Cristal de temps, pour saxophone soprano et orgue (2009), n'est pas tout à fait un duo : les deux instruments n'y sont ni entièrement différents, ni entièrement semblables. L'oeuvre explore la rencontre de ces deux timbres et toutes les nuances possibles de leurs relations, jusqu'au point où le saxophone se fait orgue, et réciproquement, et en en déduisant également la conduite dramatique de la pièce et toute une poétique particulière. N'est-ce pas là l'idéal de toute musique de chambre ? L'orgue y prend un visage très spécifique (même un tout petit instrument de quelques jeux est suffisant), restant entièrement inclus dans la tessiture du saxophone. La virtuosité des deux protagonistes n'est pas mise de côté, mais elle semble d'abord au service de l'expansion polyphonique et du son spécifique qui en résulte. Cette pièce est conçue comme un prolongement d'Agencement-Rhizome, pour orgue seul (2004). Elle peut également être interprétée séparément.Dédiée au saxophoniste Lars Mlekusch et à l'organiste Tobias Willi, elle est le fruit d'une commande du Festival de Feldkirch (Autriche), réalisée avec le soutien de l'Institut Français de Vienne. / Saxophone Sib Et Piano

Traditional. Par GRAEF FRIEDEMANN. This collection of pieces for saxophone and organ or piano is designed for use in concert performances as well as for church services and other ceremonies. It contains the traditional American spirituals extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of personal experience with these tunes and chord changes, from a saxophonist to other saxophonists. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages. These passages are marked. There is a transposed part for B flat and E flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound./ Recueil / Saxophone Alto et Orgue

Edition no.: BA 7479 ISMN: 9790006503520 Volume / Series: Contemporary Music for Saxophon Editor: Ernst Johannes Product format: Score, Part(s) Includes the following individual parts: Soprano saxophone, Organ Binding: Stapled Pages / Format: 32,8 x 26,0 cm

Par HINCHLIFFE ROBERT. 'Temps de saxophone carol ' organise les 12 chants préférés pour les saxophonistes de norme élémentaire. Accompagnements piano simples ont été conçus avec le parent ou enseignant de capacité de clavier modeste à l'esprit. Les arrangements faciles, imaginatifs permettent même les débutants à participer à la prise de la musique de Noël./ Feuillet / Saxophone et Piano

A wedding without a famous wedding march - unimaginable! Wagner's 'Bridal Chorus' from 'Lohengrin' and Mendelssohn's 'Wedding March' from the incidental music of 'A Midsummer Night's Dream' vie for the favour of bridal couples and wedding parties. If, however, the music shall be festive, Mendelssohn's background music for the wedding ceremony remains first choice. In order that the march cannot only be performed with the organ but also with a melodic instrument with piano (or organ) accompaniment, the present editions provide easy-to-play arrangements. / Saxophone Et Piano

This organ trio play-a-long set simply swings like no other! You will be sure to explore all that the blues form has to offer with a B-3 trio that will blow you away with their musicianship and feel. A great addition to your collection! Special stereo separation has drums and bass on both channels with guitar and organ split on different channels.Boogaloo in Bb - Work Song - Slow Blues - Groove Blues - Down Home Blues - Bossa Blues - Killer Joe - Shuffle Blues - Modal Blues - Dirty Blues - …and more Support média : Compact disc Langue : en anglais

Composed by Jeanine Rueff Chanson Et Passepied for Saxophone is a piece for advanced players written in two parts. The first part “Chanson” (Song) is a lyrical part written in Andantino Tempo starting with a very simple yet beautiful melody and organised in the format of a Question/Answer. It is then followed by a second melody with the same organisation and by the first melody that is played by the piano. The second part “Passepied” which refers to a Baroque dance is composed in Allegretto and has an A/B/A structure. A is quite melodic while B is more like a Valse. Wonderfully composed verytechnical yet also lyrical this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

for Alto Saxophone and Organ or Piano-Les douze noëls rassemblés dans ce recueil ont été arrangés par Jan et Jacob de Haan. La version papier des accompagnements d´orgue est jointe au recueil. Sommaire : Ye My People ? Ich steh an deiner Krippen hier ? Vom Himmel hoch da komm ich her? Drei Könige (2 Variationen) ? Es ist ein Ros entsprungen ? See Amid the Winter´s Snow ? Tochter Zion ? He Shall Feed His Flock ? While Shepherds Watched Their Flocks ? The Spirit of Christmas (Medley) ? Infant Holy Infant Lowly ? Eine kleineWeihnachtsmusik (Medley).

This album offers a varied selection of solos from the Baroque period. Robert van Beringen has made a careful selection of the main repertoire from this period of composers including works by Purcell Handel Bach Hasse Rameau Tartini Lully and especially George Philipp Telemann. This publication comes with a play-along CD featuring complete performances together with organ accompaniments.

Canzonetta Op. 19 is a piece for Alto Saxophone and Piano accompaniment composed by Gabriel Pierné and arranged by Marcel Mule. Initially written for Clarinet and Piano the piece was written in 1888 and can be played by advanced players with a fairly high difficulty level. Composed in a single movement the piece features some different sections linked together. It starts with dotted rhythms that are slightly reminiscent of a siciliano and is followed by a part that sounds like a Scherzando. The dotted rhythms disappear in the Piu Vivo section but the opening theme soon comes back before a grandiose finale.Gabriel Pierné (1863-1937) was a French composer conductor and Organ player. He won the French Prix de Rome 1882.

Piano / Keyboard / Organ optional. Par HAENDEL GEORG FRIEDRICH. / Niveau : Elémentaire / Répertoire / 2 Saxophones Alto et Piano ou Orgue

Piano / Keyboard / Organ optional. Par ALBINONI TOMASO. / Niveau : Elémentaire / Répertoire / 2 Saxophones Alto et Piano ou Orgue

10 great etudes for playing and improvising on the blues-This new method provides beginners and moderately advanced musicians with an introduction to the language of blues. In 10 solo studies which can be accompanied by professionally performed and recorded playbacks the musician learns to master the essential basics step by step: Each piece comes with appropriate scale exercises tips for studying and practicing suggestions for own improvisations as well as recommended listening.The accompanying CD provides a unique band feeling with top-notch musicians:Jim Snidero (alto saxophone)Eric Alexander (tenor saxophone)Jeremy Pelt (trumpet)Steve Davis (trombone)Jamie Baum (flute)Mike LeDonne(piano/organ) Peter Washington (bass) and Joe Farnsworth (drums)

Piano / Keyboard / Organ optional. Par BEETHOVEN LUDWIG VAN. / Niveau : Elémentaire / Répertoire / 2 Saxophones Ténor et Piano ou Orgue