SKU: BU.EBR-521
ISBN 9790560153902. 8.58 x 12.48 inches.
Les `Kopf Kino Kantaten` (cantates de cinéma dans la tête) sont constituées de 24 pièces pour piano d'une durée d'une minute à une minute trente. Dans la tradition de la musique de salon, ces pièces naviguent entre classique et jazz.Elles marient le connu à l'inconnu, jouent avec toute l’étendue et la sonorité du piano. Avec des rythmes très variés, des sons et des mélodies plein de coloris, les `Kopf Kino Kantaten` sont censées emmener en voyage celles et ceux qui les écoutent. Elles leur feront vivre des scènes imaginaires, tout en musique, qui expriment des moments de solitude, d'attente, de repos et de pauses.Les `Kopf Kino Kantaten` doivent leur origine à un travail intense de l'artiste sur l'histoire du piano. Connotations, allusions ou ressemblances avec d'autres musiques pianistiques ne sont ni vraiment recherchées, ni explicitement évitées par le compositeur. Les `Kopf Kino Kantaten` sont là pour ressusciter l'histoire du piano.Cette édition comprend une sélection de 7 œuvres.Les `Kopf Kino Kantation` ont été enregistrés sur Compact Disc et Vinyle chez Metaracords (meta059 & meta 060). Le coffret Compact Disc est double, puisqu’il propose 2 versions des enregistrements : la première est une exécution des œuvres sur un piano à queue de concert, la seconde, vsur un vieux piano droit. Le Vinyle comporte juste cette deuxième version.A chaque coffret est jointe une photo de Nicolas Vermont Petit-Outhenin, censée déclencher des associations, susciter un cinéma immaginaire. Un travail ‘artistes-vidéo’ effectué sur certaines pièces sont proposées à cette adresse : www.kopfkinokantaten.com.
SKU: LP.765762102521
UPC: 765762102521.
This deeply moving and compelling musical is a beautiful response to God's loving, sacrificial and powerful act of redemption. Sacred and cherished hymns, popular worship songs, and new, expressive compositions combine in arrangements that are both poignant and moving, while retaining a level of difficulty that even the smallest choir can master. The emotive narrations are derived directly from the scriptures and perfectly frame the musical settings. In addition, the work includes several solo and congregational opportunities for participation. Echoing the song of heaven's eternity, this 47-minute presentation is assembled in 4 main sections: I. Worthy of Praise II. Worthy of Our Love III. A Worthy Sacrifice IV. Worthy of Exaltation
SKU: CF.YPS38
ISBN 9780825852152. UPC: 798408052157. 9 X 12 inches. Key: Eb major. Text: Al Stillman. Al Stillman.
The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal. The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a hymn-style section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program. -LARRY CLARK New York, NY 2003.The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal.The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a “hymn-style†section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program.-LARRY CLARKNew York, NY 2003.
SKU: BT.WHMF521
Før Søndagen.
SKU: CA.3116521
Text language: German/English. Text: Franck, Salomo.
The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.
SKU: HL.155218
UPC: 888680104795. 5.0x5.0x0.2 inches.
The classic Ed Lojeski choral setting of Gershwin's famous Porgy and Bess is once again available! Masterful choral writing, opportunities for solos and colorful scoring make this a wonderful option for school and community programming! This 12:45 medley includes: Bess, You Is My Woman; I Got Plenty o' Nuttin'; It Ain't Necessarily So; My Man's Gone Now; Oh Lawd, I'm On My Way; Summertime.
SKU: BR.OB-5216-30
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004332108. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: WD.080689521393
UPC: 080689521393.
SKU: AP.12-0571521266
ISBN 9780571521265. English.
SKU: BT.EMBZ14837
Hungarian-English-German-French.
This is a sequel to the highly successful Child Prodigy Composers volume. In this second volume, the majority of the pieces are works recommended for pupils in the upper music school classes, and indeed some can be used successfully in secondary level teaching as well. Here too, most of the compositions were written before the age of 14 - it is amazing what highly developed piano technique some of these young composers already possessed at the age of 13 or 14!In addition to Muzio Clementi's A flat Major Sonata, the Allemandes by Carl Maria von Weber, Schubert's surprisingly mature C minor fantasia, the prodigiously talented Clara Schumann's two polonaises, Mussorgsky'sbrilliant polka, a sensitive waltz by Scriabin and Borodin's showy (but not difficult) four-hand polka, this volume also contains works by a Hungarian composer: the hitherto unpublished mazurkas by Ern Dohnányi, written around ages 11-12. This is a sequel to the highly successful publication entitled Child Prodigy Composers (EMBZ14773). In this second volume the majority of the pieces are works recommended for pupils in the upper music school classes, and indeed some can be used successfully in secondary level teaching as well. Here too, most of the compositions were written before the age of 14 - it is amazing what a highly developed piano technique some of these young composers already possessed at the age of 13 or 14! In addition to Muzio Clementi's A flat major sonata, the Allemandes by Carl Maria von Weber, Schubert's surprisingly mature C minor fantasia, the prodigiously talentedClara Schumann's two polonaises, Mussorgsky's brilliant polka, a sensitive waltz by Scriabin and Borodin's showy (but not difficult) four-hand polka, this volume also contains works by a Hungarian composer: the hitherto unpublished mazurkas by Ern Dohnányi, written at the age of 11 and 12. Dies ist die Fortsetzung der Erfolgsausgabe Wunderkinder als Komponisten (EMBZ14773). In diesem zweiten Band sind mehrheitlich Werke für die höheren Klassen der Musikschulen vertreten, manche Stücke können auch in der Mittelstufe eingesetzt werden. Bemerkenswert ist, dass ein Großteil der Werke mit unter 14 komponiert wurden. Verblüffend, über welche Klaviertechnik ein Teil der dreizehn-vierzehnjährigen Komponisten schon verfügten!Neben der Sonate in As-Dur von Muzio Clementi, den Allemanden von Carl Maria von Weber, der überraschend reifen Phantasie in c-Moll von Schubert, den beiden entzückenden Polonaisen von Clara Schumann, der brillanten Polka von Mussorgsky,dem sensiblen Walzer von Skrjabin und der effektvollen, aber nicht allzu schwierigen Polka für vier Hände von Borodin, erscheinen auch in diesem Band Werke eines ungarischen Komponisten - die Erstveröffentlichungen der im Alter von elf und zwölf Jahren entstandenen Masurken und Scherzandi von Ern Dohnányi.
SKU: CA.5211120
ISBN 9790007090548.
SKU: BR.OB-16109-16
ISBN 9790004347386. 10 x 12.5 inches.
The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).
SKU: HL.847221
ISBN 9780793521463. UPC: 073999472219. 9x12 inches.
89 of the greatest songs from the legends of Liverpool, including: All You Need Is Love * And I Love Her * The Fool on the Hill * Got to Get You Into My Life * Here, There, and Everywhere * Let It Be * Norwegian Wood * Something * Ticket to Ride * and more.
SKU: BT.EMBZ15213
Hungarian.
SKU: MA.EMR-28521
Dancing Clown / Disco Lady / Get Up And Swing / El Toro / Feel Like Dancing / Cha Cha No. 2.
SKU: LO.99-3958L
UPC: 000308152173.
Split-track accompaniment CD for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
SKU: BR.EB-8694
ISBN 9790004181829. 9 x 12 inches.
With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation. In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
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