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HARP
TROMBONE
Concert band
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Harp (1886)
Piano solo (814)
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Harp, Flute (duet) (309)
String Quartet: 2 violins, vio… (190)
Harmonica (139)
Piano, Voice (131)
Concert band (130)
Guitar notes and tablatures (127)
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Guitar (114)
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Musical course - Solfege (99)
Piano, Vocal and Guitar (99)
Clavecin ou Harpe), 2 Violons … (72)
Choral 3-part (69)
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Harp, Orchestra (66)
Flute and Piano (65)
Organ (60)
Harp, Violin, Violoncello (57)
Divers (52)
Flute (50)
Violin (42)
String Orchestra (40)
Marching band (38)
Harp, Cello (duet) (38)
Keyboard (35)
Flûte Traversière, Alto et H… (33)
2 Harps (duet) (33)
Choral 2-part (33)
Flûte Traversière Alto et Ha… (32)
Flute, Viola and harp (32)
Harp and Piano (31)
Harpe, Violon et Violoncelle A… (28)
:: (27)
Autoharp (27)
Violin and Piano (26)
Flûte, Alto Et Harpe (25)
Soli, Mixted choir and accompa… (24)
Clarinet and Piano (24)
Harpsichord (24)
Harpe et Piano (24)
2 Harpes (23)
All Instruments (23)
Harp, Voice (23)
Guitare (22)
Choral (22)
Easy Piano (22)
Harpe, 2 Violons, Alto et Viol… (20)
Recorder (19)
Lyrics and Chords (19)
5 Harps (18)
1 Piano, 4 hands (18)
Hautbois et Harpe (18)
Cello, Piano (18)
Descant (Soprano) Recorder (18)
2 Flûtes Traversières et Har… (17)
Clarinet (17)
Choral SSAA (17)
Cello (17)
Parties Orchestrales (16)
Harpe et Violon (16)
Trumpet (16)
Trio (16)
Harp, Violin (duet) (16)
Harpe Et Instruments Divers (16)
Piano and Orchestra (15)
Flûte Traversière Harpe et A… (15)
Flûte Traversière Violon, Vi… (15)
Guitar, Harp (15)
1 Harpe ou plus (15)
Saxophone (15)
Harpe ou Piano et Violon (14)
Clarinet, Harp (duet) (14)
Orchestra, Violin (14)
Bass guitar (14)
Violon, Violoncelle Et Harpe (13)
ENS::Ensemble (13)
Harpe et Quintette à Cordes (… (12)
Harpe et Quatuor à Cordes (12)
Quatuor à Cordes, Harpe et Ba… (12)
Viola, Piano (11)
Violoncelle, Flûte Traversiè… (11)
Voice solo (11)
High voice, Piano (11)
Choral Unison (11)
Melody line, (Lyrics) and Chor… (11)
Piano Trio: piano, violin, cel… (10)
Flûte Traversière, Harpe Et … (10)
Solistes STBarB, Choeur SATB, … (10)
Jazz Ensemble (10)
Violon Et Harpe (10)
Medium voice, Piano (10)
Drums (10)
Musical Awakening (9)
Flute, Harp en Piano (9)
2 Flutes and Harp (9)
Harpe Et Autres Instrument A C… (9)
C Instruments (9)
4 Harpes (9)
Harpe Ou Piano (9)
Flûte Traversière, Clarinett… (9)
Piano Quartet: piano, violin, … (8)
Opera (8)
Flûte, Clarinette, Harpe, Bat… (8)
Choeur Mixte (SATB) Avec Piano… (8)
Choral TTBB (8)
Clarinet Quintet: Clarinet, St… (8)
2 Sopranos, guitare et harpe (… (8)
Harpe, Piano et Flûte Ad Libi… (8)
Flûte Et Instruments Divers (8)
Dulcimer (8)
Orchestre d'Harmonie et Harpe … (8)
Orgue (Ou Harpe), 2 Flûtes Tr… (8)
Viola (8)
Harpe Solo (8)
Clarinette et Harpe (8)
2 Violas, Piano (8)
2 Pianos, 4 hands (8)
Flûte Traversière Piano de C… (7)
Flûte Traversière hautbois o… (7)
Harpsychord (7)
Flûte à Bec Alto, Alto et Ha… (7)
Harpe et Violon Ad Libitum (7)
