Arranged by Joel Raney. For SATB choir. Musicals. Christmas, Sacred. Choral score. Published by Hope Publishing Company

SATB choir, voice solo, assembly, piano and organ accompaniment, flute, oboe, clarinet in B-flat, trumpet 1 in B-flat, trumpet 2 in B-flat, horn in f, trombone, violin 1, violin 2, viola, cello, bass, percussion, harp, synthesizer

SKU: GI.G-5755FS

Composed by Edward Nowak. Sacred. Full score. 64 pages. GIA Publications #5755FS. Published by GIA Publications (GI.G-5755FS).

English, Latin. Text Source: From the Credo of the Latin Mass.

By Paris, Twila. Arranged by Lloyd Larson. For Choir. (SATB). Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

SATB choir

SKU: HP.8703

Composed by Mary McDonald. General Worship. Accompaniment CD. Hope Publishing Company #8703. Published by Hope Publishing Company (HP.8703).

UPC: 763628187033. Rose Aspinall.

Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709631

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. 4 Trrumpets + 3 Trombones. Sacred vocal music, Mass sections. Single Part, 4 Trumpets + 3 Trombones. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/31. Published by Carus Verlag (CA.2709631).

ISBN 9790007239848. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

SATB choir

SKU: HP.8974

Composed by Lloyd Larson. Arranged by Lloyd Larson. Accompaniment CD. Hope Publishing Company #8974. Published by Hope Publishing Company (HP.8974).

UPC: 763628189747.

Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!

A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709648

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Pianoforte. Sacred vocal music, Mass sections. Single Part, Piano. CG 74. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.096/48. Published by Carus Verlag (CA.2709648).

ISBN 9790007239862. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709611

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Violin. Sacred vocal music, Mass sections. Single Part, Violin. CG 74. 2 pages. Duration 35 minutes. Carus Verlag #CV 27.096/11. Published by Carus Verlag (CA.2709611).

ISBN 9790007239831. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709619

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. CG 74. Duration 35 minutes. Carus Verlag #CV 27.096/19. Published by Carus Verlag (CA.2709619).

ISBN 9790007239794. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709647

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Harp. Sacred vocal music, Mass sections. Single Part, Harp. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/47. Published by Carus Verlag (CA.2709647).

ISBN 9790007239855. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.