SKU: PR.114418600
ISBN 9781491111543. UPC: 680160642656.
Telemann for Two Volume I, Fantasias 1-6 arranged for Two FlutesWhat could be more delightful than playing Telemann duets, or playing the Telemann Fantasias? Sharon Sparrow and Jeffery Zook have created a remarkable set of duet adaptations of the Fantasias,sounding as if Telemann himself had composed them as two-part inventions. The original Telemann works are shared between the two players, mixed with counterpoint to enhance the authentic solo works. The result is equally suitable for formal recitals and recreational duet playing! The present publication includes two performance scores of their settings of Fantasias 1-6, with a Volume II to include Fantasias 7-12.______________________________________Text from the scanned back cover:SHARON SPARROW is Assistant Principal Flute of the Detroit Symphony Orchestra. She began musical studies on piano at age four, but it was the flute that led her to the Juilliard School for a Bachelor degree with Julius Baker. She received her Master’s degree with Thomas Nyfenger at the Mannes College of Music. Sharon’s professional career began in the Memphis Symphony, followed by tenured positions in the Fort Wayne Philharmonic and Detroit Symphony, and guest positions in the Hong Kong Philharmonic, Baltimore, Chicago, and Pittsburgh Symphonies. In 2016, Presser published her successful audition training book, 6 Weeks to Finals, and she is a much sought after coach for audition candidates across the country, as well as a frequent Master Class clinician at major schools including Boston University and Peabody Conservatory.JEFFERY ZOOK has been a member of the Detroit Symphony since1992. His formal musical studies began at Interlochen and continued at University of Michigan and the Royal Academy of Music in London. His teachers have included William Bennett and Trevor Wye. A prize winner in the NFA Young Artists Competition, Mr. Zook made his solo debut with the Detroit Symphony as a senior in high school, and has since performed all the Vivaldi concerti with them. He has recorded extensively for MusicMinus One and performed frequently at NFA conventions, including the concerto gala in 2017. Mr. Zook has served on the faculty at University of Michigan and Oakland University. In 2002 Zook and Sharon Sparrow founded the Detroit Flute Connection, a series of masterclasses for flutists.
SKU: KU.OCT-10214_FL1-2
Key: F major.
Concerto for 2 Horns and Orchestra - Wind Set (2Fl).
SKU: UM.46031
ISBN 9790224410617.
SKU: HH.HH591-FSC
ISBN 9781914137242.
Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/4–1760), born in southern Italy but permanently resident in Paris from 1703, committed to print between 1704 and 1738. His Op. 7 (1727) opens with eight such sonatas but ends with four concertos for strings in six parts that, alongside a collection of concertos for five flutes (!) by J.B. de Boismortier published in the same year, inaugurate the proud tradition of concertos created on French soil. Amazingly, Mascitti’s concertos have been neglected not merely by publishers and performers but also by commentators. In particular, the first two concertos display great musical merit in an original idiom that combines Italian and French influences in a very personal way. Further, their Italianate elements juxtapose features familiar from the concertos of Corelli, Mascitti’s reputed teacher, with ones more usually associated with Vivaldi. Both concertos are laden with emotion, albeit never at the expense of the polish and attention to detail that are the hallmark of Mascitti’s craft.
SKU: FZ.6223
ISBN 9790230662239. 24.00 x 33.00 cm inches.
This facsimile of an original by Joseph Bodin de Boismortier is part of our French classical music collection. XVe oeuvre contenant VI concertos pour 5 flutes-traversieres ou autres instruments sans basse. On peut aussi les jouer avec une basse. Edition : Paris, l'Auteur, Boivin, 1727. Presentation de Jean Saint-Arroman : Hints on reading the score. Three separate volumes : flutes 1 et 2 - flutes 3 et 4 - flute 5 (figures for eventual realisation on the harpsichord). This famous work is for an ensemble of 5 flutes, a rare combination. The writing is frequently Italian in style. Note that the composer also envisaged performance by other melodic instruments the work may therefore be played by 5 violins, 5 oboes or 5 recorders. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BA.BA09099-65
ISBN 9790006565672. 32.5 x 25.5 cm inches. Key: E minor.
WithElverskud(The Erl-Kings Daughter), Gade presented his secondsecular cantata for soloists, choir and orchestra, the first having been his successfulComalaOp. 12 (1845/46). The genre was quite popular among his contemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for his music was that of a ballad most likely penned by Emil Erslev and Gade himself. A German translation by Edmund Lobedanz was added at a later time.The composition, started in 1851 and finished in March of 1854, soon became an international success and one of Gade's most-performed works. In 1864, the composer made a number of changes to the instrumentation. While the new version was subsequently used for all performances conducted by Gade, the changes were never incorporated into the printed edition of the score. This edition is the first to present this 1864 version.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49010543
ISBN 9790001094450. UPC: 073999640342. 9.0x12.0x0.097 inches.
The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.
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