SKU: BT.VOLMB41
ISBN 9788863880397. English-Japanese.
Suzuki Cello School Volume 1.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: HL.14042694
ISBN 9788759822029. English.
The Wings Of Spring for Cello solo was composed by Bent Sorensen in 2010. Dedicated to Jakob Kullberg.
SKU: BT.VOLMB42
ISBN 9788863880403. English-Japanese.
Suzuki Cello School Volume 2.
SKU: HL.14017575
ISBN 9788759868119. English.
SKU: HL.14041302
ISBN 9788759815618. 16.5x11.75x0.044 inches. English.
Written for solo cello.
SKU: BT.MUSM570366453
English.
'Brice Catherin, a cellist and a composer exploring the notion of the one-man-band concept, commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects), his feet, his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre, both strong, frequent features of my compositional oeuvre. After several meetings and experimentation with Brice, I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself, but also helps create unique soundscapes that blend together with the sounds from the spring drums, the human voice (whistling, groans and other effects), a singing bowl, a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony), thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy, harmonious, distorted, etc.), based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C), played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter, who has been my constant inspiration since she was born.' - Evis Sammoutis.
SKU: HL.14028556
ISBN 9788759852446. 8.5x11.75x0.065 inches. English.
This composition was written quickly in a matter of days, however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece, fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter. More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression, the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which was premiered by Anssi Karttunen at the Musica Nova Festival, Bremen in May 1988.
SKU: HL.14005430
9.0x12.0x0.07 inches. English.
This was written in 1980. Dedicated to and edited by Julian Lloyd Webber, who also gave the first performance of them in Portsmouth in 1980.
SKU: HL.14006859
ISBN 9788759864272. 8.25x11.75x0.068 inches. English.
Work for Solo Cello.
SKU: HL.14024966
The title may seem to proffer conflicting musical terms: however the performance involves a Cellist absorbed in the composed material. The emphasis is on the theatrical although the musical content requires an accurate interpretation. Vocal Sounds, Removal of Clothing, and a serious dose of acting required.
SKU: HL.14015133
SKU: BT.PWM5849
SKU: BT.DV-11514
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