SKU: SF.SEA-042-00
Five moderately easy character pieces with gray subjects: Twilight, Cogwheels, Fog, Shadows and Squirrels. This playful and evocative 4-minute set is suitable for pianists young, old or middling.
SKU: HL.35027292
UPC: 884088497866. 5.25x7.5 inches. By Joseph M. Martin.
It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata, Winter's Grace , from renowned composer Joseph M. Martin celebrates this great light and washes the sanctuary with the message of hope, peace, joy and love using a program of candles, scriptures, prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work.The Digital Resource Kits contains: 1. PowerPoint Presentation (using winter images & Nativity images) 2. Rehearsal Tips 3. Choir Devotionals 4. Children's Program (Coloring Pages & Games) 5. Decoration & Performance Ideas 6. Creative Movement Videos (Watch a creative arts teams perform interpretive movement demonstrations for some of the songs) 7. Reproducible Lyric Sheets 8. Promotional Materials (poster, program, flyers) 9. Composer Bios.
SKU: HL.35029350
UPC: 884088955731. 5x5 inches.
Uses: Good Friday, Holy Week Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20 A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. StudioTrax CD has 3 tracks - Accompaniment, Split, Performance.
SKU: HL.35029349
UPC: 884088955724. 5x5 inches.
Uses: Good Friday, Holy Week Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20 A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. Score and parts for Flute 1&2 (Flute 2 dbl. Piccolo), Oboe/English Horn, Clarinet 1&2, Bassoon, Horn 1&2, Trumpets 1-3, Trombone 1&2, Bass Trombone/Tuba, Timpani, Percussion 1&2, Harp, Piano, Violin 1&2, Viola, Cello, Double Bass.
SKU: HL.139632
UPC: 888506020049. 6.0x6.25x2.605 inches.
Thunder Bass, which we all guessed, is an amp head for bassists. Based on the Ampeg SVT, Hotone somehow got all the big thunderous sound into a mini-sized amp. Whether you are the bassist in the spotlight or the one keeping the pulse in the shadows, this solid amp will suit. Flexible and dynamic, it's as stable as the most stable member of the band. Features include: • Extremely compact configuration for portability • High quality tone with Volume and Gain controls • 3 Band EQ controls for shaping your tone •Speaker out can automatically fit cabinets of different impedances (4-16) • FX LOOP for using external effects • Headphone output jack is very convenient for practicing and recording • Aux In jack can let you play with an external music player • 18V DC power supply (Adapter included) • Power Output: 5 Watts • Dimensions: 128mm (W) x 75mm (D) x 59.5mm (H) • Weight: 440 g.
SKU: HL.35027052
UPC: 884088468088. 5x5 inches.
Uses: Good Friday, Holy WeekScripture: Luke 22:64; Mark 15From the best-selling cantata, A Time for Alleluia!, comes this setting of an ancient sacred text. The poignant choral begins on the morning of Christ's crucifixion comparing the Savior's beaten and bruised face with that of the swan and its darkened eyes. This dramatic text holds us in its grip as it portrays the suffering of Jesus and his crucifixion. The music and text evolve with great emotional sweeps of sound before fading away into a dirge-like epilogue. In these final measures we hear the last heartbeats of Christ fade away into the shadows. Orchestration includes parts for: piano, flute 1 & 2, oboe, clarinet 1 & 2, bassoon,horn 1 & 2, trumpet 1, trumpet 2 & 3, trombone 1 & 2, bass trombone/tuba, timpani, percussion 1 & 2, harp, violin 1, violin 2,ivola, cello, double bass. Available separately: SATB, iPrint Orch CD-ROM, StudioTrax CD. Duration: ca. 2:43.
SKU: HL.14028003
ISBN 9788759862896.
Poul Ruders Polydrama (Manyfold Event) for cello and orchestra, is the last part of a drama trilogy otherwise consisting of Dramaphonia for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama, the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until, finally, nothing remains but bare branches in a landscape of long shadows; a solitary, singing bird remains, however, like a streak of hope in an increasingly dark and pessimistic universe.
SKU: HL.35027053
UPC: 884088468095. 5x5 inches.
Uses: Good Friday, Holy WeekScripture: Luke 22:64; Mark 15From the best-selling cantata, A Time for Alleluia!, comes this setting of an ancient sacred text. The poignant choral begins on the morning of Christ's crucifixion comparing the Savior's beaten and bruised face with that of the swan and its darkened eyes. This dramatic text holds us in its grip as it portrays the suffering of Jesus and his crucifixion. The music and text evolve with great emotional sweeps of sound before fading away into a dirge-like epilogue. In these final measures we hear the last heartbeats of Christ fade away into the shadows. Available separately: SATB, iPrint Orch CD-ROM, StudioTrax CD. Duration: ca. 2:43.
SKU: FG.55011-862-1
Žibuoklė Martinaitytė's Louder-Quieter (2014) for alto trombone, tenor trombone and tuba is a study of dynamics for brass where the principle of crescendo and diminuendo is applied for sustained and pulsing tones or for their ever-changing succession. Constantly emerging dynamic waves of various durations emulate an illusory play of light and shadows.This product includes the score and the parts.The works of New York -based Lithuanian composer Zibuoklė Martinaitytė (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revolves often around the subject of beauty, which she calls both a guiding principle and an aesthetic measure for sonic quality.
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