtuosi James Thompson) on Summit Records. Track Listing Fandangos Sinfonia No 3 La Salsa: 1. Tumbao Sinfonia No 3 La Salsa: 2. Habanera Sinfonia No 3 La Salsa: 3. Danzas Sinfonia No 3 La Salsa: 4. Jolgorio Fanfarria Diferencias: 1. Fanfarria Diferencias: 2. Sonoro Diferencias: 3. Ritmico Diferencias: 4. Sonoro Diferencias: 5. Vigoroso The Phoenix from Carnaval. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lemminkainen and the Maidens on the Island Op. 22/1 Orchestra [Score] Breitkopf & Härtel
Orchestra (2(2picc).2.2.2 - 4.3.3.0 - timp.perc - str) SKU: BR.PB-5582 (+)
Orchestra (2(2picc).2.2.2 - 4.3.3.0 - timp.perc - str) SKU: BR.PB-5582 Lemminkainen ja saaren neidot - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Late-romantic; Early modern. Full score. 84 pages. Duration 17'. Breitkopf and Haertel #PB 5582. Published by Breitkopf and Haertel (BR.PB-5582). ISBN 9790004213926. 10 x 12.5 inches. Little is known about the actual composition process of Lemminkainen, and the performance and publication history is rather complex, resulting in a first complete printing of all four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.A critic opined on Lemminkainen and the Maidens on the Island: We do not hesitate to award this tone painting of Lemminkainen's erotic emotional world the first prize among all the young composer's works.. $75.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Big Red Choir Book, Volume 2 - Choral Book Choral SATB - Intermediate Word Music
SATB choir - Intermediate SKU: WD.080689643170 Book. Word Music #08068964...(+)
SATB choir - Intermediate SKU: WD.080689643170 Book. Word Music #080689643170. Published by Word Music (WD.080689643170). UPC: 080689643170. Introducing THE BIG RED CHOIR BOOK VOLUME 2! Word Music & Church Resources announces the release of the most audaciously awesome new choir book you’ve ever seen! Volume 2 of “Big Red†is the biggest ever Big Red Choir Book, jam-packed with a musically diverse, and stylistically broad selection of choral arrangements to meet the needs of church choirs everywhere! Compiling 32 best-selling songs in 29 phenomenal arrangements, The Big Red Choir Book, Volume 2 just might be the most comprehensive, all-encompassing, budget-saving and convenient church choir resource of all time…the biggest ever! With a little bit of everything, this Biggest Ever Big Red Choir Book has it all…Praise & Worship, CCM Hits, Southern Gospel, Patriotic, Christmas, Easter, and more! This essential resource features arrangements by Cliff Duren, Daniel Semsen, Bradley Knight, Jay Rouse, Marty Hamby, Marty Parks, David Wise, Camp Kirkland, Tim Paul, and Luke Gambill. Full of hit songs made popular by Worship Leaders, Artists, and Songwriters such as Elevation Worship, David Crowder, Hillsong, Chris Tomlin, Matt Maher, Big Daddy Weave, Matt Redman, Zach Williams, Tauren Wells, Mandisa, Kristian Stanfill, Kari Jobe, The Gaithers, and Michael W. Smith, to name a few, The Big Red Choir Book, Volume 2, is an absolute must-have for every choir’s repertoire. Add this indispensable, inspirational, and resourceful new choral collection to your music library today! $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bernd Alois Zimmermann Werkverzeichnis Hardcover, German Schott
SKU: HL.49044095 Verzeichnis der musikalischen Werke von Bernd Alois Z...(+)
SKU: HL.49044095 Verzeichnis der musikalischen Werke von Bernd Alois Zimmermann und ihrer Quellen. Composed by Bernd Alois Zimmermann and Heribert Henrich. This edition: Full-cloth binding. Book. Edition Schott. Das Werkverzeichnis entstand im Rahmen der wissenschaftlichen Erschliessung des Bernd-Alois-Zimmermann-Archivs der Akademie der Kunste, Berlin. Die Akademie der Kunste wird gefordert vom Beauftragten der Bundesregierung fur Kultur und Medien. Die Vorlagen. Hardcover. 1326 pages. Schott Music #ED20767. Published by Schott Music (HL.49044095). ISBN 9783795706883. UPC: 888680022945. German. Mit dem Werkverzeichnis des Komponisten Bernd Alois Zimmermann von Heribert Henrich veroffentlichen Schott Music und die Akademie der Kunste, Berlin, das erste umfassende, nach historisch-kritischen Methoden erarbeitete Werkverzeichnis eines Komponisten der zweiten Halfte des 20. Jahrhunderts.Rund 350 erhaltene, fragmentarische und verschollene Werke sind in dem fast 1.400 Seiten starken Band verzeichnet. Neben der Darlegung musikalischer Quellen umfassen die Werkeintrage auch Erstveroffentlichungen von Zimmermanns Briefen, Notizen und Kalendereintragen mit allen fur das jeweilige Werk relevanten Stellen.Das Werkverzeichnis enthalt zusatzlich 23 farbige Abbildungen von Autographen. Es ist Teil der wissenschaftlichen Erschliessung des Bernd-Alois-Zimmermann-Archivs der Akademie der Kunste und berucksichtigt die Vorarbeiten des verstorbenen Zimmermann-Forschers Klaus Ebbeke.Die Herausgabe des Buchs erfolgt mit freundlicher Unterstutzung der Ernst von Siemens Musikstiftung. $133.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Burning Love Marching band [Score and Parts] - Easy Music Sales