Alto Saxophone (7)
Harpe et Violon ou Flûte Trav… (7)
Violon ou Violoncelle et Harpe… (7)
Flûte Traversière Harpe, Alt… (7)
Flûte Traversière et Harpe o… (7)
Alto, Flûte Traversière Alto… (7)
Violoncelle, Harpe et Timbales… (7)
Saxophone and Piano (7)
Duos (7)
Cor et Harpe (7)
Piano, Percussion et Harpe (7)
Harpe et Flûte Traversière (7)
Alto Saxophone and Piano (7)
3 Harps (7)
Pocket, Study conductor (6)
Soli and Orchestra (6)
Flûte Traversière ou Violon … (6)
Voix et Piano ou Guitare (6)
Accordion (6)
Violon, Piano ou Harpe (6)
Quintet : 2 Violins, Violoncel… (6)
Voix Et Piano (Ou Harpe Celtiq… (6)
Clavecin (6)
Oboe (6)
Soprano voice, Orchestra (6)
Mandoline, Guitare et Harpe (6)
Choeur D'Enfants (Choeur De Fe… (6)
Accessoire (6)
Oboe, Piano (duet) (6)
Flute, Cello and Harp (trio) (6)
Chant (6)
Ensemble Mixte (6)
Quintette (6)
Harpe Et Orchestre De Chambre (6)
Choeur de Femmes (SSAA), 2 Cor… (5)
Ukulele (5)
Flûte, Alto et Harpe (5)
Trombone (5)
Cor Des Alpes Et Harpe (5)
Chamber Ensemble (5)
Choeur De Femmes (SSA), 2 Cors… (5)
School Ensemble (5)
Trombone Et Harpe (5)
Guitare et Harpe (5)
Saxophone Alto, Ensemble de Ve… (5)
Violon, Alto, Violoncelle Et H… (5)
Mandolin (5)
Treble (Alto) Recorder (5)
French horn (5)
Violoncelle, Harpe Et Orgue (5)
Nursery rhyme (5)
Soprano voice, Piano (5)
Flute and Guitar (5)
Hautbois, Violoncelle Et Harpe… (5)
Parties Séparées (5)
Music Theory (5)
Recorder, Piano (5)
Violon, Orgue et Harpe (4)
Flûte Traversière et Instrum… (4)
2 Violons et Violoncelle ou Al… (4)
5 Instruments à vent, Harpe, … (4)
Brass Quintet: 2 trumpets, hor… (4)
Flûte Traversière, Clarinett… (4)
Clarinette, Orchestre à Corde… (4)
Harpsichord and Strings (4)
Flûte Traversière, Violon ou… (4)
2 Trompettes Et 2 Trombones (4)
Flûte Traversière Harpe, Vio… (4)
Flûte Traversière, Hautbois,… (4)
Double bass, Orchestra (4)
Flûte Traversière Clarinette… (4)
String Trio: 2 violins, cello (4)
Saxophone Alto, Quatuor à Cor… (4)
Flûte Traversière Harpe et V… (4)
4 Contrebasses Timbales, Harpe… (4)
Violon et Violoncelle et Piano… (4)
Harpe, Violon et Basse ou Clav… (4)
2 Violons, Orchestre à Cordes… (4)
Flûte Traversière Celesta, H… (4)
Violoncelle, Harpe et Piano (4)
Flûte Traversière, Violoncel… (4)
Piano, Voice, Guitar tablature… (4)
Clarinette, Alto et Harpe (4)
3 Harpes et 3 Violoncelles (4)
Children's Choir (Women's Cho… (4)
Flûte Traversière, Violon, A… (4)
Flûte Traversière Violon, Ha… (4)
Solo S, Choeur SSAA, Violon, P… (4)
Choeur Mixte (SATB) Avec Tenor… (4)
Alto, Cor et Harpe (4)
Flûte Traversière Violoncell… (4)
Harpe, Cor de Basset ou Alto) … (4)
Hautbois, Ensemble de Cordes e… (4)
Flûte, Basson et Harpe ou Vio… (4)
Flûte Traversière Harpe et P… (4)
Flûte Traversière Alto, Harp… (4)
Violon, Harpe, Clavecin ou Org… (4)
Harpe, Flûte Traversière et … (4)
String Quartet (4)
Harpe, Clavecin et Piano (4)
3 Flûtes, 3 Clarinettes, 2 Ha… (4)
Piano, Harpe Ad Libitum Violon… (4)
Sextuor (4)
Flûte Traversière (Ou Flûte… (4)
Cor ou Violon et Harpe (4)
Chorale d'Enfants et Ensemble … (4)
Flûte Traversière Harpe, Alt… (4)
Flûte Traversière Basson et … (4)
Harp, String quartet (4)
Flûte Traversière (Flûte Al… (4)
2 Flûtes Traversières et Fl… (4)
