SKU: CA.7030313
ISBN 9790007228934. Key: D flat major. Text language: German/French.
Carus 70.301/10, which is part of the material associated with this piece, can be used as the choral score. Gabriel Faure composed the Cantique de Jean Racine in 1865, the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Faure chose a French adaptation by Jean Racine of the Latin hymn Consors paterni luminis. The Cantique already displays the characteristics of an expressive choral setting typical for Faure, as well as the finely worked out orchestral accompaniment, and together with the Requiem, composed considerably later, it is among the most popular works of the composer. Score and part available separately - see item CA.7030300.
SKU: CA.2701905
ISBN 9790007101893. Language: Latin.
Score available separately - see item CA.2701900.
SKU: BT.MUSMS0298
Spanish.
SKU: CA.314570
ISBN 9790007153120. Key: F major. Language: Latin.
SKU: CA.306040
ISBN 9790007148706. Key: E flat major. Language: Latin.
SKU: HP.C6096C
UPC: 763628960964. By Elise Eslinger.
Popular hymn by Elise Eslinger One of today's most popular hymns, from our neighbors in Mexico, is Pues Si Vivimos (When We Are Living). The Latin American rhythms of the tune SOMOS DEL SENOR complement the lyrical lines of the instrumental obbligato and SATB voices. The text quotes Paul's words to the Philippians that to live is Christ, to die is gain, making this anthem of assurance and hope especially powerful in the face of suffering or loss.
SKU: CA.9105711
ISBN 9790007231385. Language: Latin.
Score available separately - see item CA.9105700.
SKU: CA.322610
ISBN 9790007158071. Key: E flat major / g minor. Language: German/Latin.
SKU: AP.1-ADV8316
UPC: 805095083163. English.
Each of the four movements in this suite has its own profile and poses different challenges to the musicians. The third movement can be improvised over an accompanying ostinato; an optional written part is provided. Arranged for clarinet and piano. Movements: Prélude * Tango I * Air * Tango II.
SKU: CA.4005600
ISBN 9790007088460. Key: D major. Language: Latin.
SKU: CA.9102505
ISBN 9790007114060. Language: Latin.
Score available separately - see item CA.9102500.
SKU: GI.G-7994G
UPC: 785147799474. English, Latin. Text Source: Adapt. from the Gregorian Missal.
** GIA no longer publishes nor sponsors the work of Paul A. Tate. Pieces for which Tate served as an arranger remain on our website as the original work of the composer.
SKU: BR.EOS-8047-15
ISBN 9790004789735. 8.5 x 11.5 inches.
Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.(Martin Smolka).
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