SKU: AY.CC3681PM

ISBN 9790543578050.

Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.

SKU: AY.CC3662PM

ISBN 9790543573277.

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-known work, this Salve Regina for double choir (SSAATTBB), has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a double clarinet quartet.

SKU: AY.CC3674PM

ISBN 9790543574212.

Giovanni Gabrieli - Maria Virgo from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Matt Johnston. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.

SKU: AY.CC3673PM

ISBN 9790543576148.

Antonio Caldara - Crucifixus for Clarinet Choir, arranged by Matt Johnston. Can be performed by 12 B-flat Clarinets and 4 Bass Clarinets, with the possibility of substituting auxiliary clarinets as indicated in the list of instrumentation. Additionally, an optional organ part is provided. Antonio Caldara was an Italian composer of the Baroque era. He was born in Venice and spent most of his life working in various musical positions throughout Italy, including as a composer and musician in the courts of Mantua, Rome, and Vienna. Caldara is perhaps best known for his vocal music, particularly his operas and oratorios. He also composed instrumental music, including sonatas and chamber music. He was particularly known for his use of counterpoint, a technique in which multiple melodic lines are played or sung simultaneously, and for his expressive use of harmony.

SKU: P2.30089

Composer Arthur Gottschalk says, Suite Nothings was commissioned by Houston Symphony clarinetist Richard Nunemaker for his Effortless Clarinet Studio. It is dedicated to Michael Perricone, a talented amateur clarinetists and member of Nunemaker's studio, who was diagnosed with Stage 4 cancer just prior to rehearsals for the seventh annual studio recital. Movement 1 ('The March of the Licorice Stick Figures') is a strange little march, at times duple and others compound. Movement 2 ('Weird Harold's Stomp') is a touch more funky, albeit in 13 beat groupings, and owes a partial debt and perhaps apology to jazz legend Herbie Hancock. The final movement is an all-out atonal yet swinging romp, whose theme was originally written for the Band of the First Battalion, Royal Australian Regiment, based in Townsville, Queensland. These guys march into battle with full field packs, their weapons, AND their instruments! Hence the title, 'The Royal Australian Regiment Rondo'..

SKU: P2.30029

Johann Sebastian Bach (1685-1750) wrote the cantata Nun Komm, der Heiden Heiland BWV 62 based on the chorale by Martin Luther of the same name. Its first performance was in Leipzig in 1724. This arrangement is the first movement of the six-movement work, which was originally scored for chorus and orchestra. The inspiration for arranging this work was the pure desire to play Bach in a group that could otherwise not. In using four Bb clarinets, three A clarinets, and two Bb bass clarinets, I hoped to achieve a diversity of timbre like that of the original instrumentation.