Flûte Traversière Hautbois e… (4)
Saxophone en Mib, Harpe, Celes… (4)
Harpe, Guitare et Mandoline (4)
Mezzo-Soprano, Flûte Alto, Al… (4)
Clarinette en A, Cor et Harpe … (4)
Harpe, 2 Flûtes et Violoncell… (4)
hautbois, Harpe, Clavecin, Vio… (4)
Flûte Traversière Violon, Al… (4)
2 Flûtes Traversières et Har… (4)
Violin, Basso continuo (4)
Flûte Traversière ou Violon)… (4)
Flûte, Violon Et Clavecin (Ou… (4)
Contrebasse, Harpe, Hautbois e… (4)
Hautbois, Basson et Piano (4)
Ténor, Choeur Mixte (SATB), H… (4)
Flûte Traversière, Alto, Tro… (4)
Quintette de Cuivres et Harpe (4)
Harpe et Flûte (4)
Trio à Cordes (4)
Piano ou Harpe (4)
Flute and Strings Trio (4)
Clarinette en A, Flûte Traver… (4)
Biography (4)
Harpe et Orchestre à Cordes (4)
Quatuor à Cordes, Harpe et Pe… (4)
2 Guitars (duet) (4)
Harpe, Clarinette et Cor (4)
Trumpet, Piano (4)
Children choir (4)
CD (4)
Voix Et Harpe (4)
Violon, Harpe et Ensemble de C… (4)
Treble (Alto) Recorder, Piano (4)
Flûte, Violoncelle Et Harpe (4)
Alto Et Harpe (4)
Choeur Mixte (SATB) Et Harpe (… (3)
Voix et Harpe ou Piano (3)
Harpe Diatonique (3)
Flûte Traversière, Harpe et … (3)
Scores (3)
High voice (3)
Piano Accompaniment (3)
Alto, Guitare Et Cordes (3)
Harpe et Piano ou 2 Pianos (3)
B Flat, E Flat, C and Bass cle… (3)
Choeur De Femmes (SSAA) Et Har… (3)
Orchestre et Piano (3)
SOP/PFA::Soprano, Accompagneme… (3)
Low voice, Piano (3)
Harpe Et Voix (3)
Bassoon, Piano (duet) (3)
Tenor Solo, Voix De Femmes (SS… (3)
Tenor Saxophone (3)
Symphonic Band (3)
Harpe ou Piano, Violon et Viol… (3)
Solistes SATB, Choeur SATB, 2 … (3)
Harpe et Cor ou Flûte Travers… (3)
Flute, Clarinet, Piano (trio) (3)
Harpe et autres Instrument à … (3)
Harpe ou plusieurs Harpes (3)
Choeur De Femmes (SMezA) Et Ha… (3)
Voix (Ou Récitant) Et Instrum… (3)
Harpe, Clavecin, Piano Et 2 Or… (3)
Ensemble (3)
Flute, Violin, Piano (3)
Mezzo-Soprano et Harpe (3)
Harpe et Violoncelle ou Violon… (3)
Orgue (Harpe) Et Orchestre (3)
Harpe et Contrebasse (3)
VLN/CHAM::Violon, Musique De C… (3)
Choeur A 4 Voix, Tenor Solo, S… (3)
Oboe, Clarinet, Bassoon (trio)… (3)
2 Violins (duet) (3)
Flute ensemble (3)
3 Parties Voix Aigues (SSA) Et… (3)
Harpe Chromatique (3)
Baritone voice, Piano (3)
Ensembles Divers (3)
S, A, T, B, Choeur Mixte A 2-4… (3)
2 Parties Voix Aigues (SS) Et … (3)
Trombone and Piano (3)
Harp and Organ (3)
ENS::Ensemble d'cole (3)
Harpe, Flûte, Clarinette Et Q… (3)
Choeur Mixte (SATB) Et Harpe (3)
Flûte en sol, Harpe et Sextu… (3)
Conducteur (3)
Harpe Et Ensemble A Vent (2)
Flûte (Ou Violon), Violoncell… (2)
Violin, Viola (duet) (2)
Hautbois (Hautbois D'Amour Ad … (2)
Voix Aigues (SSAA) Et Harpe (O… (2)
3 Parties Voix Aigues (SSA) Et… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Choral SAATTBB A Cappella (2)
Chant Si/Tenor (Ou Soprano) Et… (2)
Hohe/Mittlere/Tiefe Singstimm… (2)
Concert Band ou Harmonie et Cl… (2)
Voix, Flûte, Alto Et Harpe (2)
Flute, Harpsychord (2)
Chant, Flûte Traversière, Cl… (2)
Choeur SSAA, Harpe ou Piano et… (2)
2 Claviers (2)
AFLT/PIC/HARP/VLA::Flûte Alto… (2)
Voix Aigües avec Piano ou Org… (2)
Oboe, Percussion (2)
Harpe ou Guitare et Orchestre (2)
Clarinet, Orchestra (2)
Choeur (SATB), Harpe ou Clavie… (2)
