SKU: CA.5021500
ISBN 9790007090265.
Volume 15 reveals a largely unknown treasure of the romantic song for voice with piano accompaniment in which his complete 100 solo songs with opus numbers are united in one collection. The musical spectrum ranges from the naive-witty Kinderlieder op. 152 to the highly dramatic setting of Des Madchens Klage op. 57,7 from Schiller's Wallenstein. Among the authors of these poems Rheinberger's scarcely-known contemporaries are represented, just as are the great names of German literature, including Goethe, Eichendorff, and Scheffel. English and Italian poets are also represented (Burns, Moore, Petrarca, Savonarola).
SKU: HL.51482531
ISBN 9790201825311. UPC: 888680669072. 7x10 inches.
The trio sonata is regarded as one of the core chamber music genres of the 17th and 18th centuries. Corelli remains to this day its best-known exponent, but also before and after him there was a multitude of exceptional works in the genre that remain largely unknown today. This two-volume catalogue raisonné has finally brought these treasures to light. Thanks to support from the Balzan Foundation and the University of Zurich, this catalogue now offers the first-ever bibliography of the genre. It encompasses all the published trio sonatas of the 17th and 18th centuries, and also provides detailed information on sources and works, plus introductory commentaries. This printed catalogue will be complemented by an online database with enhanced search functions that will enable both scholars and practising musicians to explore this fascinating repertoire. GERMAN TEXT.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HH.HH403-FSC
ISBN 9790708059868.
The autograph, regrettably, has not survived. The source on which the present edition is based consists of the principal and other violin parts, in the hand of an unknown copyist, preserved in the music collection of the Benedictine abbey of Melk (Stift Melk) in Austria (the work’s nickname derives from this location). The Melker Concerto in A Major, Hob. VII a: 3, is one of the few violin concertos by Joseph Haydn regarded as authentic. Listed in the Breitkopf catalogue in 1771, it was probably composed some time between 1765 and 1770.
SKU: CA.3720811
ISBN 9790007214630. Language: German.
The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.
SKU: HL.49019665
ISBN 9790001192941. German - English.
This musical setting of a German poem by an unknown poet (English translation by Linda Godry) too has won second prize at the prestigious composition competition of the ChorVerband NRW in 2012, as has the musical setting of the same text for female choir by Alwin M. Schronen (product number C55504).In a mostly syllabic setting, the composer takes up the images of the poem and expresses them through musical means. As a result, the listener hears the dense and deeply felt devotion of the singing self to the one opposite to him, the - unattainable - moon.
SKU: BR.EB-8032
ISBN 9790004174357. 9 x 12 inches.
In the last year of his life, Felix Mendelssohn Bartholdy (1809-1847) composed the six charming Children's Pieces, op. 72 (EB 8317). In contrast to the collections of children's pieces (by Schumann or Reger, for example), these have remained relatively unknown. Admittedly, however, they here and there demand technical and musical accomplishments that are beyond those to be expexted of beginners and belong to an intermediate stage of instruction. In the present edition, minor re-arrangements and cuts (in op. 72 no. 6) are intended to make the music more accessible to a child's understanding. The Songs without Words presented here are musically more demanding. From the total of 48 pieces, I have selected three slow compositions in which simple, beautiful melodie lines are supported by chorale-like piano textures. True performance of these pieces requires clean polyphonic chord playing and a cultivated pedal technique. The selection of pieces in this edition will, it is hoped, stimulate renewed interest in the piano music of Mendelssohn, which is so neglected today. Heinz Walter, Salzburg, Spring 1979A Selection from 6 Children's Pieces (Op. 72) and Songs without Words.
SKU: CA.3913912
ISBN 9790007216177. Text language: German.
With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.
SKU: CA.3720719
ISBN 9790007137007. Language: German.
The cantata Auf, auf, ihr Herzen, seid bereit was composed for the fourth Sunday in Advent, most certainly during Homilius's tenure as Kreuzkantor in Dresden between 1755 and 1785, although a more precise dating is not possible. The author of the cantata text is unknown. Score and parts available separately - see item CA.3720700.
SKU: HL.44012417
This Hollywood blockbuster from 1962, is an historic and epic drama that turned out to be a massive box-office hit, despite the unknown cast. Its success can undoubtedly be attributed in part to the excellent soundtrack. Erik Mast has made a wonderful arrangement of the soundtrack which has become a masterpiece in its own right.
SKU: CA.3109711
ISBN 9790007046934. Key: B flat major. Language: German/English. Text: Fleming, Paul. Text: Paul Fleming.
Liturgical intention unknown. Score and part available separately - see item CA.3109700.
SKU: CA.3913900
ISBN 9790007167752. Language: German.
With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata.
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: CA.3410405
ISBN 9790007103408. Language: German.
An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score available separately - see item CA.3410400.
SKU: HL.14016339
ISBN 9788759863183.
Unknown Italian Cathedral Music of the early 16th Century.
SKU: MB.30964
ISBN 9781513469775. 8.75x11.75 inches.
This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version