SKU: CF.BF141
ISBN 9781491159989. UPC: 680160918584.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayerâ€, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.†This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer†and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication†(the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Songâ€, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
SKU: HL.14011746
Danish.
Fra For Cello Og Orkester For Cello Og Klaver For Marianne was composed by Pelle Gudmundsen-Holmgreen in 2002. For Cello and Piano.
SKU: HL.284546
For Bob is arranged for Cello and Piano. First performed by Elisabeth Smalt and Kevin Volans, London 2016. Composers Note: I have no idea where this piece came from and how it is structured. But before and after I wrote it I was nagged by the question: what does the viola have to do with the piano? Did this combination evolve by unfortunate accident? The viola was perfected in the 18th century. Its natural metier is (private) chamber music. The piano on the other hand kept growing and blossomed in the 19th century as the ultimate public instrument. If the piano is to play with the viola, it has to rein back its power and pose as an accompanist. Maybe a third instrument, perhaps from the 20th century, is needed to mediate between these two very different sound worlds. So whenwe play this 'trio' with 2 instruments I invite the listener to mentally add the silent part(ner). - Kevin Volans.
SKU: HL.14009506
8.25x11.75x0.222 inches.
Cello Concerto was one of Moeran's last major works, written for his wife - the cellist Peers Coetmore - in 1945, and stands as a robust and sweeping confirmation of his compositional brilliance. This is a version arranged for cello with piano accompaniment. Piano reduction.
SKU: HL.14020314
ISBN 9780711986251.
Three Pieces for cello and piano received its premiere on 9th June 1999 at St Cyprian's Church, Marylebone, performed by Susie Winkworth (Cello) and Tamami Honma (piano). Duration c. 8 minutes.
SKU: CF.B3417
ISBN 9780825859274. UPC: 798408059279. 9 X 12 inches.
Commissioned by Chamber Music America, this beautiful neo-romantic work was first performed on January 17, 1993 by Emil Miland and Robin Sutherland. A substantial work at 20 minutes, the sonata, alternates between lyrical writing and music with a scherzo-like feel that is both lively and animated. Sonata for Cello and Piano is written in one movement that flows extremely well with an intertwined cohesiveness between the two players. A memorable piece for a cello recital!
SKU: HL.14003310
UPC: 884088433451. 8.25x11.75x0.033 inches.
Hebrew Melody arranged for Cello and Piano or Harp. Includes score and part.
SKU: HL.14019507
ISBN 9780711990029.
Easy pieces for Cello and Piano by Joan Lovell and Peggy Page. This volume introduces the backward and forward extensions of the first position together with the half position.
SKU: HL.14013845
9.75x14.25x0.049 inches.
This is a Cello/Piano reduction of the work for Cello and Orchestra.
SKU: HL.14043390
ISBN 9788759885512. English.
Peder Gram's Sonate Op.14 for Cello and Piano. Score and part.
SKU: HL.14009773
8.5x11.75x0.06 inches.
SKU: HL.14010997
ISBN 9780853608042. 8.5x11.0x0.196 inches.
Cello Part with Piano Reduction.
SKU: HL.14019506
UPC: 884088435646. 9.0x11.5x0.097 inches.
Einfache Stucke fur das Cello und Klavier fur junge Cellisten von John Lovell und Peggy Page. Englische Ausgabe Band 1.
SKU: HL.14030693
8.25x11.75x0.466 inches.
In the second half of his life, Moeran greatly extended his sensibilities and his musical palate to include more energetic and vigorous rhythms, harmonic colours and tonalities. In the Sonata for ViolonCello and Piano, the listener will find grandeur in the first movement and an intricate rondo in the finale. It is a piece by a composer who has taken an expansive step beyond his immediate surroundings and first influences.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk and influences of folksong and programmatic elements can be easily heard in this composer's main body of work. Moeran tended toward thesmaller ensembles in his compositions, which gave an appropriate frame for his lyric gifts.
SKU: HL.14041367
ISBN 9788759818893. 10.0x14.0x0.436 inches.
This is the Piano reduction for Momentum - Cello Concerto No. 2 for Violoncello Solo and Chamber Orchestra by Per Nørgård (2009).
Full Score: WH31033
SKU: HL.14023628
ISBN 9780711975729. 12.0x9.0x0.095 inches.
On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five, is a version of the Shakespeare song setting made for Prospero's Books (1990). The second Angelfish Decay, is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added. The final piece Miserere Paraphrase, was written for use in The Cook, The Thief, His Wife And Her Lover (1989), and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. This version for cello and piano written in 1997. Duration c.15 mins.
SKU: HL.49018992
ISBN 9790001172417. UPC: 841886015265. 9.0x12.0x0.24 inches.
The pianist, composer, arranger and cabaret artist Peter Ludwig is an all-round talent from Bavaria. He writes film music, chansons, chamber music, piano music, and, above all, beautiful inspired tangos bridging the gap between South America and Europe. Together with the cellist Anja Lechner, he received the award of the German Phono Academy for his CD 'Tango mortale' in the 1980s. Since then, he has not been able to get the tango out of his mind, and today he performs as a pianist of the piano trio 'Tango a trois'. The tangos for violoncello and piano are a valuable addition to the cello repertoire and also perfect for concert performances.
SKU: HL.14032602
UPC: 884088814113. 8.25x12.0 inches.
Released in 2005, the album Once Around the Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. May - Cumulonimbus was the fifth piece to be composed and is scored here for cello with piano accompaniment.
SKU: HL.14014726
ISBN 9788759855713. 8.25x11.75x0.066 inches. English.
SKU: HL.14007473
8.25x11.75x0.419 inches.
Arthur Bliss' Concerto For Violoncello. Reduction for Cello and Piano.
This work was first performed at the Aldeburgh Festival on 24th June 1970 by Mstislav Rostropovich and the English Chamber Orchestra, conducted by Benjamin Britten.
SKU: HL.14032196
Symfonisk Losning - Efter en tegning af Jens Birkemose (Symphonic Solution) for Cello and Piano was composed by Anders Koppel in 2002. Dedicated to the photographer Marianne Grondahl.
Symfonisk Løsning - Efter en tegning af Jens Birkemose (Symphonic Solution) for Cello and Piano was composed by Anders Koppel in 2002. Dedicated to the photographer Marianne Grøndahl.
SKU: HL.14043036
ISBN 9788759829332.
Sonata No. 4 For Cello And Piano: Op.289 was composed by Danish composer Niels Viggo Bentzon .
SKU: HL.14016246
8.25x11.75x0.054 inches.
It is a surprising fact of Beethoven's life that of all the categories of pieces he composed, there are more settings of Irish songs than of any other type of music. Scottish poet Robert Burns convinced a Scottish music publisher to commission Beethoven to set his own words to Irish airs. The death of Burns in 1796 ended the project, but Beethoven went on to harmonise and arrange the songs in 1814 through 1816, mainly, and they were published, though never achieved as great a popularity as a rival set by Thomas Moore.This simplified version for easy Cello and Piano was arranged by composer Hugo Cole, an accomplished cellist who was for many years a music critic for theGuardian newspaper.
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