Cello, Guitar (duet) (2)
Hautbois, Alto Et Harpe (2)
Percussion Ensemble (2)
Hautbois (Ou Flûte Traversiè… (2)
Cor Des Alpes, Flûte Traversi… (2)
Mezzo-Soprano ou Baryton et Pi… (2)
Ensemble de Flûtes Traversiè… (2)
Flûte Et Harpe (2)
1 ou 2 Harpes (2)
Saxophone Quartet: 4 saxophone… (2)
Contralto ou Contreténor) et … (2)
Instruments A Vent (Bois), Har… (2)
Soprano, Flûte et Harpe (2)
Soprano voice (2)
Violoncelle et Piano ou Harpe (2)
2 Parties Voix Aigües (SS) et… (2)
Voix Aigües et Harpe ou Piano… (2)
FLT/HARP::Flute, Harp (2)
Concert band, Percussion (2)
Flûte, Clarinette Et Harpe (2)
Chamber Music (2)
Violon Et Harpe (Ou Piano) (2)
Soprano et Harpe (2)
Oboe, Flute (2)
Trombone et Orchestre (2)
A Cappella (2)
Soprano, 3 Batteries, Vibrapho… (2)
Ténor et Harpe (2)
Harpe, 2 Violons, Viole Et Vio… (2)
Flûte à Bec Soprano ou Téno… (2)
Flûte Traversière, Clarinett… (2)
Clavecin Et Instruments A Cord… (2)
Recorder, Harp (2)
Soli (SMsATB), Chor (SATB) un… (2)
Clarinette, Violon, Harpe, Cel… (2)
4 Flûtes et harpe ou piano (2)
Harpe, Flûte Traversière, Cl… (2)
Flûte, Clarinette Sib (ou Sa… (2)
OPERA::Op‚ra (2)
FLT/VLA/HARP::Flute, Viola, Ha… (2)
Hautbois, Harpe, Quatuor A Cor… (2)
Choral, Orchestra (2)
Harpe et Percussions (2)
Grande Harpe Seule (2)
Cor De Basset, Trombone, Harpe… (2)
Hautbois, Harpe, Violon, Alto … (2)
Choeur de Femmes a Cappella ou… (2)
Soprano, Flûte Traversière, … (2)
Hautbois (Cor Anglais), Harpe … (2)
Voice Mezzo-Soprano, Orchestra… (2)
Choeur SSAA, Hautbois, Cor et … (2)
Flûte, Violon, Alto, Violonce… (2)
Soprano, Violoncelle Et Harpe (2)
Solistes (SATB), Choeur Mixte … (2)
Children's Choir (Women's Cho… (2)
Quintette À Vent, Harpe Et Co… (2)
BAR/STR QUARTET/PF/HARP::Baryt… (2)
Chant, Orgue Et Quintette A Co… (2)
Choeur De Femmes (SSS) Et Harp… (2)
Soprano Solo, Choeur Mixte (SA… (2)
Mezzo-Soprano, Flûte Traversi… (2)
Piano, Percussion, Harpe Et En… (2)
FLT/HARP/VLA::Fl?te Traversi?r… (2)
Voix, Choeur Pour Femmes (SSAA… (2)
Cymbales, Harpe, 2 Pianos et 2… (2)
Saxophone and Orchestra (2)
French Horn and Piano (2)
Voix et Ensemble Instrumental (2)
Choral CD (2)
Concert Band et Marimba (2)
3 Parties Voix Aigues (SSS) Et… (2)
VLN/VLC/HARP::Violin, Cello, H… (2)
Flûte Et Piano Ou Flûte Et H… (2)
Violon, Harpe, Percussions Et … (2)
Ténor Solo, Violon Solo, SATB… (2)
Flûte Ou Violon Et Harpe (2)
VLC/HARP/VLN::Cello, Harp, Vio… (2)
Harpe (Violon Ou Accordéon) E… (2)
Choeur D'Enfants (Choeur De Fe… (2)
Hautbois, Violon, Alto, Violon… (2)
Voix Egales Et Harpe (2)
Concert Band ou Harmonie et Fl… (2)
Alto et Orchestre (2)
Hautbois Et Harpe Ou Piano (2)
Libretto (2)
Harpe Avec Accompagnement Quat… (2)
Choeur De Femmes (SSA), Harpe … (2)
2 Voix et Piano ou Harpe (2)
Orgue ou Clavecin (2)
Unison Trebles et Piano (2)
HARP/FLT::Harp, Flute (2)
Flûte Traversière, Alto, Har… (2)
Musique de chambre (2)
SOP/SATB/HARP/STR ENS::Soprano… (2)
Choeur A L'Unisson Et Piano (O… (2)
Chant, Flûte Traversière et … (2)
Orchestre D'Harmonie et Harpe (2)
Harpe et Cordes (2)
Violon (2), Violoncelle, Contr… (2)
Flûte Et Harpe Ou Piano (2)
2 Harpes ou 2 Harpes celtique… (2)
Hautbois, Harpe Et Cordes (2)
Choeur SATB et Ensemble Divers… (2)
Trumpet, Harp (2)
