SKU: SU.80101443
Man Proposes, but God Disposes (2008) was written for Rupert Gough and the Choir of Royal Holloway, University of London for premiere in November 2007 at the British Embassy in Washington, D.C. Royal Holloway is particularly noted for its large collection of excellent Victorian era paintings, the most famous of which is Man Proposes, God Disposes by Edwin Lanseer (1802-1873). Instrumentation: SATB Duration: 2008 Composed: 2'30 Published by: Zimbel Press.
SKU: HL.379633
UPC: 196288018155. 6.75x10.5x0.034 inches. Isaiah 60:19-20, John 1:16, Psalm 18:2, Psalm 84:11.
A sweeping theme forms the basis of this inspirational paean of praise. The text is a series of descriptions declaring the divine attributes of God. As majestic as its noble thematic gesture, the music grows gradually until a magnificent final exclamation displays with confidence the phrase God of glory. An orchestral-like piano part builds a solid sonority as triplets drive the anthem forward with vigor and unrelenting confidence.
SKU: HL.48025402
UPC: 196288201038.
Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.
SKU: CA.3119249
ISBN 9790007210298. Language: German/English.
The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.
SKU: CA.3119209
ISBN 9790007210236. Language: German/English.
The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and parts available separately - see item CA.3119200.
SKU: HP.C6246
UPC: 763628162467. Mary McDonald.
Original anthem This original anthem powerfully proclaims that God is 'the light, he's the courage, he's the strength. Holy, holy, God Almighty! He is the power and the glory, God Almighty is!'Celebrating the many attributes of God, the riveting melody and harmonies will lift the congregation in praise to God. The sweeping orchestration is by Ed Hogan.
SKU: MN.50-1152
UPC: 688670511523. English.
This hymn-anthem tells the astounding story of the God who is revered by all of creation- earth, sea, and sky- choosing Mary to be the mother of the Savior. The mixed meters employed for the 6th-century poetry are anything but jarring, and the middle stanza is set to different music with a medieval feel that accentuates the repetition of the word blest to describe Mary's destiny. A delightful but substantial anthem useful for Marian feasts as well as Christmastide. The keyboard part works well on both organ and piano. Congregational participation is welcome but not required; reprint material is included.
SKU: HL.347024
UPC: 840126926521. 6.75x10.5x0.019 inches.
Nick Strimple has composed a set of three easy anthems, and lacking in difficulty is absolutely true. But elegant and distinguished also describes these settings of familiar texts. The words by 19th century English poet John Bowring is the least known text, but it is timeless and speaks of God's enduring love. The organ accompaniment contains scrumptious suspensions and resolutions for an anthem that works equally well as a choral piece, a solo, or for unison choir.
SKU: LO.10-5198S
ISBN 9780787763633.
Eugene Butler has crafted a striking setting of text from Psalm 36, celebrating the love of God that reaches to the heavens. Beginning grandly and joyfully, the music moves through several contrasting moods to reach a glorious climax before ending with a brief, prayerful coda.
SKU: PL.9825
This is a welcome setting of these famous words from Psalm 51. Peter Pindar Stearns contributes a typically imaginative melodic and harmonic setting of the text, but in addition, he has given such prominence to the organ part that it becomes as a fifth voice. The organ introduces the musical material and also provides interludes that set the atmosphere for the text. The vocal ranges are moderate in scope, thus aiding in the learning process. This fresh setting of these beloved words will be most appropriate for the Lenten season.
SKU: LO.10-5528S
ISBN 9780787771676.
Verses from Psalm 104 form the text of this celebratory anthem by Eugene Butler. It celebrates the greatness of God as manifested throughout the majesty and splendor of creation.
SKU: CF.CM8777
ISBN 9780825850165. UPC: 798408050160. 6.875 X 10.5 inches. Text: Cherry Tadlock. Cherry Tadlock.
An original poetic and prayerful text is set to a simple, hymn-like melody in this piece, which focuses on the unbounded grace of God. Written in a straightforward four-part style, with verses and chorus, the SATB choral is easy to sing, but certainly full in sound. Incorporating an a cappella tag from the chorus of Grace Greater Than Our Sin, by Julia H. Johnson and Daniel B. Townes, this anthem is an expert combination of contemporary sound and traditional church literature. Perfect for any service of worship and easily learned, this is a beautiful addition to the church music repertoire.
SKU: SU.80101229
Inspired by Psalm 98, the anthem uses an original text by the composer that calls on all of nature to proclaim the reign of God. The music has a full sound but requires only SAB voices and is moderately easy to sing and play. Suitable for festival or general use. 16 pages Published by: Zimbel Press.
SKU: JK.00468
Psalm 46:1-4, 7.
Arranged for mixed chorus (SATB) and organ, but can be adapted for piano. Based on scriptural text from Psalm 46:1-4, 7: God is our refuge and strength, a very present help in trouble. Highest soprano note: F.Composer: Robert P. Manookin Lyricist: Scriptural text from Psalm 46:1-4, 7 Difficulty: Medium / medium acc. Performance time: 4:20Reference: Psalm 46:1-4, 7.
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