(arranged for Tuba and Keyboard). By Benedetto Marcello (1686-1739). Arranged by Donald Little and Richard Nelson. For Piano Accompaniment, Tuba (Tuba). Brass Solos and Ensembles - Tuba And Piano/Organ. Southern Music. Grade 5. Southern Music Company #ST385. Published by Southern Music Company

From Il re pastore. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by and arr.; with English words; by Patrick M. Liebergen. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Classical; Masterwork Arrangement; Secular. Choral Octavo. 12 pages. Alfred Music #00-45602. Published by Alfred Music (AP.45602).

Harp

SKU: UT.MAG-274

Composed by Philipp-Joseph Hinner. Edited by Francesca La Carrubba Jessica Pettenà. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 274. Published by Ut Orpheus (UT.MAG-274).

ISBN 9790215326859. 9 x 12 inches.

Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner's work intrigues for its extraordinary simplicity, for its regularity and harmony; the ordered balance of the parts, symmetry and sense of proportion are essential elements for the author, and give character and unity to his work. The harp repertoire has long been overshadowed by the keyboard one, which boasts extensive solo and chamber literature, and consolidated for over two centuries. The rediscovery of the history of our instrument, however, is still recent and the research work in the field of harp music is still long.
Hinner, with the apparent simplicity of his opus 10, can thus regain his role in the harp repertoire of the eighteenth century, as well as covering a considerable didactic value today. The part of the first harp undoubtedly presents characteristics of greater rhythmic and virtuosic complexity than that of the second, which consists of a continuous accompaniment interspersed with simple thematic imitated episodes. Furthermore in the composition are included arias such as O ma tendre Musette, a French popular melody of the 18th century (previously set to music by Pierre-Alexandre Monsigny), and <>, taken from the opera-comique L'erreur d'un moment ou la Suite de Julie by Nicolas Dezede, as well as themes from Gluck's Iphigenie en Aulide, which had been all used also by Hinner's first harp master, Francesco Petrini (1744-1819).
Hinner's opus 10, originally written in separate parts for two harps, or harp and fortepiano, is presented here updated and completed with its score, for a thorough perception of the work.

By Christoph Willibald von Gluck (1714-1787). Arranged by Greg Anderson. For Piano. This edition: Piano Duets (1 Piano, 4 Hands). Book; Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands). Anderson and Roe Duos and Duets. Classical; Masterwork Arrangement; Recital. Advanced. 8 pages. Published by Alfred Music Publishing

(10 Solo Pieces from Pablo Casals' Repertoire for Cello and Piano Accompanim). By Pablo Casals Ernest Bloch. Edited by Marion Feldman, Pablo Casals. Arranged by Theodore Moses-Tobani. For Cello, Piano. 76 pages. Published by Carl Fischer

Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB)

SKU: PE.EP73044A

For Soprano, Alto, Choir and Orchestra, First Edition, Urtext. Composed by Francesco Durante. This edition: Urtext. Choral Works (inc. Oratorios). Edition Peters. Book. 116 pages. Duration 00:00:00. Edition Peters #98-EP73044A. Published by Edition Peters (PE.EP73044A).

ISBN 9790577013428. 190 x 272mm inches. English.

The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music.

Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as a church composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience.

 

• First publication
• Urtext edition
• Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum)
• Full score and orchestral material also available (EP73044)

This edition of Durante’s Requiem has been recorded by Stephen Darlington, with Oxford’s Christ Church Cathedral Choir, soloists from The Sixteen and Oxford Baroque.

Piano/harpsichord and orchestra (solo: pno - 1.0.2.2 - 2.0.0.0 - str)

SKU: BR.PB-15111-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ernst-Gunter Heinemann. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag EB 10767 is printed in score form; two copies are needed for performance. You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Our edition EB 8579 contains a Ferrucci Busoni cadenza. Solo concerto; Classical. Study Score. 76 pages. Duration 26'. Breitkopf and Haertel #PB 15111-07. Published by Breitkopf and Haertel (BR.PB-15111-07).

ISBN 9790004212684. 6.5 x 9 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.