String Trio: 3 violins (2)
Tenor voice, Piano (2)
Banjo (2)
Voix Elevée(s), Flûte Traver… (2)
2 Parties Voix Aigües (SA) et… (2)
Hautbois, Harpe et Orchestre … (2)
Mixed Choir (SATB) and Piano … (2)
Chant La/Tenor (Ou Soprano) Et… (2)
2 Flûtes, 2 Clarinettes, Cor,… (2)
4 Voix Mixtes, Harpe ou 2 Flû… (2)
Voix Et Ensemble (2)
Mixed Choir (SATP) and Harp (… (2)
Harpe, Cor, Violon et Basse c… (2)
Flute, Organ (duet) (2)
Soprano ou Ténor et Piano ou … (2)
Flute and Harp (2)
Clarinette, Basson, Harpe et O… (2)
Contralto voice, Piano (2)
4 Harps (2)
Flûte Et Piano Ou Blue Harpe (2)
29 Instruments A Cordes Et 2 H… (2)
Cuivres Orgue Harpe Ad Libitum… (2)
Trombone and Orchestra (2)
Ensembles De Harpes (2)
Vocal duet (2)
Harpe Et Clavecin (2)
Harpe et Ensembles de Cordes (2)
Tenor, Choeur (SATB/SA/TTBB) E… (2)
Harmonica Diatonique et Chroma… (2)
Cor et Orchestre D'Harmonie (2)
Flûte Traversière, Clarinett… (2)
Cor En Fa Et Harpe Ou Piano (2)
Clarinette, Orchestre A Cordes… (2)
Tenor, 2 Trompettes, 2 Trombon… (1)
Flûte Traversière, Hautbois … (1)
Clavecin, Pianoforte, Orgue (1)
Mixed Choir (SATB), Clarinet, … (1)
Bb Instruments (1)
Soli, 2 Choeurs Mixtes, Instru… (1)
Cor ou Flûte et Piano ou Harp… (1)
FLT/HARP/VLA::Flûte Traversi… (1)
Bassoon (1)
DVD (1)
Solistes (SA) Et Choeur De Fem… (1)
Guitare, Harpe, Clavecin Et Gr… (1)
Low voice (1)
Violoncelle, Harpe Et Hautbois… (1)
Soprano, Quintette à vent (F… (1)
Chant, Quatuor A Cordes, Harpe… (1)
Ensemble De Chambre (1)
VLN/HARP/HPCD/STR ORCH::Violin… (1)
Alto et Harpe ou Piano (1)
FLT/VLN/HARP/VLA/VLC/DB::Fl?te… (1)
Harpe Et Violoncelle (1)
2 Harpes ou Piano et Harpe (1)
Soprano, Celesta, Harmonium et… (1)
Baryton et Quatuor à Cordes (1)
Harpe ou Piano et Clarinette (1)
Bass Trombone and Piano (1)
Clarinette, Harpe (Ou Piano) E… (1)
Harmonica Diatonique (1)
3 Parties Voix Aigües (SSS) e… (1)
Orchestre à Cordes, Harpe, Ti… (1)
Flûte Traversière Et Piccolo… (1)
Choeur D'Hommes (TTBB) Et Pian… (1)
SOP/HARP/STR ENS::Soprano, Har… (1)
Solistes (SATB), Choeur Mixte,… (1)
Flûte Traversière Et Piano (… (1)
FLT/HARP::Fl?te Traversi?re/Ha… (1)
2 Pianos ou Harpe et Piano (1)
Oboe, Klavier, Harfe, 3 Viole… (1)
Violoncelle, Instruments A Ven… (1)
Choeur et Orchestre (1)
Guitare Et Instruments Divers (1)
2 Percussions et Ensemble (1)
Children choir, Instruments (1)
Harpe (ou Harpe celtique) (1)
Alto, Harpe Et Cordes (1)
Klavierauszug - Koloratursopr… (1)
Choeur Mixte (SATB) Et Piano (… (1)
Voix et Piano ou Harpe (1)
Flûte à Bec et Harpe (1)
Clarinette En Sib, Orchestre E… (1)
3 Harpes ou 2 Harpes et Piano (1)
Guitare, Harpe, Clavecin Et Pe… (1)
Voix Mixtes (1)
Guitare, Hautbois D'Amour et O… (1)
Piano, Harpe, Vibraphone Et Ca… (1)
Violoncelle Et Piano Ou Violon… (1)
Chant Et Piano (Ou Harpe) (1)
Harpe Celtique, Guitare Et Cd (1)
2 Sopranos et Harpe (Clavecin,… (1)
Hautbois, Guitare Et Violoncel… (1)
Chant et Harpe (1)
Alto ou 2 Violes et Piano (1)
Vocal duet, Piano (1)
Harpe et 2 Pianos (1)
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Johnnie Vinson: Variants on a Shaped Note Tune: Concert Band: Score Parts &
Concert band
Hal Leonard
Variants on a Shaped Note Tune was commissioned by the Homewood Middle School Ba...
