SKU: M7.SMP-958
English.
As recorded on Tonight Show Band, Vol. 2 (Amherst), this chart won a Grammy for best big band arrangement. Holman took this great standard, put it in 3-4, and wrote scintillating counter lines that weave their way through the whole arrangement. Solo space for trumpet, and roaring ensemble passages make this chart something that should be in every big band library in the world. 5-5-4-3.
SKU: ND.RPTL97-CSC
SKU: M7.SMP-332
Bill Holman's Great Big Band was a sensational ensemble! That album has just been re-issued on Mosaic Records. This chart is an example of Bill's talent for investing old material with brilliant new ideas. It originally featured Bill Perkins on tenor sax and Conte Candoli on trumpet solos. An exciting, amazingly fresh, inventive chart. Recorded on the Bill Holman's Great Big Band CD. 5-4-4-3.
SKU: M7.SMP-1140
Bill Holman wrote some of the best music played by the Stan Kenton Orchestra and Boop Boo Be Doop is surely one of those charts. The melody is scored for four horns within the big band setting, and those four horns (alto, tenor, trumpet, trombone) are also the featured soloists. As recorded on The Concepts Era - Live!, this chart represents Holman's ability to write swinging, exciting music for big band. 5-5-5-3.
SKU: M7.SMP-322
This is one of the most original big band rock/fusion charts ever written. The Buddy Rich Big Band recorded this as a Closer on the CD Buddy and Soul. Tenor solo and lots of exciting counterpoint. Red-hot ensemble passages prevail! Played on the Tonight Show many times when Buddy would be a guest. This is a terrific crowd-pleaser. 5-4-4-4.
SKU: M7.SMP-207
The chart everyone has been waiting for!! Eight minutes of amazing, dynamic, exciting sounds! This arrangement was commissioned and recorded by the SWR Big Band of Stuttgart, Germany. It is, of course, based on the centerpiece of the wildly popular show. Everytime this chart was performed in live concerts in Germany (and elsewhere), the audience just erupted with applause and standing ovations. This isn't an easy chart to play, but it is well worth the effort (similar to The First Circle in that respect). All ranges are fairly reasonable, with the 1st Tpt. part topping out at a written high E. This is recorded on the highly acclaimed CD Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-224
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-923
This is surely one of Gershwin's most beautiful melodies, and Potts arranged it to feature trumpet throughout (as recorded on the 1959 album The Jazz Soul of Porgy and Bess, featuring the Bill Potts Big Band) . Lush orchestration, rich harmonies, reasonable ranges and a touching ending make this chart a great choice for festival programming. This should be in every big band book. 5-5-5-4.
SKU: M7.SMP-557
Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid-1950s), the chart never was recorded by the band (Holman doesn't know why), and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm (Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It utilizes counterpoint between the wind sections over a Latin vamp and explores the perfect balance between counterpoint and dynamic ensemble writing in the Swing sections. This is Holman at his very best! 5-5-5-4.
SKU: M7.SMP-175
A really delightful samba! 339 measures of pure delight! Features soprano sax and flugelhorn, as well as drums and bass. This is one your band will want to play and play and play..... the samba we've all been waiting for! Soprano sax doubles on alto parts. 5-4-4-4.
SKU: M7.SMP-1124
This edited version of Where's Teddy (as played and recorded by Maynard Ferguson's Birdland Dream Band) is much more playable for the trumpet section as a whole than the original pro version (which is also available). However, everything else is the same and it does not sacrifice any of the original chart's style and charm. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 5-4-4-3.
SKU: M7.SMP-1125
This is the original chart as played and recorded by Maynard Ferguson's Birdland Dream Band. If you have a screamin' 1st trumpet player and want to play this historical chart, then Where's Teddy (Pro) is for you. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 4-4-2-3.
SKU: M7.SMP-1061
This Bill Holman chart was written for the Maynard Ferguson Orchestra. It is recorded on Live at Peacock Lane and is a bright swing tune that features solos for alto saxophone, tenor saxophone and drums. It has a wonderful shout chorus, and an ending that will knock your socks off! It has been edited to include optional parts for a full band. If your rhythm section can burn, well, here it is! 5-4-4-3.
SKU: M7.SMP-411
This is a great, HOT chart from Maynard's Dream Band book. Beautifully written, with tenor and trumpet solos. This is the one everyone has been asking for! Included in the new Smithsonian recording of big band jazz. Let your band sink their teeth into this one! Full score/parts for 5-4-4-3.
SKU: M7.BARN-32364800
A major league swinger which gives the whole band a chance to shine. Lots of ensemble kicks with space for solo fills by the drummer and a nice solo section for any sax soloists of your choosing. The trombones have a nice soli and the whole band has interesting parts. A great opener for any concert or contest performance by good bands. It really is Twice As Cool.
SKU: M7.SMP-921
The quintessential Flag-Waver (as recorded on the 1959 album The Jazz Soul of Porgy and Bess, featuring the Bill Potts Big Band), this one is a real romp through a happy tune and a brilliant chart, arranged to feature everyone in the band. Some only have 4 bars, others have more blowing space, but everyone gets their chance in the spotlight. Great fun, great music and a great chart! 5-5-5-4.
SKU: M7.SMP-171
This chart is destined to become a best-seller because of its unique and exciting format ... an orchestration of Jelly Roll Morton's original recording of one of his most famous compositions. The arranger has successfully captured the spirit of the '20's with the modern big band. Scored for 5 woodwinds (incl. clarinet and 2 soprano saxes) 6 brass and 4 rhythm, this is one piece that your band and audiences will ask for again and again. 5-3-3-4.
SKU: M7.SMP-388
As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, and also (in another form) by the Buddy Rich Band on the CD Swingin' New Big Band. This chart is an up-tempo swing tune which just roars from beginning to end. Solos for piano (a la Basie), trumpet and tenor saxophone. a flagwaver ... the perfect opening number ... as the original liner notes stated. 5-4-4-3.
SKU: M7.SMP-383
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.
SKU: M7.SMP-352
A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings and styles, based on one of the most beautiful melodies Les has ever written. There are also piano solos. Woodwind players must be good doublers and it is well worth the effort. This is certainly one of Hooper's most dynamic and interesting creations (among a great many)! As recorded on the Dorian Blue LP. 5-4-4-3.
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