Accordion - very easy to easy

SKU: HL.49045119

Book 1 - BK/CD. Composed by Hans-Guenther Koelz and Sabine Koelz. This edition: Saddle stitching. Sheet music with CD. Woodwind Solo. Zur zweibandigen Schule Akkordeon spielen - mein schonstes Hobby erscheint nun das erste Spielbuch mit vielen schonen und beliebten Stucken fur den Unterricht und das gemeinsame Musizieren. Classical. Softcover with CD. 68 pages. Schott Music #ED22316. Published by Schott Music (HL.49045119).

ISBN 9783795744472. 9.25x12.0x0.212 inches.

Akkordeon spielen - mein schonstes Hobby is a practical method that aims at young people and adults who wish to get to know the whole multifaceted world of accordion music. Suitable for beginners and false beginners.After Vol. 1 (ED 20951) and Vol. 2 (ED 20952) of the method, Schott now publishes tune book No. 1 with many beautiful songs and pieces for lessons, ensemble playing at home or auditions. The level of difficulty of the pieces has been adjusted to the progression of the volumes of the method. Many songs come with an accompanying part for the teacher or other accordion players. The enclosed CD serves as an acoustic learning aid and shall motivate the student to practise and play.

(Waltzes, Polkas, Tangos, Hornpipes, Two-Steps and More!). Composed by Bruce Bollerud. For International Accordion Favorites. Saddle-stitched. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

Composed by Gary Dahl. Saddle-stitched. First Lessons. Book and online audio. Published by Mel Bay Publications, Inc (MB.99927M).

Composed by Frank Zucco. Squareback saddle stitched. Book and Online Video. 100 pages. Published by Mel Bay Publications, Inc

Accordion (keyboard) - Intermediate

SKU: MB.97210

Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210).

ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.

An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.

Accordion - difficult

SKU: HL.49045519

For accordion. Composed by Krzysztof Penderecki. Edited by Maciej Frackiewicz. Arranged by Maciej Frackiewicz. This edition: Saddle stitching. Sheet music. Edition Schott. Transkription des Streichtrios von Maciej Frackiewicz (2013). Classical. Softcover. Composed 1990-1991/2013. 32 pages. Duration 720 seconds. Schott Music #ED22408. Published by Schott Music (HL.49045519).

ISBN 9790001161510. 9.0x12.0 inches.

The transcription of the Sinfonietta remains as closely to the original as possible while fully exploring the accordion's possibilities of registration, tonal colouring and playing techniques. The rhapsodic first movement and the dance-like, virtuoso second movement, so contrasting in character and yet so consistent in their compositional devices, are perfectly suited to this versatile instrument.

Composed by Gary Dahl. Squareback saddle stitch. Getting Into. Book and online audio. Published by Mel Bay Publications, Inc (MB.99926M).

Composed by Dan Newton. Arranged by Gary Dahl. For accordion. Saddle-stitched. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

Accordion - difficult

SKU: HL.49018091

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Composed 2008/2009. 24 pages. Duration 15'. Schott Music #ED20759. Published by Schott Music (HL.49018091).

ISBN 9790001170338. UPC: 884088520069. 9.0x12.0x0.115 inches.

The title hidden tracks is ambiguous. First of all, the piece is almost throughout imagined as 'multi-track', with layers (in the sense of sound tracks) that partly overlay each other, partly suddenly appear from the background. The composition deals with 'hidden' lines, sounds at the perception threshold, with side effects of the accordion sound which -observed, so to speak, under a compositional 'microscope' - develop a special allure: that is the vertical component. The title has also a horizontal meaning: a 'hidden track' is a piece on a record without a track number that is not mentioned on the cover either. In most cases, a 'hidden track' follows after a longer break after the (presumably) last piece on the record; often this track contains strange sounds, noise or other surprising elements. 'Hidden tracks' are surrounded by a nimbus of the mysterious and subversive. This effect is being used rather often throughout the piece: again and again, it seems to have ended but continues after a pause. The expectation of the listener and the attentiveness also for the tiniest events rises; the performance receives an almost scenic character. hidden tracks was partly composed in August 2008 during a stay at the Kunstlerhaus Lukas in Ahrenshoop at the shores of the Baltic Sea. The work was accompanied by many walks on the beach - again and again, I caught a sight on tracks in the sand that became overlaid by other tracks, wiped out by the wind and the waves... Benjamin Schweitzer.