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Variants on a Shaped Note Tune was commissioned by the Homewood Middle School Band (Homewood AL) and was premiered at the Alabama Music Educators Association Conference in January 2006. The title refers to a traditionalearly American singing style based on reading a system of shapes rather than musical notes. Based on the Scottish tune “Pisgah” from the shape note songbook The Sacred Harp the Variants begin simply with astatement by unison clarinets. From there begins a series of distinctive variations featuring an ingenious mix of styles tempos and instrumentation. Destined to become a staple on required contest lists for years to come thiswork provides an exceptional complement for any program or festival. Dur: 5:00 (Includes Full Performance CD)
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Nigel Hess: The Winds of Power: Concert Band
Concert band
Faber Music Limited
Unlike Nigel Hess's other works for wind band The Winds of Power is not a progr...
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Unlike Nigel Hess's other works for wind band The Winds of Power is not a programmatic work. After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing somewhat cinematic version but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise introduced by solos in the woodwind section. Eventually a maestosostatement which erupts into a presto coda ends the journey in a triumphant more optimistic blaze of sound.
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Robert Buckley: Cathedral Grove: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
“Cathedral Grove” is a magnificent park on Vancouver Island in Briti...
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“Cathedral Grove” is a magnificent park on Vancouver Island in British Columbia Canada containing some of the oldest and largest trees in the world. It is the towering majestic pillars of these ancient giants andthe quiet serenity of this place that inspired this music. Evocative and impressionistic in nature Robert Buckley's writing depicts the richness of the colors and textures and the diffused light shining through the canopy ofleaves above. At times hauntingly lyrical and other times prayer-like and reverent but always filled with awe and beauty. (Includes optional part for acoustic guitar or harp). Dur: 3:05Recorded by the Troy UniversitySymphony Band - Mark Walker conductor
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Timothy Broege: Pilgrim Traveler: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Skillfully combining four distinctive melodies from the early-American ?shape-no...
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Skillfully combining four distinctive melodies from the early-American ?shape-note? hymnal The Sacred Harp Timothy Broege has created a wonderful single-movement setting for band that includes many moods andstyles. ?Pilgrim? and ?Traveler? form the principal themes of the piece and undergo a series of variations. ?Aylesbury? and ?Jefferson? are used as transitional melodies and arecombined with the other two as the music becomes increasingly complex and contrapuntal. From tender and serene to bold and stark this inventive work makes an impressive statement. Dur: 5:45 (Includes Full Performance CD)
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Philip Sparke: Mexican Holiday: Concert Band: Score
Concert band
Anglo Music
Whilst making no claims to be stylistically authentic this little piece aims to...
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Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.
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Philip Sparke: Mexican Holiday: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Whilst making no claims to be stylistically authentic this little piece aims to...
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Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.
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Jan Bosveld: Odyssee: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
(+)
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Johnnie Vinson: Overture on a Hymn Tune: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Overture on a Hymn Tune is based on “The Old Ship Of Zion” which is ...
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Overture on a Hymn Tune is based on “The Old Ship Of Zion” which is found in the Early American Sacred Harp songbook. Johnnie Vinson uses a fast-slow-fast overture format to give this wonderful melody anappealing setting with plenty of variety and musicality. The slow middle section is a rhapsodic treatment of the main melody while the two fast segments offer appealing and upbeat settings sure to be enjoyed by all. Skillfullyscored to sound full with inexperienced players. Dur: 3:30
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Steven Bryant: Alchemy in Silent Spaces: Concert Band: Score
Concert band
Hal Leonard
This large-scale three-movement work commissioned by Ray Cramer and the Indiana...
