SKU: CL.013-1020-00
SKU: CL.026-3950-01
Adapted for the Barnhouse Build-A-Band Series from the original band arrangement of the same title, Themes from the Nutcracker is a perfect selection for any holiday concert. This splendid arrangement includes an introduction based on the Overture and the main themes from the March, the Arabian Dance and the Russian Dance. Playable by any instrumentation as long as the five basic parts are covered, it's very playable and sure to be the hit of any holiday concert!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: CL.012-2179-01
A new setting of one of Tschaikovski’s most beautiful and haunting melodies. Alfred Reed again displays his craft with this adaptation for contemporary wind group of what was originally a piano piece in such a manner as to make it seem as if the composer had originally intended the music for band.
About C.L. Barnhouse Classics Series
Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!
SKU: CL.012-4142-01
The Russian hymn Salvation Is Created was composed by Peter Tchesnokov in 1912. Transcribed many times over the century, it has become a standard in the repertoire for choir, orchestra and band. Composer Robert W. Smith has used this timeless melody to create a new interpretive statement for the concert band. From the soft and delicate opening phrases to the contrasting full band response, the piece progresses through multiple variations and treatments. The final section of the work presents the hymn in a more standard setting leading to a powerful conclusion. Suitable for contest/festival performance as well as any concert program, this may become a standard in the repertoire. An excellent programming choice.
SKU: CL.013-0973-00
A light and cheery concert or contest selection that will put a smile on everyone’s face. This Peter Buys original will certainly make you feel ‘young at heart’. Truly unique and uplifting!
SKU: CL.013-0973-01
SKU: AP.36-A269902
UPC: 659359836114. English.
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly after he had moved to Vienna in 1781, and Mozart wrote in a letter that he made the promise before having married Constanze, a decision which his father Leopold disapproved, though he only really began the work after the marriage, completing all that he did in 1783. The work remained uncompleted from the sense of a liturgical mass, missing some of the Credo movements, all of the Agnus Dei, and parts of the Sanctus and the Benedictus, and Mozart called it a half a mass in a letter to his father. Despite this, all that was completed was performed at a liturgical mass on October 23, 1783, at St. Peter's Church in Salzburg during Mozart and Constanze's three-month sojourn there to introduce Constanze to the family. It is believed that Mozart borrowed from other works to make it complete for a liturgical performance, and it is thought likely that Constanze sang the high first soprano solo part. The work remained in this state until German musicologist Alois Schmitt's work to complete the mass was published in 1902. The Schmitt edition became the standard edition throughout the 20th century. Instrumentation: 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A269901
ISBN 9798892700672. UPC: 659359608209. English.
SKU: CL.MHT-0060-01
SKU: CL.MHT-0070-01
SKU: CL.MHT-0054-75
SKU: CL.MHT-0056-01
SKU: CL.MHT-0035-75
SKU: CL.CB223
SKU: CL.MHT-0055-00
SKU: CL.MHT-0054-01
SKU: CL.MHT-0060-75
SKU: CL.MHT-0060-00
SKU: CL.MHT-0025-01
SKU: CL.029-1277-01
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