SKU: HL.48025138
ISBN 9781784546984. UPC: 196288093152. 9.0x12.0x0.321 inches.
The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: AP.1-ADV14770
UPC: 805095147704. English.
A new and exciting way for violin players to learn and practice basic jazz style. Easy Jazz Conception: Violin Book & CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section, and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD, and learn basic jazz style first hand.
SKU: FG.55011-693-1
ISBN 9790550116931.
The volume G of the Colourstrings Violin ACB tutors by Geza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the books G3 & G4 (ISMN 9790550116931) includes the piano accompaniments of the performing pieces included in the following books: Colourstrings Violin ABC: Book G3 - Fourth position (9790550115965); Colourstrings Violin ABC: Book G4 - Fifth position (9790550115972).
SKU: HL.49045444
ISBN 9790001162005. UPC: 841886028746. 9.25x12.0x0.058 inches. German - English - French. (ed. Wolfgang Birtel, Benjamin Ramirez) Schott Student Edition Repertoire.
This Rondo, which originally was the third of four easy performance pieces in a cycle for violin and piano (Op. 22), is one of Rieding's most popular and frequently performed pieces in violin lessons for beginners. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: HL.49046626
UPC: 842819114628. 9.0x12.0x0.07 inches.
Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.
SKU: FG.55011-635-1
ISBN 9790550116351.
In 1929 Sibelius sent some small pieces to the New York publisher Carl Fischer for consideration. Included among these was the Suite for Violin and String Orchestra, to which he had assigned the opus number 117. The Suite for Violin and String Orchestra represents the culmination point in a series of works written for violin and orchestra which started with the serenades op. 69 and continued with the Six Humoresques opp. 87 & 89. Together these works bear witness to the composer's deep insight into the instrumental possibilities of the violin. In these works, more limited in formal scope than the Violin Concerto though they be, the voice of the solo violin - Sibelius' second mother-tongue - unites with the orchestral writing of a mature and experienced symphonist. The reduction and solo part are published together for the first time. ---.
SKU: AP.36-60710001
ISBN 9798888521878. UPC: 676737670276. English.
Percy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called British Folk-Music Settings, including Molly on the Shore, Irish Reel from British Folk Music Settings, No. 1. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels (Temple Hill and Molly on the Shore, from The Complete Petrie Collection of Ancient Irish Music), starting with the original 1907 version for string quartet or string orchestra. That same year, Grainger also produced a version for violin solo and piano, which is also available from the publisher. This wholly unique version was freely arranged for violin and piano by famous early 20th century violinist Fritz Kreisler, offering players already familiar with Grainger's original rendition an opportunity to approach the music in a different way. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: FG.55011-719-8
ISBN 9790550117198.
Other Finnish works for violin contains twelve pieces for violin and piano. Though brief in duration, most of them were written for concert use, being rich and expressive and, in some cases, technically quite demanding. Others are delightful salon pieces. This volume was compiled by violinist Mirka Malmi and edited by her with pianist Tiina Karakorpi. Many of the women of Finnish origin who wrote music in the 19th and early 20th century were cosmopolitan by nature. They studied and found employment in the cultural metropolises of central Europe. Because of their gender, they generally had no opportunities for employment in national cultural institutions in Finland. Their music was mainly published outside Finland, and in most cases they enjoyed a broad network of connections, an expansive cultural sphere and a successful career.
SKU: HL.49030434
ISBN 9790220119873.
Apres un silence was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.' This will become a regular presence in the violin and piano repertoire.
SKU: BO.B.3673
It is a work for violin and piano inspired directly by Paganini's Capriccio No. 13, known as La risata del diavolo and one of the most renowned capriccios from the series of twenty-four composed by the celebrated Genovese violinist and composer. In my version for violin and piano, I have singled out the two essential features of the work: the third notes on a double string that emulate the devil's laughter, and the quick eighth notes that follow, all of it within a light and humorous chromaticism.Il diavolo begins with a slow and fragmented but suggestive violin cadenza. It then follows the Allegro deciso, built on the two features mentioned above. In the central part, yet another violin cadenza of a similar character but which recalls the devil's laughter more evidently. The Allegro deciso goes on up to a carefree and virtuosic finale.The work is dedicated to violinist Jesus Reina.
SKU: HL.49044847
ISBN 9781847613622. 9.0x12.0x0.054 inches. English.
Milonga Pampeana is a beautiful and soulful composition by Ros Stephen in the Argentinian 'Milonga Campera' style. Originally published as a solo violin work in the collection Argentinian Tango and Folk Tunes for Violin (ED 13379), the work is now available with a piano accompaniment.Please note, this edition is the piano accompaniment only.
SKU: HL.49019900
ISBN 9790001193375. 9.25x12.0x0.213 inches.
In this sonata, calm passages alternate with extremely lively ones in traditional style. The piano plays in chordal style most of the time as real accompaniment, with polyphonic ensemble playing not being given special emphasis. The sonata is characterized by melodious cantilenas of the violin, intricate rhythms and almost symphonic tonal eruptions alike. The piece demands great technical skills while actually seeming to be easy to grasp.Mustonen is one of the virtuoso pianists-composers of the younger generation. In his works, he often refers to the history and culture of his home country Finland. He performed the world premiere of his Violin Sonata with the young Finnish violinist Pekka Kuusisto in London in April 2013.
SKU: BR.EB-9386
ISBN 9790004188569. 0 x 0 inches.
The Violin Sonata No. 1 in E minor, op. 73, a Grand Sonata for Violin and Piano, occupies an important position in Joachim Raff's oeuvre: it reflects numerous artistic, aesthetic, biographical, and reception-historical aspects characteristic of Raff. The work was composed in Weimar in 1854, when Raff was going through a process of artistic self-discovery. He increasingly distanced himself from his mentor Franz Liszt and intensively explored Wagner as well as the ideal of absolute music - this is also reflected in the music of the sonata. While Raff described the first two movements as objectified, he perceived the last two movements as a piece of him, that is, not free of extra-musical influences.The 1st movement, with its expansive main theme, is reminiscent of Mendelssohn; the 2nd movement reveals the refinement of classical-romantic work with musical material. The 3rd movement, with its partly rhythmic, virtuoso accompanying figures and harmonically advanced passages, allows a deeply romantic, almost tormented insight into a soul life a la Sturm und Drang. The partly irascible last movement revisits already familiar themes and thus creates a musical framework.In collaboration with the Joachim-Raff-Archiv Lachen (CH)First Urtext Edition of the Grand Sonata for Violin and Piano.
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