SKU: HL.319977
UPC: 888680973865. 5.0x5.0x0.194 inches.
Normally set in a 3/4 meter, We Three Kings is transformed into a three-section, 4/4 showcase with personality to spare! Syncopated rhythms and spirited dynamic changes will guarantee a surprise hit with your students and audiences!
SKU: HP.C6184
UPC: 763628161842. Words by John W. Work.
Traditional Spiritual with words by John W. Work This beloved Christmas spiritual is set in a soulful, gospel blues style and comes from Joel Raney's popular gospel Christmas cantata, Joy!, code no. 8721. The syncopated rhythms and dynamic choral parts make this a perfect choice for school concerts and church programs.
SKU: FL.FX072767
Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. - Alain LOPEZ ; A Piece for students from 7 years of instrument practice ; Instruments: 1 Violin 1 Piano; Difficuly Level: Grade 4.
SKU: XC.2103012
9 x 12 inches.
With a fresh take on the traditional carol melody, this energetic arrangement sets a joyful, celebratory Christmas mood. With section features that fit the text and gently syncopated harmonies that build to a dramatic finish, this triumphant declaration can find a home in both concert and worship settings. A full orchestration or rhythm-section-only accompaniment is available, as well as an accompaniment MP3 and part-dominant MP3 bundles that can be shared with your whole choir to make learning even easier.
SKU: LO.20-2143L
ISBN 9780787767020.
Ron Mallory brings us an outstanding arrangement of this Grammy award-winning contemporary Christian song. The syncopated rhythms will present a level of challenge for your ringers, while the lack of bell changes make it more approachable. This piece will be an impactful addition to concerts, festivals and contemporary or blended worship services.
SKU: HL.48183291
UPC: 888680873080. 9x12 inches.
“With few study books existing for Percussion, Jacques Delécluse ensures that this gap is filled with his excellent Initium III. French percussionist and composer, Delécluse studied at the Paris Conservatoire in the mid-1900s, winning many prizes. The exercises in the third volume of Initium III are subtitled, 'Rhythm through Percussion, Percussion through Rhythm'. The third addresses semiquavers, trills, dotted quavers, compound time, rests, syncopation, triplets and sextuplets, amongst other aspects. The exercises ensure mastery of a high technical level on a variety of Percussion instruments. For all aspiring percussionists, Delécluse's Initium III is essential, having been compiled by a master of Percussion himself.&rdquo.
SKU: LO.99-2437L
UPC: 000308120769.
Shout the good news of the resurrection with this spirited, joyful Easter anthem. Glory, Glory, Glory! reverberates with gospel style. Regular syncopation, blues harmonies, and repetitive layered refrains combine as the choir sings Jesus Christ is risen! Glory to the King! Stan Pethel’s great brass and rhythm score contributes to the gospel spirit.
SKU: BT.DHP-0960790-010
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the Symphonic Variations are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
SKU: AP.49146
ISBN 9781470646561. UPC: 038081565088. English.
The Journey Onward was conceived by Michael Kamuf for beginning band students. It presents an opportunity to demonstrate mastery of the concepts of syncopation, phrasing, and slurs. Set in an ABA form, contrasting themes and driving rhythms are passed around the ensemble making this a solid choice for both concert and festival performances. (2:10).
SKU: AP.46940
UPC: 038081535890. English.
A quote from Swing Low, Sweet Chariot opens this gospel original with soulful style before breaking into a full-blown spiritual celebration! The energized and syncopated chorus is a strong hook designed especially for developing voices. In the 3-part voicing, a handful of cued Baritone notes offer even more flexibility for changing male voices.
SKU: CL.011-3363-00
A traditional Christmas carol with a new twist! This creative setting of Away In A Manger uses a fun and festive Latin beat with plenty of syncopated action guaranteed to keep the percussion section involved! It’s a real musical gem which is guaranteed to be the annual holiday concert favorite!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: XC.HCB2402FS
Brilliantly scored this new fanfare from composer Sean O'Loughlin will present a wonderful opportunity to show off your ensemble at the opening or closing of their next concert program. In A-B-A form, there is a lot to teach in this one, from a fiery opening, and pseudo syncopated patterns to reinforce rhythmic development as well as a lyrical section. This fanfare has it all!
SKU: FG.042-08397-0
ISBN 979-0-042-08397-0.
Englund's second piano sonatina The Parisian dates from 1984. Neoclassical in style, its brilliantly driving first movement gives way to the the sarabande-like middle movement, whose ambiguous harmonic motion in parallel thirds with octave doublings is challenged by a clangorous outburst of polytonality. The last movement is a fiery gigue on a jagged, syncopated theme.
SKU: PL.1651
A creative setting of O Clap Your Hands with much activity amongst the voices including syncopation, imitation and quick harmony changes with an exuberant organ part.
SKU: AP.48914
UPC: 038081562384. English. Traditional Spiritual.
Also known as Keep Your Hand on the Plow, here's a traditional spiritual that is appropriate for concert or contest, stage or sanctuary. Singers will easily grasp the bluesy harmonies that often flip between major and minor, and lock into the steady swing tempo. Consistent rhythmic anticipations create singable syncopation and add energy. A supportive piano accompaniment lays beautifully in the hands as well as providing a reliable groove. You simply cannot go wrong with a setting like this as prepared by top-tier choral conductor and arranger, Victor C. Johnson.
SKU: B7.B151
8.5x11 inches.
CAFE for solo piano by Marc Douyon is based on the Haitian folk tune Manmam voyem peze cafe. The main theme quotes this folk melody, which is then developed with various compositional techniques. Original secondary themes and motives by the composer are an integral part of the colorful musical tapestry as well. Cafe is divided into two main parts, the Prelude and the Dance. This work begins with lyrical melodic fragments over a light chordal accompaniment. A recitative follows with a theme, which is also lyrical in nature. But, soon after, that same theme from the recitative takes on a happier character in a waltz accompanied by a walking bass. There, syncopated rhythm, sequences, chromatic harmony, and refrain-like passages take the dance to new heights until the end.
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