SKU: KU.GM-658
German.
A fairy tale with lots of music, text by Michael Ende.
SKU: AP.1-ADV7607
UPC: 805095076073. English.
The Latin-influenced piece consists of the theme (ABC), interlude, soprano and tenor saxophone solos, interlude, theme, a coda featuring the soprano, and culminates with the final cadenza. The soloists may either improvise or play the notated transcriptions. Solo sections may be opened up for additional choruses. Heiner Wiberny wrote this melodious and rhythmically spirited compositon for his son Julian. The Latin-Influenced piece was inspired by his collaboration as multiinstrumentalist with the WDR Big Band in Cologne during productions with Paquito D'Rivera, Bob Mintzer and Andy Narell. The piece consists of the theme (ABC), interlude, soprano and tenor saxophone solos, interlude, theme, a coda featuring the soprano, and culminates with the final cadenza. The soloists my either improvise or play the notated transcriptions of the composer. Solo sections may be opened up for additional choruses. A substitute alto part is printed on the back of the soprano.
SKU: AP.1-ADV7622
UPC: 805095076226. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view, yet they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The interpretation of 'S mo lamh air a stiuir---the song of a helmsman living on the Isle of Skye---should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor---which is one whole tone lower than the original---has been chosen to make sure that the piece is playable, especially for a clarinet quartet.
SKU: AP.1-ADV7686
UPC: 805095076868. English.
This arrangement is playable with or without rhythm section. It includes completely notated rhythm section parts, including piano voicings and bass lines and fully notated jazz solos. Compatible with the woodwind edition.
SKU: AP.1-ADV7684
UPC: 805095076844. English.
SKU: AP.1-ADV7683
UPC: 805095076837. English.
SKU: AP.1-ADV7687
UPC: 805095076875. English.
SKU: AP.1-ADV7685
UPC: 805095076851. English.
SKU: AP.1-ADV7648
UPC: 805095076486. English.
These saxophone quartets are available together with a play-along CD, offering every musician of the quartet the possibility of working on his part at home---in addition to quartet rehearsals. The written parts do not include the phrasings of the improvisations on the CD, which is meant to induce the students to imitate those phrasings. Imitation is an essential step on the students' way to learning how to phrase in jazz. These solos are by no means obligatory. The notated chords serve as a basis for those who wish to improvise and create their own solos.
SKU: AP.1-ADV7435
UPC: 805095074352. English.
Saxophone Quartet was composed especially for presentation at the Montana Saxophone Festival and is dedicated to the festival's director, saxophonist Brooke Ferris. The first movement, Calliope, juxtaposes mechanized rhythmic patterns against legato, lyric melodies. The second movement, Chorale, explores homophonic, harmonic textures which alternate with lyric and contrapuntal passages, and was adapted from a short work composed for saxophone quartet in 1975. The last movement is a fugue. Movements: Calliope * Chorale * Fugue.
SKU: AP.1-ADV7411
UPC: 805095074116. English.
This beautiful addition to the saxophone quartet repertoire is taken from Johann Christian Bach's set of Six Quartettos for a German flute, violin, tenor, and violincello. J.C. Bach was the youngest of Johann Sebastian's sons and is noted for influencing the concerto style of Mozart.
SKU: AP.1-ADV7647
ISBN 9783892217114. UPC: 805095076479. English.
SKU: AP.1-ADV7616
UPC: 805095076165. English. Transcribed by by Trent Kynaston.
The Fugue predates Debussy's mature impressionistic style but is none the less a beautiful piece of music and perfectly suited to the saxophone quartet.
SKU: AP.1-ADV7666
ISBN 9783892217275. UPC: 805095076660. English.
Three-movement suite for SATB saxophone quartet. The first movement simply spins out a five-note shape in an improvisatory fashion. The second movement attempts to offer a poignant introspection to the outside movements. The third movement is a microtonally compressed treatment of the original five-note shape of the first movement. Though completely notated, the ideas and development are conceived in an improvisatory fashion.
SKU: AP.1-ADV7640
UPC: 805095076400. English.
This medium-slow blues by Thelonious Monk has been arranged by Frank Reinshagen for saxophone quartet (SATBar/AATBar). A notated solo is also included.
SKU: AP.1-ADV7675
UPC: 805095076752. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).
SKU: AP.1-ADV7623
UPC: 805095076233. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.
SKU: AP.1-ADV7457
UPC: 805095074574. English.
Being an extremely shortened version of the original composition, this arrangement of Ravel's Boléro provides for a smaller but nevertheless comparatively intense dramatic arc. Its astonishing appeal to the audience remains unimpaired. The piece is excellently suited for any concert situation. Arranged by Christoph Enzel for saxophone quartet (SATBar).
SKU: AP.1-ADV7418
UPC: 805095074185. English.
These bright and cheerful pieces draw from the great traditions of Baroque music and are well-suited to the SATB saxophone quartet.
SKU: AP.1-ADV7429
UPC: 805095074291. English.
The lyrics for As with Gladness Men of Old were written by Englishman William Dix (1837--1898) in the 1860s, reportedly on the day of the Epiphany while Dix was sick in bed. The tune was included in a collection of German chorales edited by Conrad Kocher and published in the 1830s. As a testimony to the flexibility of such music, the hymn is also sung during Thanksgiving under the title For the Beauty of the Earth. This arrangement for saxophone quartet (SATBar)---rather than favoring a soprano solo with accompaniment---strives to include all of the players in the music making, particularly by distributing the melodic material. All dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: AP.1-ADV7473
ISBN 9783892218531. UPC: 805095074734. English.
Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7472
ISBN 9783892218524. UPC: 805095074727. English.
SKU: AP.1-ADV7471
ISBN 9783892218371. UPC: 805095074710. English.
Dating back to 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7470
ISBN 9783892218364. UPC: 805095074703. English.
SKU: PE.EP68235A
ISBN 9790300760261. 232 x 303mm inches.
Etude IV. from 12 Etudes in All the Minor Keys. Arranged for saxophone quartet by Matt Evans.
Matt Evans is a saxophonist in the U.S. Army Band “Pershing’s Own.” He is a founding member of the Zzyzx Quartet, Project Fusion and the Eastman Saxophone Project (ESP), and is a laureate of the Fischoff, Plowman, Coleman, J.C. Arriaga, and MTNA competitions.
One of the most pleasant surprises I’ve had in my composing life was my accidental discovery of the Zzyzx Quartet’s arrangement of this etude. If asked, I would have never thought that my piece could be adapted to the medium of the sax quartet! But Matt Evans’ ingenuity as an arranger, coupled with a genuinely masterful performance which managed to capture the true spirit of the work, convinced me completely. I am so happy to have a small part in contributing to the sax quartet literature! - Marc-Andre Hamelin
SKU: AP.1-ADV7676
ISBN 9783892217374. UPC: 805095076769. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Trance Dance, is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones.
SKU: AP.1-ADV7674
ISBN 9783892217350. UPC: 805095076745. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy, and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone.
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: AP.1-ADV7608
ISBN 9783892216742. UPC: 805095076080. English.
A piece dedicated to Johann Sebastian Bach. The writing concentrates on intervallic combinations within the context of a four part chorale. Also notated are solo excursions or optional improvising.
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