SKU: BT.DHP-1115171-401
ISBN 9789043142311. 9x12 inches. English-German-French-Dutch.
Are you looking for a duet book full of surprises? Then Klezmatic Duets (10 pieces) is just the right book for you! It is available for violin, viola and cello and each book can be combined with each other, making these truly flexible duets. The book contains a selection of well-known traditional melodies which are very different in character. These skilful arrangements allow violinists and viola players to play within the first position. Cello players play up to the fourth position.Typisch voor klezmer is de zeer expressieve melodie die zowel heel opgewekt kan klinken als tegelijk melancholisch of weemoedig. Klezmatic Duets is dan ook een veelzijdige uitgave: tien bekende en zeer verschillende klezmermelodieënzijn bewerkt voor twee violen, twee altviolen of twee cellos's. De verschillende uitgaven zijn onderling te combinerenKlezmatic Duets for Violins ist ein vielseitiges Buch: Zehn bekannte, sehr unterschiedliche Klezmermelodien wurden dafu?r als Duette fu?r zwei Violinen bearbeitet; aus diesem Buch kann aber auch gemeinsam mit anderen Streichern gespielt werden, welche die entsprechende Ausgabe fu?r Viola oder Cello besitzen. Geiger mu?ssen fu?r diese Stu?cke nur die erste Lage beherrschen. Klezmatic Duets for Violins est un recueil aux multiples facettes : dix mélodies klezmer connues et de styles différents ont été arrangées pour être jouées en duo de violons mais également en duo avec un autre instrumentiste cordes, tel quâ??un altiste ou un violoncelliste possédant le recueil approprié. En tant que violoniste, vous devrez cependant maîtriser la première position. Klezmatic Duets for Violins è una pubblicazione che può essere utilizzata in diverse combinazioni: 10 note melodie klezmer sono state arrangiate per due violini. Si può però suonare assieme ad un altro musicista che ha a disposizione la versione per viola o violoncello. Per lâ??esecuzione di questi brani è richiesta solo la padronanza della prima posizione.
SKU: BT.EMBZ6554
Hungarian-English-German-French.
Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works (for egual voices). He was prevented from doing this by his early death. At the request of the Editio Musica Budapest, Endre Szervánszky has undertaken this task in 1971. His arrangements, which we are bringing out in two volumes, offer valuable material both to violin teaching and group music-making. Béla Bartók plante im Jahre 1939 die Bearbeitung seiner Chöre (für gleiche Stimmen) für zwei, bzw. drei Violinen. Sein früher Tod verhinderte jedoch dieses Vorhaben. Im Auftrag der Editio Musica Budapest löste Endre Szervánszky diese Ausgabe. Seine in zwei Heften erscheinenden Bearbeitungen bieten sowohl für den Unterricht als auch für das gemeinsame Musizieren wertvolles Material.
SKU: HL.49005574
ISBN 9790001060059. UPC: 073999888348. 9.0x12.0x0.095 inches.
SKU: CA.1632710
ISBN 9790007113063. Language: all languages.
The study in synchronicity, se sont penches dessus first achieved its final scoring after many changes. It was first composed as music to a choreography by Gabriel Hernandez: Le (!). eh ? Zovotrimaserovmeravmerouvian (dmzn !) ; se sont penches dessus, which is based on the letters of a fragment translated into French that appears in James Joyce's Finnegan's Wake. The short, static piece has existed in three versions: 1. - sspd , electronic music (normal version, a glissando from one chord of four sounds to another, employed in the electronics of No. 3) 2. - sspd sature, electronic music (intentionally distorted version of No. 1) 3. - se sont penches dessus for violin, alto flute and electronics, in which the flutist had to sing one tone of a diad It turns out that a version for two equal string instruments can better render the harmony of the piece (a tone sung simultaneously with a tone that is played on the flute yields a ring-modulated mixture of sound which is too indistinct), and thus the duo version for 2 violins was composed. A collaboration with the Kairos Quartet, Berlin, (le second tour du noye, 3rd String Quartet) led me to smuggle a viola and cello into the piece as background, in order to glue the abrupt harmonic changes discretely together. The Duo and the Quartet are definitive and equally valid versions, both of which are available separately: Duo (Carus 16.327/10), Quartet (Carus 16.327). se sont penches dessus is now literally the transposition of the translated quotation from James Joyce, in which the letters of the text se sont penches dessus establish the basic structure of the piece (the rhythmic standstill denotes the vowels of the 4 words), the letters of Zovotrimaserovmeravmerouvian indicate the fine rhythmic structure and the manner of playing (e.g., sul ponticello). Walter Feldmann. Score available separately - see item CA.1632700.
SKU: BT.EMBZ7918
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle 'no music without technique, no technique without music' in his teaching material.
SKU: BT.EMBZ8307
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