SKU: GI.G-6469
UPC: 785147646907. English. Text by Kenneth Omernick.
SKU: GI.G-5352A
SKU: GI.G-5440A
English.
CONTENTS: GATHER ROUND THIS TABLE - COME TO US, EMMANUEL (THE BIRTH) - GOD HAS ANNOINTED ME - TAKE UP YOUR CROSS - WHO IS MY NEIGHBOR? - WHERE YOUR TREASURE IS - THE BANQUET - GOD REJOICES WHEN THE LOST IS FOUND - LOOK ON US, SAVIOR (THE PASSION) - EMMAUS/WITHIN THE REIGN OF GOD.
SKU: BT.SCHEE3347
Percussion, Guitar, Double Bass. Krol, B.
SKU: BT.WHKP01333
Danish.
En Lille Kantate Om Jomfru Fanny for Mixed Choir SATB, Clarinet, Horn, Viola, Piano and Double Bass was composed by Anders Koppel in 2002.
SKU: KJ.VM1X
ISBN 9780849741968.
Rich melodic lines, appealing harmonic structure, and historic text identify this heartfelt worship service. With two accompaniment options, Trinity appeals to worshippers in either traditional or contemporary styles. Accompaniments are available for either organ or piano. The flute/violin parts and SATB choir parts pair with both accompaniments: guitar/bass and congas fit with the piano accompaniment. Instrumental Edition.
SKU: HP.8366
UPC: 763628183660. Galatians 6:14, John 3:14-15, John 12:32, Numbers 21:8-9, Revelation 5:9, Revelation 14:1, Revelation 22:4.
Lloyd Larson has crafted this versatile cantata to be sung during the Lenten Season, highlighting Palm Sunday through the Easter resurrection, in this 30-35 minute musical journey. Options to omit either the Palm Sunday selection or the Easter anthem are provided. This journey to the cross is filled with passionate and intimate worship moments using texts by contemporary hymn and song writers. It conveys a powerful message filled with eternal hope and the challenge to Lift high the cross, the love of Christ proclaim! The accompaniment may be provided by piano alone, chamber orchestra or an accompaniment CD. The instrumentation, arranged by Mark Kellner, contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion, Violin, Cello, Bass Guitar, and Synthesizer String Reduction.
SKU: HL.14004000
Single Sheet arranged for soprano, alto, tenor and bass, with piano accompaniment.
SKU: CA.3105705
ISBN 9790007161897. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
The first performance of this cantata, which belongs to Bach's third annual cycle of cantatas, took place on the 2nd day of Christmas in 1725. With the exception of the closing chorale, with a text from 1711 by Georg Christian Lehms, the text of the cantata refers to St. Stephan, the first martyr of the New Testament and patron saint whose name day occurs on 26 December. In a dialog between the Soul (Soprano) and Jesus (bass) the struggle with sin is recounted respectively in two expressive arias arias. The entire orchestra is involved in the first movement as well as in in the closing chorale together with the choir. Score available separately - see item CA.3105700.
SKU: GI.G-3414
Translation: NAB. Scripture: Psalm 63.
Oboe or Flute, Cello or Bassoon.
SKU: HL.50565632
SKU: GH.CG-6910S
ISBN 9790070007610.
SKU: HL.50565692
7.0x11.0x0.011 inches.
SKU: BT.ALHE31660
French.
French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Jacob's Dreams being no exception. Milhaud's compositions areinfluenced by jazz and polytonality, as exemplified in Jacob's Dreams. Composed in 1949, Jacob's Dreams is a dance suite, written for Oboe, Violin, Viola, Cello and Double Bass. It is an alternative, exciting suite, based on thedreams of Jacob in the Bible and made up of five movements - 1) Jacob's Pillow, 2) The first dream (the angel's ladder), 3) Prophecy, 4) Second dream (fight with the dark angel and benediction), and 5) Israel (Hymn). Milhaud makesuse of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Jacob's Dream is essential to all advancedensembles seeking modern and exciting repertoire.
SKU: HP.C6135R
UPC: 763628261351. Shirley Erena Murray.
Original gospel song This popular text, which has found its way into many modern day hymnals, recognizes our role as creator of justice and joy, compassion and peace. Paired with an original gospel melody, this is a catchy re-imagining of a modern hymn. Rhythm Parts: Conductor's Score, Piano, Synthesizer (B3 Organ Patch), Capo Electric Guitar, Electric Bass, Percussion and Drums.
SKU: HL.50493722
Italian.
A 4 VOCI MISTE CON ORGANO - BASSI.
SKU: HL.50493471
A 3 VOCI MISTE CON ORGANO - SOLO BASSI.
SKU: GI.G-4272
Text by J. Michael Joncas.
SKU: CA.3101805
ISBN 9790007204822. Text language: German/English.
The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.
SKU: CA.2720505
ISBN 9790007200992. Key: G minor. Language: Latin.
The Magnificat for 6 voices and basso continuo is the small sister of the Magnificat from the so-called Marian Vespers (Vespers 1610). Monteverdi published it in 1610 together with the larger work which included obbligato instruments - a real alternative for Vesper services and performances where only an organ is available. Score available separately - see item CA.2720500.
SKU: HL.50565224
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
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