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This large-scale three-movement work commissioned by Ray Cramer and the Indiana University Wind Ensemble embodies the transformation of silence into sound. The opening movement is sparse utilizing mallet percussion harp andpiano to create a floating sense of timelessness. Featuring extensive solo flute this floating texture gradually builds over several minutes ultimately launching itself into a grandiose warm harmonically consonant blanket ofsound. The second movement continues the focus on solo flute and again opens slowly gradually gaining momentum but at a faster pace than in the first movement. The music spirals upward and outward but instead of reaching aplateau winds itself out and comes to a grinding halt in the upper range of the ensemble. Five brief solemn chords conclude the movement which immediately erupts into Movement III music of unceasing unsettling motion propelled by a driving ostinato which is repeatedly interrupted by bittersweet moments of lyricism all the while pushing toward an unforgiving climax. The movements may also be performed separately. There is no explicit narrativeto the piece though many particular elements do have personal quasi-biographical significance. Ultimately this is music of both personal and musical transformation.NOTE: This work is available as a rental item directlyfrom the composer. For details e-mail rental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.
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Maxime Aulio: Marsyas: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmoni...
(+)
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmonie-Si les récits de métamorphoses furent très populaires dans l?Antiquité gréco-romaine le recueil du poète latin Ovide [43 av. J.-C./17 apr. J.-C.] est de loin le plus célèbre. Les quinze livres des Métamorphoses racontent la formation du monde et les transformations légendaires des dieux et des hommes en animaux en plantes ou en objets. Parmi les nombreuses histoires de métamorphoses relatées par Ovide on trouve celle de Marsyas un satyre originaire de Célènes en Phrygie. Fils d?Hyagnis considéré comme l?inventeur de l?harmonie phrygienne Marsyas excellait dans la musique. Un jour Athéna fit une flûte double et en joua à un banquet des dieux. Tournée en dérisionpar Héra et Aphrodite et ayant constaté elle-même en voyant le reflet de son visage dans l?eau que l?instrument quand elle en jouait lui déformait les traits elle jeta la flûte en maudissant quiconque la ramasserait. Cette malédiction frappa le satyre Marsyas qui la trouva et en joua magnifiquement au grand plaisir des paysans des contrées phrygiennes qui l?écoutaient et qui prétendirent que le dieu Apollon en personne n?aurait pu mieux faire avec sa lyre. Apollon entra dans une colère formidable et proposa à l?insolent satyre un concours musical dont le vainqueur pourrait faire subir au vaincu le châtiment de son choix. Les Muses et le roi Midas choisis comme juges ne réussirent pas à départager les concurrents. Alors Apollon joua de la lyre à l?envers et demanda à Marsyas d?en faire autant avec son instrument. Cela était impossible. Marsyas n?y parvint pas et Apollon fut déclaré vainqueur. Il se vengea du satyre de la plus cruelle façon : il l?attacha à un pin et l?écorcha vif.Certains racontent qu?Apollon se repentant de sa vengeance métamorphosa en fleuve le corps de Marsyas. D?autres prétendent que le sang de Marsyas ou les larmes versées par les nymphes et les satyres privés des enchantements de sa flûte formèrent le fleuve de Phrygie qui porte son nom. / Marsyas fut créé le 22 juillet 2005 à Bordes sur Arize en Ariège par le
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Jan Bosveld: Odyssee: Concert Band: Score
Concert band
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
(+)
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Maxime Aulio: Marsyas: Concert Band: Score
Concert band
De Haske Publications
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmoni...
(+)
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmonie-Si les récits de métamorphoses furent très populaires dans l?Antiquité gréco-romaine le recueil du poète latin Ovide [43 av. J.-C./17 apr. J.-C.] est de loin le plus célèbre. Les quinze livres des Métamorphoses racontent la formation du monde et les transformations légendaires des dieux et des hommes en animaux en plantes ou en objets. Parmi les nombreuses histoires de métamorphoses relatées par Ovide on trouve celle de Marsyas un satyre originaire de Célènes en Phrygie. Fils d?Hyagnis considéré comme l?inventeur de l?harmonie phrygienne Marsyas excellait dans la musique. Un jour Athéna fit une flûte double et en joua à un banquet des dieux. Tournée en dérisionpar Héra et Aphrodite et ayant constaté elle-même en voyant le reflet de son visage dans l?eau que l?instrument quand elle en jouait lui déformait les traits elle jeta la flûte en maudissant quiconque la ramasserait. Cette malédiction frappa le satyre Marsyas qui la trouva et en joua magnifiquement au grand plaisir des paysans des contrées phrygiennes qui l?écoutaient et qui prétendirent que le dieu Apollon en personne n?aurait pu mieux faire avec sa lyre. Apollon entra dans une colère formidable et proposa à l?insolent satyre un concours musical dont le vainqueur pourrait faire subir au vaincu le châtiment de son choix. Les Muses et le roi Midas choisis comme juges ne réussirent pas à départager les concurrents. Alors Apollon joua de la lyre à l?envers et demanda à Marsyas d?en faire autant avec son instrument. Cela était impossible. Marsyas n?y parvint pas et Apollon fut déclaré vainqueur. Il se vengea du satyre de la plus cruelle façon : il l?attacha à un pin et l?écorcha vif.Certains racontent qu?Apollon se repentant de sa vengeance métamorphosa en fleuve le corps de Marsyas. D?autres prétendent que le sang de Marsyas ou les larmes versées par les nymphes et les satyres privés des enchantements de sa flûte formèrent le fleuve de Phrygie qui porte son nom. / Marsyas fut créé le 22 juillet 2005 à Bordes sur Arize en Ariège par le
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Seaside Calypso (COURT DOUGLAS)
Concert band
[Score and Parts]
-
Beginner
Curnow Music
Par COURT DOUGLAS. Conductors of beginning bands are always looking for fresh ma...
