| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106212 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/12. Published by Carus Verlag (CA.3106212). ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106249 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Organ. Composed 1724. BWV 62. 20 pages. Duration 23 minutes. Carus Verlag #CV 31.062/49. Published by Carus Verlag (CA.3106249). ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106209 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.062/21 oboe 1, 1x 31.062/22 oboe 2, 1x 31.062/31 horn 1, 1x 31.062/32 horn 2. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/09. Published by Carus Verlag (CA.3106209). ISBN 9790007043605. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and parts available separately - see item CA.3106200. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106214 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/14. Published by Carus Verlag (CA.3106214). ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106211 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/11. Published by Carus Verlag (CA.3106211). ISBN 9790007043612. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106213 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/13. Published by Carus Verlag (CA.3106213). ISBN 9790007043636. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106207 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1724. BWV 62. 56 pages. Duration 23 minutes. Carus Verlag #CV 31.062/07. Published by Carus Verlag (CA.3106207). ISBN 9790007043599. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3106205 Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Choral Score. Composed 1724. BWV 62. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.062/05. Published by Carus Verlag (CA.3106205). ISBN 9790007043582. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068719 Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068719. Published by Carus Verlag (CA.4068719). ISBN 9790007311384. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score and parts available separately - see item CA.4068700. $317.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068709 Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068709. Published by Carus Verlag (CA.4068709). ISBN 9790007311322. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score and parts available separately - see item CA.4068700. $103.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La damnation de Faust, op. 24 Holoman 111 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Intermediate/advanced Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4 SKU: BA.BA05448 Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448). ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de. In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.
Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$872.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068706 Composed by Robert Schumann. Edited by Hansjörg Ewert. Choral Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068706. Published by Carus Verlag (CA.4068706). ISBN 9790007239725. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score available separately - see item CA.4068700. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116809 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. 2x 31.168/21 oboe d'amore 1 + 2. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/09. Published by Carus Verlag (CA.3116809). ISBN 9790007209254. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116819 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819). ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116803 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803). ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116805 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1725. BWV 168. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.168/05. Published by Carus Verlag (CA.3116805). ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116807 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807). ISBN 9790007242220. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion O Mensch, bewein , BWV 245.2 (1725) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01). ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel. The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.
This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.
Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$371.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Te Deum for the Victory at the Battle of Dettingen HWV 283 Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| St. Matthew Passion Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Set of Parts] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).
$553.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Beethoven: Christus am Olberge Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.2302007 Composed by Ludwig van Beethoven. Edited by Clemens Harasim. Innovative practice aids, Sacred vocal music, Oratorios. Study score. Op. 85. Duration 54 minutes. Carus Verlag #CV 23.020/07. Published by Carus Verlag (CA.2302007). ISBN M-007-24884-0. German/English. Text: Franz Xaver Huber. In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid. Score available separately - see item CA.2302000. $37.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] - Easy Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp...(+)
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3 SKU: CA.4068700 Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700). ISBN 9790007239701. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâ??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be â??fashioned with great loveâ?. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâ??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45). $85.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp...(+)
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3 SKU: CA.4068703 Composed by Robert Schumann. Edited by Hansjörg Ewert. Vocal score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068703. Published by Carus Verlag (CA.4068703). ISBN 9790007239718. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences ââ¬â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannââ¬â¢s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be ââ¬Åfashioned with great loveââ¬Â. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannââ¬â¢s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45). $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Easy Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 vi...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo [3 trumpets, timpani] - Grade 3 SKU: CA.3321549 Composed by Carl Philipp Emanuel Bach. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Organ. Innovative practice aids, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Organ. Composed 1749. BR-CPEB E 4 (Wq 215). 40 pages. Duration 42 minutes. Carus Verlag #CV 33.215/49. Published by Carus Verlag (CA.3321549). ISBN 9790007051716. Language: Latin. C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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