Fanfare Band - Grade 3 SKU: BT.1342-06-020-MS Composed by Dennis Linde. A...(+)
Fanfare Band - Grade 3 SKU: BT.1342-06-020-MS Composed by Dennis Linde. Arranged by Thijs Oud. Scherzando Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2006. Music Sales #1342-06-020 MS. Published by Music Sales (BT.1342-06-020-MS). 9x12 inches. English-German-French-Dutch. In the seventies, Elvis Presley gave many concerts with an orchestra that included a large wind section. These concerts were characterised by enthusiasm and a fast tempo. Burning Love was one of the up-tempo numbers where the bass guitar player played an especially important role. Thus, this arrangement of Burning Love, written by Thijs Oud, brings a specific challenge for the musicians in the low register. The trumpets and the trombones can also play standing behind the band adding to the visual and dynamic enhancement.
Elvis Presley gab in den siebziger Jahren viele Konzerte, auf denen er sich von einem großen Orchester mit zahlreichen Bläsern begleiten ließ. Ein hohes Tempo und absolut mitreißende Begeisterung kennzeichneten diese Auftritte. Eine der beliebten schnellen Nummern war Burning Love, in dem die Bassgitarre eine wichtige Rolle spielte. So ist denn auch Thijs Ouds gelungene Bearbeitung von Burning Love eine besondere Herausforderung für das tiefe Register, während die Trompeten und Posaunen die ursprünglichen Bläserstimmen übernehmen.
Dans les années 1970, Elvis Presley s’est produit, plusieurs reprises, avec un orchestre disposant d’une grande section d’instruments vent. Caractéristiques de ces concerts : un débordement d’enthousiasme et une énergie intense. Burning Love est l’une de ces chansons au rythme enlevé où la guitare basse joue un rôle particulièrement important. Cet arrangement de Thijs Oud ne laissera personne de marbre.
Negli anni 1970, Elvis Presley si esibì a più riprese con un’orchestra avente a disposizione una grande sezione di strumenti a fiato. Questi concerti furono caratterizzati da un enorme entusiasmo e coinvolgimento del pubblico. Burning Love è una di queste canzoni dal ritmo molto elevato dove il basso riveste un ruolo particolarmente importante. $115.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Antologia Del Pop Espanol 1 Piano, Vocal and Guitar Volonte and Co
Piano, Vocal and Guitar SKU: BT.VOLML2141 Antologia (Carisch). Pop & Rock...(+)
Piano, Vocal and Guitar SKU: BT.VOLML2141 Antologia (Carisch). Pop & Rock. Book Only. 126 pages. Volonte e Co #VOLML2141. Published by Volonte e Co (BT.VOLML2141). ISBN 9788882919962. Spanish. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| One Final Mission Concert band [Score] - Easy MakeMusic
Concert Band - Grade 2 SKU: AP.51029S Composed by Adrian B. Sims. Concert...(+)
Concert Band - Grade 2 SKU: AP.51029S Composed by Adrian B. Sims. Concert Band; Performance Music Ensemble; Single Titles. MakeMusic Young Band. Score. MakeMusic #00-51029S. Published by MakeMusic (AP.51029S). ISBN 9781470669607. UPC: 038081591551. English. Inspired by the sounds of epic film and video game scores, One Final Mission takes the listener from the safety of home base right into the center of the action. Adrian Sims has written an extremely approachable work for developing bands with a deceivingly massive and sophisticated sound that is sure to have jaws dropping during the performance! (2:10) About ColorFlexConductors no longer need to choose between function and texture! Ensembles with instrumentation challenges still have numerous options to cover all parts, yet orchestration is elevated significantly to be faithful to the composer's original intent. Musicians have more opportunities to rest, and timbre once again becomes a central element of each work. So go ahead and have the best of both worlds: flexible and colorful. $10.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
1 Next page 31 61 |