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Par COURT DOUGLAS. Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed “island” style, it’s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert. Easy-goin’! / Niveau : 1 / Musique légère originale / Répertoire / Concert Band
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Satoshi Yagisawa: A Golden Jubilation: Concert Band: Score
Concert band
De Haske Publications
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Sympho...
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Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Symphonic Band à l?occasion de son 50e concert annuel ce qui a inspiré le titre. L?amitié profonde entre Hiroki Ito ? le chef d?orchestre ? et Satoshi Yagisawa est à l?origine decette fanfare jubilatoire d?une durée approximative de deux minutes pièce d?ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens comprenant aussi une banda séparée uneharpe et d?autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.
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Satoshi Yagisawa: A Golden Jubilation: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Sympho...
(+)
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Symphonic Band à l?occasion de son 50e concert annuel ce qui a inspiré le titre. L?amitié profonde entre Hiroki Ito ? le chef d?orchestre ? et Satoshi Yagisawa est à l?origine decette fanfare jubilatoire d?une durée approximative de deux minutes pièce d?ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens comprenant aussi une banda séparée uneharpe et d?autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.
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Douglas Court: Seaside Calypso: Concert Band: Score & Parts
Concert band
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
(+)
Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
49.99 GBP - Sold by Musicroom UK
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Douglas Court: Seaside Calypso: Concert Band: Score
Concert band
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
(+)
Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
9.99 GBP - Sold by Musicroom UK
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Douglas Court: Seaside Calypso: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
(+)
Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
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3 Onegin Dances (TCHAIKOVSKI PIOTR ILITCH)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Arr. Wil Van Der Beek. Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky is best known f...
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Arr. Wil Van Der Beek. Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Philip Harper: Olympus: Concert Band: Score and Parts
Concert band
[Score and Parts]
Harper Music Publications
Olympus
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Philip Harper: Olympus: Concert Band: Score
Concert band
Harper Music Publications
Olympus
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Highlights from High School Musical: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)Weâ...
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Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)We’re all in this together = C major (no sharps or flats)
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Eduard Strauss: Bahn frei: Concert Band: Score & Parts
Concert band
De Haske Publications
Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss t...
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Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss the Elder was born on March 15 1835 in Vienna. Originally Eduard looked for employment in the diplomatic service but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862 he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear) which he wrote in 1869 and a handful of other fast polkas (he excelled in this particular dance form) his music is not as well known as that of his brothers.
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Eduard Strauss: Bahn frei: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss t...
(+)
Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss the Elder was born on March 15 1835 in Vienna. Originally Eduard looked for employment in the diplomatic service but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862 he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear) which he wrote in 1869 and a handful of other fast polkas (he excelled in this particular dance form) his music is not as well known as that of his brothers.
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Pyotr Ilyich Tchaikovsky: Three Onegin Dances: Concert Band: Score & Parts
Concert band
De Haske Publications
Tchaikovsky is best known for his purely instrumental compositions. However we ...
(+)
Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
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Rocky Point Holiday: Concert Band: Score and Parts
Concert band
[Score and Parts]
Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...
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Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
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Pyotr Ilyich Tchaikovsky: Nocturne: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Tchaikovsky is best known for his purely instrumental compositions. However we ...
(+)
Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
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In The Pirate's Wake
Concert band
Alfred Publishing
Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cett...
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Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cette pièce est une introduction amusante et excitante à la tonalité de ré mineur, qui rappelle les jours de gloire de la piraterie, certain d'entendre tous les membres de votre auditoire. Les élèves utiliseront une variété de techniques de droite, y compris Double Up-arcs, arc ascenseurs et pizzicato. Ils élargiront leurs connaissances rythmiques en utilisant une croche / XVIe combinaison pointée. Technique de gauche est contestée par tiers travaux de position straight-forward pour les premiers violons et alternant entre C-naturel et C-sharp dans la plupart des régions. Les étudiants seront également développer de bonnes compétences oreille-formation dans les passages parallèles qui utilisent tiers. / Concert Band
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