SKU: HL.48189410
UPC: 888680880279. 8.25x12.0x0.73 inches.
Cobo Crepuscule Sur La Pampa Guitar 3 Violins & Cello Score/Parts.
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: HL.49015258
ISBN 9783795720629. 4.75x7.25x0.59 inches. German.
Der neue Zupfgeigenhansl erscheint als Folgeband des seit der Jugendbewegung allgemein bekannten Zupfgeigenhansl und enthalt 121 Lieder, die auf die Anliegen der jungen Generation des ausgehenden 20. Jahrhunderts eingehen: Fahrt uber Lander und Meere - internationale Folklore und Spirituals - kritische alte und neue Lieder zu unseren Zeitproblemen - das Thema Liebe - Balladeskes und Heiteres. Das Buch bietet Melodien, vollstandige Texte, Akkorde fur Gitarrebegleitung, Bilder und Infos zu den Textern, Komponisten und Interpreten.
SKU: MB.30667M
ISBN 9781513463971. 8.75 x 11.75 inches.
Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.
A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.
Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.
This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.
SKU: BT.DV-21997
SKU: UT.CH-11.3
ISBN 9790215300323. 9 x 12 inches.
SKU: UT.CH-3
ISBN 9790215301160. 9 x 12 inches.
SKU: UT.CH-1
ISBN 9790215300743. 9 x 12 inches.
SKU: UT.CH-11.2
ISBN 9790215300316. 9 x 12 inches.
SKU: UT.CH-6
ISBN 9790215301191. 9 x 12 inches.
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