SATB/SATB favorit-chor (antiphonal/chamber choir), basso continuo, [capell-chor: 2 violins, 2 violas, cello or 2 violins, 3 viola da gamba/4 horn/cornet, trombone]

SKU: CA.2004114

Aus: Psalmen Davids. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. German title: Nun Lob, Mein Seel Originaltonart Gg. Sacred vocal music, Psalms, German, Praise and thanks, Psalms, Daily hours. Single Part, Choir 1: Viola. Composed 1619. SWV 41. 2 pages. Duration 7 minutes. Carus Verlag #CV 20.041/14. Published by Carus Verlag (CA.2004114).

ISBN 9790007193447. Key: G major. Language: German/English.

Score available separately - see item CA.2004100.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913913

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Viola da gamba 2. Sacred vocal music, Cantatas, Mourning, death. Single Part, Viola da gamba 2. TVWV 4:17. 12 pages. Duration 30 minutes. Carus Verlag #CV 39.139/13. Published by Carus Verlag (CA.3913913).

ISBN 9790007216184. Text language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117400

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Full score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/00. Published by Carus Verlag (CA.3117400).

ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117415

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violoncello solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Cello 1-3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/15. Published by Carus Verlag (CA.3117415).

ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117412

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 2. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/12. Published by Carus Verlag (CA.3117412).

ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117411

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 1. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 1. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/11. Published by Carus Verlag (CA.3117411).

ISBN 9790007209643. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043717

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, basso continuo. Composed 1640. SV. 4 pages. Duration 13 minutes. Carus Verlag #CV 40.437/17. Published by Carus Verlag (CA.4043717).

ISBN 9790007068288. Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043709

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. 1x 40.437/31 trombone 1, 1x 40.437/32 trombone 2, 1x 40.437/33 trombone 3, 1x 40.437/34 trombone 4. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Set of Orchestra Parts. Composed 1640. SV. 8 pages. Duration 13 minutes. Carus Verlag #CV 40.437/09. Published by Carus Verlag (CA.4043709).

ISBN 9790007068219. Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043733

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Trombone 3. Composed 1640. SV. 2 pages. Duration 13 minutes. Carus Verlag #CV 40.437/33. Published by Carus Verlag (CA.4043733).

Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB choir, 2 violins, 4 trombones (4 viola da gamba or 3 violas, cello or 2 violas, 2 violoncello), basso continuo

SKU: CA.4043734

Aus: Selva morale et spirituale. Composed by Claudio Monteverdi. Edited by David Blazey. Arranged by Paul Horn. German title: Magnificat A 8 Voci Con 6 Istromenti. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Trombone 4. Composed 1640. SV. 2 pages. Duration 13 minutes. Carus Verlag #CV 40.437/34. Published by Carus Verlag (CA.4043734).

Language: Latin.

Score available separately - see item CA.4043700.

SATB/SATB favorit-chor (antiphonal/chamber choir), basso continuo, [capell-chor: 2 violins, 2 violas, cello or 2 violins, 3 viola da gamba/4 horn/cornet, trombone]

SKU: CA.2004105

Aus: Psalmen Davids. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Psalmen Davids SWV 22-47. Stuttgart Urtext Edition: Schutz. German title: Nun Lob, Mein Seel Originaltonart Gg. Sacred vocal music, Psalms, German, Praise and thanks, Psalms, Daily hours. Choral Score. Composed 1619. SWV 41. 12 pages. Duration 7 minutes. Carus Verlag #CV 20.041/05. Published by Carus Verlag (CA.2004105).

ISBN 9790007193393. Key: G major. Language: German/English.

Score available separately - see item CA.2004100.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101809

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. 1x 31.018/21 flute 1, 1x 31.018/22 flute 2, 1x 31.018/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Holy Week. Set of Orchestra Parts. Composed 1715(?). BWV 18. Duration 21 minutes. Carus Verlag #CV 31.018/09. Published by Carus Verlag (CA.3101809).

ISBN 9790007204839. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and parts available separately - see item CA.3101800.

Orchestra STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101807

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Study score. Composed 1715(?). BWV 18. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.018/07. Published by Carus Verlag (CA.3101807).

ISBN 9790007165680. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101800

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Full score. Composed 1715(?). BWV 18. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.018/00. Published by Carus Verlag (CA.3101800).

ISBN 9790007143190. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded.